فائل:Durer_selfporitrait.jpg
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![فائل:Durer selfporitrait.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/4/48/Durer_selfporitrait.jpg/430px-Durer_selfporitrait.jpg)
اصل فائل (۸۰۱ × ۱,۱۱۶ پکسلز, فائل حجم: ۹۳ کلوبائٹ, MIME type: image/jpeg)
ایہ فائل Wikimedia Commons توں اے تے دوجیاں ویونتاں تے وی ورتی جاسکدی اے۔ گل بات اس دے فائل گل بات صفحہ تے تھلے دتی گئی۔
خلاصہ
البرخت دیورر: Self-Portrait with Fur-Trimmed Robe
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آرٹسٹ |
artist QS:P170,Q5580 |
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سرخی |
Self-portrait translate |
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سلسلے دی سرخی |
Self-portraits by Albrecht Dürer ![]() |
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Object type |
painting ![]() |
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Genre |
self-portrait ![]() |
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تفصیل |
Deutsch: Frontalporträt mit Idealisierung vergleichbar mit Christusdarstellungen; betonter Blick und die schöpferische Hand als Werkzeuge des Künstlers |
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Depicted people |
البرخت دیورر ![]() |
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تریخ |
۱۵۰۰ date QS:P571,+1500-00-00T00:00:00Z/9 |
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میڈیم | oil on lime | |||||||||||||||||||||||||||
ڈائمنشن |
height: ۶۷.۱ cm؛ width: ۴۸.۹ cm dimensions QS:P2048,67.1U174728 dimensions QS:P2049,48.9U174728 |
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Collection |
institution QS:P195,Q154568 |
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ہن والی تھاں |
1st floor room IX Room IX |
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ملن نمبر |
537 |
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اوبجیکٹ رکارڈ | 1805 aus Nürnberg angekauft | |||||||||||||||||||||||||||
Exhibition history | ||||||||||||||||||||||||||||
اندرلکھت | [Albertus Dürers Noricus / ipsum me propriis sic effin / gebam coloribus aetatis / anno XXVIII] | |||||||||||||||||||||||||||
اتے پتے |
Alte Pinakothek RKDimages, Art-work number 218748 |
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ذریعہ/فوٹوگرافر |
Web Gallery of Art: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/d/durer/1/03/1self28.html" |
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دوجے ورژن |
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لائسنس –
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Captions
Items portrayed in this file
چترن
digital representation of English
media type English
image/jpeg
فائل دی تریخ
فائل نو اس ویلے دی حالت وچ ویکھن واسطے تاریخ/ویلے تے کلک کرو۔
تریخ تے ویلہ | نکی مورت | پاسے | ورتن والا | تیپّݨی کرو | |
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موجودہ | ۱۵:۱۴, ۱۳ جنوری ۲۰۰۸ | ![]() | ۸۰۱ × ۱,۱۱۶ (۹۳ کلوبائٹ) | Caravaggio | {{Information |Description=Autoritratto con pelliccia.jpeg, 94783c.jpg, 801x1116px.jpg |Source=http://www.wga.hu/art/d/durer/1/03/1self28.jpg |Date=13/01/2008 |Author=Scala Source |Permission=GFDL |other_versions= }} |
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- 1520s
- 1528
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میٹا ڈیٹا
اس فائل وچ ہور وی معلومات نے، شاید او ڈیجیٹل کیمرے یا سکینر نے پائیاں گئیاں نے جس نال اینو کچھیا یا ڈیجیٹل بنایا گیا اے۔
اگر فائل نو ایدی اصلی حالت توں تبدیل کیتا گیا اے تے کجھ تفصیلات تبدیل ہوئی فائل دے بارے چ نئیں دسن گیاں۔
جے پی ای جی شائل کومنٹ | DÜRER, Albrecht
(b. 1471, Nürnberg, d. 1528, Nürnberg) Self-Portrait in a Fur-Collared Robe 1500 Oil on lime panel, 67,1 x 48,7 cm Alte Pinakothek, Munich The last of Dürer's three magnificent self-portraits was painted early in 1500, before his 29th birthday on 21 May. The picture is proudly inscribed: `Thus I, Albrecht Dürer from Nuremburg, painted myself with indelible colours at the age of 28 years.' It is a sombre image, painted primarily in browns, set against a plain dark background. The face is striking for its resemblance to the head of Christ. In late medieval art, Jesus was traditionally presented in this manner, looking straight ahead in a symmetrical pose. Christ's brown hair in these images is parted towards the middle and falls over the shoulders. For the first and last time in Western art history, an artist was to portray himself in a Christ-like scheme. Given his idealized appearance as the underdrawing shows, his nose was originally irregular in shape - Dürer is approaching us in "imitatio Christi", in imitation of Christ. He has a short beard and moustache. Dürer has even painted himself with brown hair, although the other self-portraits show that it was actually reddish-blond. Dürer deliberately set out to create a Christ-like image, with his hand raised to his chest almost in a pose of blessing. But this was no gesture of arrogance or blasphemy. It was a statement of faith: Christ was the son of God and God had created Man. For Dürer, the painting was an acknowledgment that artistic skills were a God-given talent. However, Dürer has subtly departed from the traditional image of Christ in his self-portrait. Despite initial appearances, the picture is not quite symmetrical. The head lies just off the centre of the panel to the right and the parting of the hair is not exactly in the middle, with the strands of hair falling a little differently on the two sides. The eyes stare slightly towards the left of the panel. Dürer also wears contemporary clothing, a fashionable fur-lined mantle. The result is a highly personal image, one whose `indelible colours' still influence the way we imagine Dürer looked in his later years. The deceptive illusionism in which the picture is painted is also, however, a reference to the classical artistic legend about Apelles, with whom he had been compared by contemporary humanists.
Author: DÜRER, Albrecht Title: Self-Portrait in a Fur-Collared Robe Time-line: 1501-1550 School: German Form: painting Type: portrait |
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