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American comedy-drama TV series From Wikiquote, the free quote compendium
Desperate Housewives (2004–2012) is an American television program, airing on ABC, about four women struggling to cope with their best friend's unexpected suicide.
Nora: We stopped off at this bar and I got bitchy with one of the waitresses. Who cares,right? I mean, who cares? It's a bar, and we all do it, right?
Lynette: Right.
Nora: So he tells me to watch my mouth, and I'm like, whoa, get a load of Mr. Two Strikes tryin' to tell me how to act in public. And then he called me a whore- We done.
Lynette: Ok, whoa, whoa. Take a deep breath. You don't break up with a guy because in a weak moment he call you a whore.
Nora: And then on the way out, he threatened to hit me.
Lynette: Ok, but he didn't, and until he...
Nora: Oh, jeez, Lynette. Whose side are you on?
Lynette: I'm on the side of love. You guys seem like such a perfect couple.
Nora: [crying] I know.
Lynette: I just.... You don't wanna throw that all away cause of a little fight with no hitting.
Nora: No. It's over.
Lynette Scavo: Parker, hey, where's your uniform? You've got your game in an hour. Parker Scavo: No I don't, I quit.
Lynette Scavo: What?
Parker Scavo: I hate baseball! Daddy said I don't have to play it anymore.
Lynette Scavo: Well Daddy should've checked with Mommy so she could have a chance to tell him why he's wrong. Hey, you're playing!
Parker Scavo: But Mom, I suck! Everybody says so! That's why they made up a fake position for me!
Lynette Scavo: It's not fake. There's not a team I know that can get along without their back-up far right fielder! OK, come on, let's go practice.
Parker Scavo: [disgrunteled] Ohh!
Orson: Will you stop it! Suicide is the worst thing that can happen to a family! I will not have it made light of!
Edie Britt: Wow, how self absorbed can you be? I have had a thing for Mike since the day he moved in here and I even backed off when he fell for your little Miss Adorable act. But he's over that, it's my turn now and I will be better for him than you ever were. And if you do get hurt, well, that's just gravy.
Andrew Van De Kamp: She tried to slit her wrists with a spoon. Next time she might jump off the porch.
Susan: How do you sleep at night?
Edie: Soon... with Mike on top of me
Edie: Let him work it off. You get a free store stocker for a month.
Parker Scavo: How long will Daddy be gone?
Lynette Scavo: Well, that sorta depends on Daddy.
Porter Scavo: Are you two mad at each other?
Lynette Scavo: Yeah, a little, but that's okay. We still love each other very much, but like kids, sometimes grown-ups throw tantrums and need a time-out.
Preston Scavo: Why can't he take a time-out in his room?
Lynette Scavo: Cause he decided to take it in his pizza place.
Parker Scavo: No fair, that sounds fun!
Lynette Scavo: Not this pizza place, it's a rat hole. But once your dad comes to his senses and stops being petulant, he'll come home.
Porter Scavo: What's petulant?
Lynette Scavo: It means childish, stubborn, careless with my money and your futures.
Preston Scavo: Huh?
Lynette Scavo: It's a grown-up word, and when daddy comes home, he'll learn a new one: grovel!
Adventure Scout Girl: [Approaches Gabrielle on the front porch] Hi. What if I told you that there was a way to help children, while reading your favorite magazines at a reduced price? Would you be interested?
Gabrielle: [as she continues to file her nails] Sure. Knock yourself out.
Adventure Scout Girl: Wise choice. [Reading from her clipboard] For the lady of the house, there's Redbook, Glamour, Vogue...[Pronounces it "vo-gew"]
Gabrielle: [Pronouncing it correctly] I believe that's Vogue, Sweetheart.
Adventure Scout Girl: Really? Are you sure?
Gabrielle: I should know. I was on the front cover.
Adventure Scout Girl: [Stunned] No. Way.
Gabrielle: Uh, way.
Mary Alice: The annual block party was a winter tradition on Wisteria Lane. It was a way for the residents to spread holiday cheer. Everyone was invited, including Art Shepard, the newest resident of Wisteria Lane. But as the big night drew near, more than holiday cheer was being spread around. By Sunday evening, most of the gossiping had subsided, and the neighborhood was once again consumed by the spirit of the season. Friends laughed over eggnog, lovers kissed under mistletoe, and the mood was jolly. That is, until a certain guest made his appearance. Yes, for the residents of Wisteria Lane, it was the most wonderful time of the year. But for Arthur Shepard and his sister, it had turned out to be a very silent night.
Susan: "You have to kiss me. It's the law."
Susan: "I assume this means they know about me?"
Ian: "But of course."
Susan: "And they know about me as in" (in a bad British accent) "Mum, Dad, bloody good news. I've got myself a smashing new girlfriend."
Ian: "That's adorable. Please don't do it in front of them."
Susan: "Ian, haven't you ever wondered why I've never cooked for you?"
Ian: "I just assumed that you were lazy."
Susan: "I wish. My cooking is not good."
Ian: "Well, my parents won't be expecting a gourmet meal."
Susan: "Will they be expecting stomach cramps, acid reflux, night sweats?"
Ian: " Now nothing elaborate. Just a simple roast and, uh, and something appropriate to go with it."
Susan: "Right...like an ambulance."
Vern: "Poor thing, she tries so hard."
Gabrielle: "Yeah, she's a trooper. Let's dump her."
Vern: "How will I tell her family?"
Gabrielle: "We'll do it together. We'll be very diplomatic."
Vern: "Are you sure about this? The poor kid's been through the wringer and—"
Gabrielle: "Amy! For God sakes, Little Miss Snowflake does not scratch down there!"
Vern: "Well, then again, her mother died a year ago. How long is she gonna milk it?"
Bree: "What are you watching?"
Gloria: "Home movies."
Bree: "It's fun looking back at the past, isn't it?"
Gloria: "Well, it's one way to kill time while you're waiting for death."
Bree: "We also have cable."
Bree: "It's not that easy. I love him."
Gloria: "You'll get over it. I did."
Susan: "So I'm cooking dinner for Ian's parents tomorrow night, and it's the first time I'm meeting them, so I sort of wanna impress them."
Bree: "And yet you're cooking?"
Susan: "What's going on?"
Mrs. McCluskey: "They just arrested Mike for murder."
Susan: "What?!"
Mrs. McCluskey: "They're saying he killed that woman on the news, that Monique person."
Bree: "Oh, thank God!"
Vern: "Well, when it comes to performing, she's not exactly...well, she tends to be...feel free to jump in."
Gabrielle: "I have no idea where you're going with this."
Vern: "Well, as Gaby and I discussed, Amy has certain limitations and her odds of winning are slim."
Gabrielle: "Vern! He is so competitive. I constantly have to remind him they're just kids. When did you lose the joy?"
Vern: "Oh, I think you know."
Edie: "I don't know if you picked up on this, Mike, but...I haven't been happy."
Mike: "No, I didn't pick up on it."
Edie: "Well, I wanted to tell you this weeks ago, and I wish that I had, because now I know you're gonna think that I'm breaking up with you over this whole blood on the ax thing."
Mike: "Wrench."
Edie: "Whatever. But believe me, that's not it. It's just...we are moving too fast."
Mike: "What are you trying to say?"
Edie: "Well, maybe we should just take a break. You know, date other people."
Mike: "You're telling me this on the day I'm put in a men's prison?"
Edie: "Well, I said the timing was bad. I am sorry. I, I really am. I just can't do this."
Susan: "Is Edie getting you a good lawyer?"
Mike: "I doubt it. She dumped me today."
Susan: "What? Why?"
Mike: "Well, I was arrested for murder."
Susan: "Still. It's tacky."
Ian: "Well, you, uh, you may not be a good cook but you're certainly a tidy one."
Susan: "Don't worry. Dinner's all taken care of. We're having blanquette de veau and a grand marnier soufflé."
Ian: "Well, that's very ambitious of you, and, uh, when will Bree be done making it?"
Susan: "Five-thirty. But I am rewarming it all by myself."
Susan: "What are you saying? You think Mike is guilty?"
Lynette: Hey, why don't we start that girl talk?"
Gabrielle: "I'll get the ball rolling. Anybody have a yeast infection?"
Bree: "They found Monique's blood on the wrench that Mike was trying to dispose of. I mean, that hardly screams innocence."
Susan: "Her teeth were pulled. You don't think that's worth telling the cops she was messing around with a dentist?"
Susan: "If you're so sure that Orson is innocent, why don't we go through his things? Where's his desk?"
Bree: "At his office. And what did you think you'd find there anyway?"
Susan: "I don't know. A blackmail letter, a necklace made of teeth?"
Susan: "Well, I am certainly not playing with a woman that is willing to let Mike take the fall for her psycho husband."
Bree: "Well, needless to say, I won't be cooking dinner for Ian's parents."
Susan: "Fine. I'll cook myself."
Bree: "Good. Let me know if there are any survivors."
Susan: "And if you take Orson back, you do the same."
Gert: "Rita, I want the word "pedophile" to really stand out. Do we have any glitter?"
Mrs. McCluskey: "Say "molester." It sounds scarier."
Gabrielle: "Well, she's your best friend. Why don't you just tell her the truth? She'll understand."
Sherri: "What if she doesn't?"
Gabrielle: "Well, friends come and go, but a crown is forever."
Susan: "You know, Mike barely remembers me. What makes you so sure he would fall in love with me again?"
Ian: "What a perfectly asinine question. How could he not?"
Lynette: "Yep. Go ahead, say it. I know you want to."
Tom: "This is all your fault. You should've listened to me."
Lynette: "I know. But be fair. There is no way I could've anticipated this."
Tom: "You tell people Frankenstein's on the loose, then you're surprised to see the torch-wielding villagers?"
Gloria: "Where are you sending me?"
Bree: "Oh, we've rented you a condo in a lovely retirement community. It's our Christmas gift to you."
Gloria: "So you're exiling me? Cutting me off from my new grandchildren?"
Bree: "That's our gift to them."
Art: "Hey. You know, in a weird way...I should thank you. My sister was...a really wonderful person. She always saw the best in me. But there were things she couldn't see...or chose not to, God love her."
Lynette: "What do you mean?"
Art: "I think you know. See, I always knew that I had to take care of Rebecca, so I could never let myself...slip and do something that would hurt her. But now...I'm free...and all because of you."
Lynette: "You can't stay here."
Art: "Oh, don't worry. I'm already packed."
Lynette: "Where are you going?"
Art: "Why, you gonna write? Well, good-bye, Lynette. You take care of that beautiful family of yours."
Mary Alice: "There's a reason people can't wait for Christmas, and it has little to do with family reunions or curling up with a cup of eggnog or that unexpected kiss beneath the mistletoe or receiving a present from that special someone. No, people look forward to Christmas because they know it's a time for miracles."
[Lynette is giving dinner to the kids, Kayla walks over toward the TV with hers]
Lynette Scavo: Kayla, where are you going?
Kayla: To watch TV.
Lynette Scavo: Oh, sweety we don't watch TV during dinner.
Kayla: But my show is on.
Lynette Scavo: Well, I'm sorry those are the rules.
Kayla: My mommy let me.
Lynette Scavo: Just this once.
Lynette Scavo: [the twins give Lynette 'What gives?' looks, Parker crosses his arms] Ok, ok, I know what you're thinking, but Kayla's going through a hard time right now, come and sit down. Letting her watch TV is like me letting you eat ice cream when you're sick.
Porter Scavo: But she's not sick.
Lynette Scavo: That's true, but she's sad. Parker Scavo: [cute or funny] I'm sad, I can't watch TV!
Lynette Scavo: Eat your tacos.
Lynette Scavo: [Kids give each other looks of agreement and get up to go over to the TV] Wow, wow, wow, sit your buts down.
Preston Scavo: It's not fair.
Lynette Scavo: I don't care, we have rules.
Porter Scavo: Well she gets to!
Lynette Scavo: She's special, now sit down! Come on.
Porter Scavo: Does she get dessert too?
Kayla: Of course I do.
Lynette Scavo: [Tom pulls up in the van bringing Kayla to live with them] Ok, they're here, now listen, [to Parker]
Lynette Scavo: stand up. Kayla has been through a lot so when she walks through the door I want you to make her feel welcome, ok, give her a hug and be really nice.
Parker Scavo: I'm giving her my room, how much nicer do I have to be?
Lynette Scavo: Well nicer than that or she's gonna get all your toys too!
[Bree has found Alma and a passed out Orson in bed together, along with sleeping pills and Viagra] Bree Van De Kamp: You raped my husband! Alma Hodge: We made love. And when our baby is born, he's going to come back to me. Bree Van De Kamp: Baby? Alma Hodge: It's true. I could be expecting right now. Bree Van De Kamp: Were you expecting this? [Bree decks Alma before she calls her house] Bree Van De Kamp: Andrew, I need you to come over right away. And, um... [pause] Bree Van De Kamp: ...bring the wheelbarrow.
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Bree: [to Alma] You... RAPED my husband!
Bree: [Bree finds Orson and Alma in bed together] Orson, I have caught you cheating, at least have the courtesy to WAKE UP!
Zack Young: You said I could kiss you! Gabrielle Solis: Yes, my lips not my oesophagus!
Parker Scavo: [Lynette is looking at herself in an outfit, when she notices Parker in the mirror playing with his foam football] What'cha doin'?
Lynette Scavo: Oh, deciding what to wear my first day back to work. Do I look fat in this?
Parker Scavo: I think you look good in everything!
Lynette Scavo: Wow, you father's taught you well.
Parker Scavo: What about the street fair? If you're going back to work, who's going to take me?
Lynette Scavo: Mrs. McClusky, won't that be fun?
Parker Scavo: No. Do you have to go back to work?
Lynette Scavo: Come on, you and your brothers will be thrilled. Me going back to work is not that big a deal, we're only loosing a little time together in the afternoon.
Parker Scavo: Every hour counts. I miss you all day long.
Lynette Scavo: [She hugs him, kisses and rubs him on the head] Aww, honey, geez. Do you really mean that, or are you manipulating mommy into feeling incredibly guilty?
Parker Scavo: A little of both.
Lynette Scavo: Yep, your father's taught you well.
[He smiles at her].
Mary Alice Opening: "It was late on a Tuesday night when the power went out all over Fairview. For most of the residents, it was a minor inconvenience, but for those with secrets, the darkness proved quite useful, indeed. Millie Russell was able to indulge in another night of midnight binging. Timmy Cooper was able to sneak another peak at his father's adult magazines. Marilyn Quinn was able to steal a few more puffs of her forbidden tobacco. But these secrets paled compared to the one a certain old woman was hiding in her basement. Yes, as a rule, darkness helps us keep our secrets safely hidden. But every rule ... has its exceptions."
Mary Alice: "When the lights went out on Wisteria Lane, Karen McCluskey wasn't the only resident left in the dark. Everyone else felt the pain of going without power, as well."
Mary Alice: "Though reluctant at first, Carlos soon saw the wisdom in Edie's plan. Secret affairs are a lot like real estate. The three keys to success are
...
Location
...
Location
...
Location."
Mary Alice Closing: "Power. It's the type of thing most people don't think about
...
until it's taken away. Whether it's the political power of the many
...
or a lover's influence over just one. We all want some sort of power in our lives. If only to give ourselves choices. Yes, to be without choices, to feel utterly powerless
...
Well, it's a lot
...
like being alone in the dark."
Lynette Scavo: [Lynette finds Parker staring into their freezer] Hi buddy, what'cha doing?
Parker Scavo: Nothing.
Lynette Scavo: You seem a little mopey lately, is everything okay?
Parker Scavo: Yeah. Can we go see Mrs. McClusky?
Karen McCluskey: [at the hospital] You guys didn't have to come here, no matter what that CAT scan says, I'm breakin' out tomorrow.
Lynette Scavo: Well Parker really wanted to come see you.
Karen McCluskey: [pats him on the head] Don't tell your brothers, you where always my favorite.
Parker Scavo: [quietly] I saw the man in your freezer.
Karen McCluskey: [Smile fades from her face] Lynette could you run down to the snack bar and get me some green jello?
Lynette Scavo: Oh, sure.
Karen McCluskey: OK, time for a little grown-up talk.
[Lynette sees Parker sitting on the bed with Mrs. McClusky talking to him]
Karen McCluskey: So can you understand now why I had to do what I did? [he nods]
Karen McCluskey: And you know you can never tell anyone, not even you mom?
[he nods again) Lynette Scavo: They didn't have jello, so I hope pudding is okay.
Karen McCluskey: Ya know, lets give it to Parker, good boy like him deserves a treat. [he smiles at her]
Mary Alice Opening: "The night of her engagement party, Gabrielle Solis was injured. But she wasn't hurt by the chauffeur who almost slammed a door on her fingers ... or the stranger who almost stepped on her hand ... or the waiter who almost dropped a knife on her wrist. No, Gabrielle's injury came about in a more unexpected fashion ... and was caused by someone Gabrielle thought was her friend. ... And this is how Gabrielle Solis came to be injured the night of her engagement party. And though she seemed to laugh it off, Gabrielle had been cut much, much deeper than anyone could see."
Mary Alice: "Gossip. For most housewives, it's just a harmless form of recreation. An exchange of semi-interesting titbits concerning the semi-interesting lives of people they know. But the time comes in every neighborhood when something very interesting happens. And that's when gossip stops being recreation, and becomes obsession."
Mary Alice: "And for the first time, Gabrielle was willing to let Carlos be with someone else
...
because she knew he still belonged to her."
Mary Alice Closing: "Gossip. It's just a harmless form of recreation. It's careless talk that deals in polite fiction
...
It's nasty speculation that's based on not-so-polite fact. How do we protect ourselves from the venomous sting of such idle gossip? The best way is to just tell the truth
...
and wait for people to start talking about someone else."
Susan: "I wish she'd hurry. I'm terrified of snakes."
Lynette: "Yeah, I'm more terrified of Gaby."
Parker Scavo: [Parker sees kids painting 'witch' on Mrs. McCluskey's door] What's going on? Parker Scavo: [sees it] Hey don't do that!
Freddy: Why not?
Parker Scavo: Because she's not a witch!
Freddy: How do you know?
Parker Scavo: Cause she isn't! Don't be a jerk! [the kids start making fun of him] Parker Scavo: Shut up!
[a kid pushes him down] Karen McCluskey: Hey you boys, knock it off! Karen McCluskey: [puts her arm on Parker's shoulder] Parker I'm sorry. Are you all right? Parker Scavo: [He pulls his shoulder away] Ya know, everything would be okay if you told people what you told me. You can make them stop. [he walks off]
Karen McCluskey: [Parker rings Mrs. McCluskey's doorbell] Waould ya stop ringing that damn... I'm sorry Parker, I thought you where one of those little pissheads that keeps ringing the doorbell and running away. What's on your mind?
Parker Scavo: I want you to come back and babysit us, the new sitter stinks!
Karen McCluskey: Your folks hired a new sitter?
Parker Scavo: Yeah, and she thinks carrots are snacks!
Karen McCluskey: Well that's rough. But life's like that sometimes.
Parker Scavo: It doesn't have to be. If you just told people what happened with your husband, everything could go back to the way it was.
Karen McCluskey: Parker, see those women over there. Nothing I could say could stop those tongues from wagging. I'm sorry kid but I just have to wait this one out
Orson Hodge: Thank you, Mother, for colluding in my rape!...
Carlos Solis: [after Gaby told Carlos she assumed she had sex with Zach] I can't believe you bagged another neighbourhood kid! Gabrielle Solis: [Carlos walks away] Where are you going? Carlos Solis: To warn the Scavo boys!
Danielle Van De Kamp: [shouting to Andrew] I liked you better when you were a psychopath!
