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region: The contrasting darkbrown color of the signature and some added blades of gras may be drawn with ink ?! (same with the lower right "Sorrow" plaque
not known, we do know he had been working since at least 1851, which rules out him being in copyright. (1851+70+100=2021, and he presumably didn't start
George Wesley Bellows, The Knock Out, 1907, pastel, ink, and graphite on paper, 21 3/4 × 28 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas