Fichier:Humphrey_Bogart_publicity.jpg
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Original-Fichier (2.841 × 3.629 Pixel, Fichiersgréisst: 970 KB, MIME-Typ: image/jpeg)
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Resumé
BeschreiwungHumphrey Bogart publicity.jpg |
English: Humphrey Bogart c. 1950 |
Datum | |
Quell | http://216.169.248.35/editorial/humphrey-bogart-pictures?page=6 |
Auteur | Archive Photos |
Lizenz
Public domainPublic domainfalsefalse |
Dieses Werk ist in den Vereinigte Staaten gemeinfrei, weil es in den Vereinigten Staaten zwischen 1929 und 1963 mit oder ohne Copyright-Vermerk veröffentlicht und das Copyright nicht erneuert wurde. Sofern der Autor nicht schon eine hinreichende Zeit tot ist, ist es in den Ländern oder Gebieten, die den Schutzfristenvergleich nicht anwenden, wie Kanada (70 p. m. a.), China (50 p. m. a., außer Hongkong und Macao), Deutschland (70 p. m. a.), Mexiko (100 p. m. a.), Schweiz (70 p. m. a.), urheberrechtlich geschützt. Siehe Commons:Hirtle chart für weitere Erläuterungen.
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Additional source information: This is a publicity photo taken to promote a film actor. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):
- "Publicity photos have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
Nancy Wolff, includes a similar explanation:
- "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)
Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:
- "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]
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Motiv
4. Mäerz 2013
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Klickt op e bestëmmten Zäitpunkt fir déi respektiv Versioun vum Fichier ze kucken.
Versioun vum | Miniaturbild | Dimensiounen | Benotzer | Bemierkung | |
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aktuell | 11:49, 20. Feb. 2024 | 2.841 × 3.629 (970 KB) | К.Лаврентьев | Подлинник снимка | |
16:50, 28. Jan. 2014 | 125 × 160 (10 KB) | ATX-NL | Cropped | ||
12:16, 4. Mäe. 2013 | 135 × 170 (7 KB) | Igel B TyMaHe | User created page with UploadWizard |
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