Mary Alice Opening: "It was late on a Tuesday night when the power went out all over Fairview. For most of the residents, it was a minor inconvenience, but for those with secrets, the darkness proved quite useful, indeed. Millie Russell was able to indulge in another night of midnight binging. Timmy Cooper was able to sneak another peak at his father's adult magazines. Marilyn Quinn was able to steal a few more puffs of her forbidden tobacco. But these secrets paled compared to the one a certain old woman was hiding in her basement. Yes, as a rule, darkness helps us keep our secrets safely hidden. But every rule ... has its exceptions."
Mary Alice: "When the lights went out on Wisteria Lane, Karen McCluskey wasn't the only resident left in the dark. Everyone else felt the pain of going without power, as well."
Mary Alice: "Though reluctant at first, Carlos soon saw the wisdom in Edie's plan. Secret affairs are a lot like real estate. The three keys to success are
...
Location
...
Location
...
Location"
Mary Alice Closing: "Power. It's the type of thing most people don't think about
...
until it's taken away. Whether it's the political power of the many
...
or a lover's influence over just one. We all want some sort of power in our lives. If only to give ourselves choices. Yes, to be without choices, to feel utterly powerless
...
Well, it's a lot
...
like being alone in the dark."
Edie: "I suppose we should tiptoe around like schoolchildren so our parents don't catch us doing it? I feel like I'm 12 again!"
[Susan and Mike are about to get married]
Minister: Are we ready?
Julie Meyer: Are you kidding? They've been dragging this thing about for three years!
Stella Wingfield: [Lynette's mother shows up] Geez Lynette, I didn't know you opened a daycare center! Hey kids grandma's here.
Stella Wingfield: [they all look at her strange] Okay, what'd you tell them about me?
Lynette Scavo: It's been five years mom, they don't remember you.
Stella Wingfield: Well they'll remember me this time, I've brought presents. For you.
[hands Parker a book].
Stella Wingfield: And for you and you.
[hands the twins books].
Parker Scavo: These are baby toys. We're too old to play with these.
Stella Wingfield: Well I'm too old to remember what the hell six year olds like to play with.
Porter Scavo: We're eight.
Stella Wingfield: What do I care?
Lynette Scavo: Just say thank you.
[kids say 'thank you'].
Stella Wingfield: [pointing to Kayla, talking to Parker] Who's the pretty thing? Your girlfriend?
Parker Scavo: [looks disgusted] No! She's my sister!
Stella Wingfield: [to Lynette] Oh, is that Toms little B-a-s-t-a...
Tom Scavo: OK, kids, time to get your toys and let's play upstairs.
Mary Alice's Opening Narration_ "The first thing you should know is that Edie Britt never actually intended to die. But someone she loved was trying to leave her. So she planned every detail, from the silk scarf she'd hang by to the suicide note detailing her despair. Now all Edie had to do was wait for her beloved to come home. You see, to hold on to her man Edie knew she had to find the perfect moment to let go. Sadly for Edie her timing was fatally flawed. And this is now Carlos Solis arrived just in the nick of time to save the life of Edie. Of course had he known what she was about to do to his life he would have let her hang there. There is a certain time of night when children have been put to bed and husbands have begun snoring, that women lie awake and think of the secrets they’ve been keeping from their friends. It might be an impromptu wedding... or a recently diagnosed tumor... or a make believe pregnancy. Regardless, it’s all they will think of until something comes along to remind them that other people have secrets too".
Mary Alice's Narration Closing- "There is a certain time of morning. It occurs after kids have left for school. And husbands have headed off for work. It’s a time when women think of the secrets they’ve been keeping from their friends. And how shocked they would be if the truth were discovered. And how they would do everything in their power to keep that from happening. But what of those lucky women who have no secrets left to keep. What do they think about every morning? These women think of their neighbors and the secrets they may be keeping".
Bree: Look, this family's reputation is already hanging by a thread. I mean first people thought that your stepfather was a wife killer, then your sister takes off with her history teacher, and now we're supposed to parade the little bastard up and down the street. I mean we might as well sit on the porch and play banjos!
Mary Alice Opening: "The great crime wave hit Wisteria Lane on a Tuesday afternoon. That's when residents found their barbecues upended, their clean laundry trampled, and their skateboards missing. Naturally, everyone began to ask who could be responsible for such carnage? The answer lay in the home of a neighbor, who, 20 minutes earlier, had been engaging in an altogether different type of crime." ... And so ended the great crime wave on Wisteria Lane. No one ever found out who was responsible. Because, it was an inside job."
Mary Alice: "You will never see despair here or rage. You will never see the tiniest bit of regret. You see, the people who live here have learned there is one sure way of hiding their secrets from their neighbors. That's why, in the suburbs, there is nothing more decaptive than a smile."
Mary Alice: "Bree Hodge persisted in her effort to unlock the secret of Katherine Mayfair's lemon meringue. But after several failed attempts, it occured to Bree that while she might not have the key to Katherine's recipe, she did have the key to Katherine's house."
Mary Alice Closing: "There is nothing more decaptive than a smile. And no one knows this better than the people who hide behind them. Some flash their teeth as a polite warning to their enemies. Some put on beaming faces to keep their tears from falling. Others wear silly grins to mask their fear. But then there is that rare smile that is actually genuine. It's the smile of a person who knows his troubles will soon be over."
Dylan: fighting with Katherine- I'm starting to think you are the monster! ( Katherine slaps her) Susan Meyer: When our babies go to college, we'll be like...
Bree Van De Kamp: Dead? Lynette: who is high- I'm a ninja!
Mary Alice Opening: "The odd-looking boxes were delivered to the home of Bob Hunter and Lee McDermott early on a Tuesday morning. It wasn't long before workmen had opened them and begun assembling the various parts and pieces. Happily, it only took three hours to turn the contents into a finished work of art. Sadly, it only took 15 minutes for the residents of Wisteria Lane to become art critics. ... Yes, art came to Wisteria Lane on a Tuesday morning. And by Tuesday afternoon war had come as well."
Mary Alice: "As word of the sculpture spread, Bob and Lee began to wonder if any of their neighbors would be supportive. But when the sculpture's true function was unveiled the next day, whatever support they did have was quickly washed away."
Mary Alice Closing: "It's the same for all of us. We try not to get too close to the people who live next door. It's easier to give them a polite nod than to ask what's wrong. It's safer to keep walking by than to get involved. True, we sometimes do get to know the people we share a fence with, and end up lifelong friends. But mostly, we keep our distance. Because we'd rather our neighbors know nothing about us than know too much."
Danielle to Bree: “A baby is God’s most precious gift. I will not have mine raised by a cold emotionally unavailable woman like you.”
Bree to Orson hinting at her former mother-in-law Phyllis: “Emotionally unavailable. – Gosh, I wonder where she picked up that little phrase.”
Danielle to Bree: “You're always mean to me just like you were to dad. You emasculated him. Well, you’re not gonna emasculate me.”
Bree: “You don’t even know what that means, you petulant sockpuppet"
Adam: "I did, but I wanted to set something straight before I go. I'm not leaving before you want me to, I'm leaving because I'm walking out on you". Katherine: "Oh, is that how we're gonna play this? Fine, whatever, you're leaving me". Adam: "I am, and here's why. You blamed what happened on your ex-husband, and I believed you. You told me it was all his fault, and then I find out it was yours. We are about even in the betrayal department now. In fact, I think you win". Lynette: "Damnnit, Karen, I'm running out of Ida!
Bree: Don't you dare try to turn our son into an intellectual!
Carlos Solis: It's good for a dog to sleep with its master. It helps us bond. Gabrielle Solis: Well if you ever want to bond with my boobs again, you'll get her off.
Mike Delfino: [to Orson] Are you the guy that ran me over?
Katherine: (telling her story to Bree and Wayne) After you left a month ago, I convinced myself you forgot about us. I was wrong.
Katherine (in 1996): How was Dylan? Did she behave herself?
Mary Alice: She was an angel. I hope I didn't do something wrong.
Katherine: What do you mean?
Mary Alice: Well, your ex-husband was here earlier, but I didn't know that was him until Dylan called him Daddy. I'm sorry I should have called you, but she was so excited. He brought her a doll and a bike. (Katherine and Lily run out of the room.) Katherine, what going on?
