Attēls:Henry_II_of_France-François_Clouet_(altered).jpg
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![Attēls:Henry II of France-François Clouet (altered).jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Henry_II_of_France-Fran%C3%A7ois_Clouet_%28altered%29.jpg/437px-Henry_II_of_France-Fran%C3%A7ois_Clouet_%28altered%29.jpg)
Šī priekšskata izmērs: 437 × 599 pikseļi. Citi izmēri: 175 × 240 pikseļi | 350 × 480 pikseļi | 560 × 768 pikseļi | 747 × 1 024 pikseļi | 1 459 × 2 000 pikseļi.
Sākotnējais fails (1 459 × 2 000 pikseļi, faila izmērs: 993 KB, MIME tips: image/jpeg)
![]() | Šis fails ir no Vikikrātuves. Tā apraksts no attēla lapas Vikikrātuvē ir parādīts zemāk. Vikikrātuve ir brīvi licencēta failu krātuve. Tu vari tai palīdzēt. |
Kopsavilkums
anonīms: Henry II, King of France (1519-1559)
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Izpildītājs |
artist QS:P170,Q4233718,P1774,Q336747 |
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Nosaukums | ||||||||||||||||||||||||||||
Object type |
glezna ![]() |
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Žanrs |
portrets ![]() |
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Depicted people |
Anrī II Valuā ![]() |
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Datums |
1559. gada ![]() |
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Medium |
oil on panel ![]() |
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Izmēri |
augstums: 39,6 cm ![]() ![]() dimensions QS:P2048,+39.6U174728 dimensions QS:P2049,+28.7U174728 |
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Kolekcija |
institution QS:P195,Q1459037 |
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Pašreizējā vieta |
institution QS:P195,Q505950 |
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Accession number |
RCIN 403430 (Karaliskā kolekcija) ![]() |
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Place of creation |
Francijas Karaliste ![]() |
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Piezīmes |
English: François Clouet was trained by his father and succeeded as peintre et valet de chamber to Francis I in 1540/41. He served Henry II after the death of Francis I in 1547, but he found more patronage from Catherine de Médicis, who collected his portrait drawings. Henry II (1519-59) was the second son of Francis I and became heir to the throne when his elder brother died in 1537. He succeeded his father as King of France in 1547. He married Catherine de Médicis in 1533 when both were 14 years old. During his reign he pursued war with Charles V with the intent of recapturing Italy, but was ultimately defeated in Tuscany in 1553 at the battle of Marciano. He raised Mary, Queen of Scots at his court in the hope of securing a claim on Scotland and ultimately England. His son Francis was married to Mary in 1558. In 1559 the Peace of Cateau-Cambrésis was signed between France, Spain and England, but at the tournament to celebrate the treaty Henry was famously wounded in his eye by a lance and died. Henry continued his father’s patronage of art, architecture and literature, his reign being remembered particularly for ephemeral feats of display, such as his entrance into Rouen in 1550, which combined the skills of painters, sculptors and poets. His wife Catherine de Médicis was not only an important patron of the arts, but must have carefully managed the dissemination of the images of the late King after his death. This is a high-quality head and shoulders of Henry II produced by Clouet’s studio, probably in the year of the King’s death. The King wears the insignia of the Order of St Michel, the French rival to the Order of the Garter and the Order of the Golden Fleece. There are many versions of this portrait, all dated 1559: the best known apart from the present work are in the collections at Versailles (perhaps the highest quality), the Louvre and the Palazzo Pitti, Florence. The preparatory drawing by Clouet has been dated c.1547 (Cabinet des Estampes, Bibliothèque nationale de France, Paris) and must have served as a prototype for the full-length portrait in the Galleria Palatina, Palazzo Pitti, Florence, and for the studio copies which replicate the head and shoulders in the Pitti portrait. Following restoration of the full-length Pitti portrait, it is now considered to be one of the most important official court portraits produced in France in the sixteenth century and is thought to be by Clouet himself. It was possibly painted when Henry became King in 1547. The King has the aristocratic elegance typical of court portraiture across Europe. Its formality is as close to northern portraiture by Anthonis Mor and Jakob Seisnegger as to the refined portraits by Italian artists such as Agnolo Bronzino and Francesco Salviati. Three other Clouet drawings (British Museum, London, Hermitage, St Petersburg and Cabinet des Estampes, Bibilothèque nationale de France, Paris) are based on the Paris drawing and show the King beginning to advance in age, with a greying beard. The studio versions of his likeness, as here, show his beard beginning to go grey, but preserve the essential characteristics of the Paris drawing and the magnificent portrait in the Palazzo Pitti, Florence. (Extracted from The Royal Collection). |
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Atsauces |
Royal Collection (UK) ID: 403430 ![]() |
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Avots/Fotogrāfs | Royal Collection RCIN 403430 | |||||||||||||||||||||||||||
Citas versijas |
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Licence
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Captions
Pievieno vienas rindiņas aprakstu, ko šis fails attēlo
Šajā failā attēlotais
attēlo
image/jpeg
0,004 sekunde
f-number angļu
12
120 milimetrs
ISO speed angļu
50
Faila hronoloģija
Uzklikšķini uz datums/laiks kolonnā esošās saites, lai apskatītos, kā šis fails izskatījās tad.
Datums/Laiks | Attēls | Izmēri | Dalībnieks | Komentārs | |
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tagadējais | 2022. gada 2. novembris, plkst. 16.17 | ![]() | 1 459 × 2 000 (993 KB) | Franciscus3008 | Higher resolution, same source |
2022. gada 20. aprīlis, plkst. 01.10 | ![]() | 937 × 1 291 (472 KB) | Robert102506 | Uploaded a work by François Clouet from https://www.rct.uk/collection/themes/exhibitions/the-northern-renaissance-durer-to-holbein/the-queens-gallery-buckingham-palace/henry-ii-king-of-france-1519-1559 with UploadWizard |
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Metadati
Šis fails satur papildu informāciju, kuru, visticamāk, ir pievienojis digitālais fotoaparāts vai skeneris, ar ko veidots fails. Ja šis fails pēc tam ir ticis modificēts, šie dati var neatbilst izmaiņām (var būt novecojuši).
Fotoaparāta ražotājs | Hasselblad |
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Fotoaparāta modelis | Hasselblad H4D-200MS |
Autors | Nicholas Moss |
Ekspozīcijas laiks | 1/250 s (0,004) |
Diafragmas atvērums | f/12 |
ISO jutība | 50 |
Izveidošanas datums un laiks | 2018. gada 12. februāris, plkst. 10.40 |
Fokusa attālums | 120 mm |
Pikseļu sastāvs | RGB |
Orientācija | Normāla |
Horizontālā izšķirtspēja | 300 dpi |
Vertikālā izšķirtspēja | 300 dpi |
Lietotā programma | Adobe Photoshop CC 2015 (Windows) |
Attēla pēdējās izmainīšanas datums un laiks | 2018. gada 6. marts, plkst. 11.57 |
Y and C positioning | Centrēts |
Ekspozīcijas programma | Manuāla |
EXIF versija | 2.1 |
Attēla izveidošanas datums un laiks | 2018. gada 12. februāris, plkst. 10.40 |
Katras sastāvdaļas nozīme |
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APEX slēdža ātrums | 7,9657842861166 |
APEX apertūra | 7,1699249969261 |
Maximum land aperture | 4 APEX (f/4) |
Objekta attālums | 1,049 metri |
Zibspuldze | Zibspuldze netika izmantota |
Atbalstīta Flashpix versija | 1 |
Krāsu telpa | Nekalibrēts |
Fokusa plaknes X izšķirtspēja | 1 666,67 |
Fokusa plaknes Y izšķirtspēja | 1 666,67 |
Fokusa plaknes izšķirtspējas vienības | 3 |
Fokusa attālums 35 mm filmā | 84 mm |
Ainas uzņemšanas veids | Standarta |
Izmantotais objektīvs | HC 120 |
Fotoaparāta sērijas numurs | DP41036028 |
Atslēgas vārdi | Todd White Art Documentation |
Kontaktinformācija | nick@toddwhite.co.uk
Todd White Art Photography London, , W1S 2LF England |
IIM versija | 2 |