Katherine: (voice over) I was going to run again, but you didn't give me enough time. Lillian Simms: Wayne just drove up! Should we call the police? Katherine: (calmly) No, let him in.
Katherine: (voiceover): I knew it was time to face you and let you know you were not welcome in my home, and neither were your gifts. Wayne Davis: You Know much I much money I spent looking for you?
Katherine: I'm sure you had enough to buy liquor by the caseload.
Wayne Davis: Wow, look who gotten sassier while she's been away. I think I think I like it.
Katherine: What do you want, Wayne?
Wayne Davis: I want my daughter back.
Katherine: Why? So you lazed in your old age? Need somebody smaller to pounce on? Well, now she's gotten older and sassier. I'm sure you'll find all sorts of reasons to hit her.
Wayne Davis: I don't have to ask you! You know I can go up if I want.
Katherine: She is asleep! GET THE HELL OUT!
Wayne Davis: I'M HER FATHER!
Katherine: (picks up an candlestick and hits him) NO!
Wayne Davis: I'm bleeding!
Katherine: Profusely. You should go see a doctor.
Wayne Davis: I will be back for my daughter.
Katherine: Just understand this. There is nothing I will not do to keep you away from her. Nothing.
Lillian Simms: Are you all right? I heard an crash!
Katherine: Yeah, I hit him with the candlestick. He went down pretty hard.
Lillian Simms: You know now to break out the 10 year scotch I've been saving.
Katherine (voiceover): I honestly thought it was finally over. I don't know how I could been so wrong.
Lillian Simms: (screams and wake up Katherine) KATHERINE! I came in to give her an another blanket. Her hand is ice cold!
(Katherine sees her daughter's lifeless hand and screams)
Katherine (voiceover): Aunt Lily told me I could not go the police the police. She said you would make it seem I killed Dylan to keep you from taking her so I let her bury my baby in the woods. I knew I would have to run away again, but I also knew you would never stop looking for me. So I came with an plan. I found an girl in a Romanian orphanage just like Dylan. The resemblance was uncanny. Her mother had died in childbirth and her father had been murdered. As I looked into those big blue eyes, she needed me much as I needed her.
Katherine (picking the carpet and touching the scar): I never told anybody that before. I lied to Adam and told it was your fault and that's where I spend the last 12 years. Just telling one lie after another.
Carlos (now blind): I'm going to read some porn. In Braille.
Edie Britt: Mrs. McCluskey, you're still alive! Karen McCluskey: It's nice to see you too, Edie. How long has it been? Five years?
Edie Britt: This is my husband, Dave Williams.
Karen McCluskey: [to Dave] So, how did you two meet? You run a free clinic or something?
Dave: I'm sorry, who are you?
Karen McCluskey: Karen McCluskey, Edie's best friend on the street.
Mary Alice Young: [voice-over] It goes by so quickly. In a flash, the life we knew is gone forever and we're left to ask ourselves: How could he have left me? When did my beauty start to fade? Why has my friend changed? Was I the best mother I could have been? Of course, there are some people who understand how quickly time passes. That's why they're so determined to get what they want... before it's too late.
Mary Alice Young: [voice-over] It will happen to all of us eventually. The moment will come when we ask ourselves: Where did the time go? How did the children I once cradled grow up so very quickly? How did the life I dreamt of turn into a career I never expected? And how did that woman I saw each day in the mirror become someone I don't even recognize?
Photographer: No! For God sakes.
Bree Hodge: What's wrong now?
Photographer: Once again, the concept is, sweetie, you're taking the pie out of the oven, your face aglow with surprise.
Bree Hodge: Why am I surprised?
Photographer: Because it turned out so perfectly.
Bree Hodge: That's no surprise. My pies are always perfect.
Photographer: All right. It's your best pie ever. You've topped yourself.
Bree Hodge: And I know this before I've tasted it?
Photographer: Sweetie, just make whatever face you want. I just think you'll sell more cookbooks if you don't look like you just made love to an ice cube.
[Porter finds out he's been flirting with his mother online, when she signs a 'Dear John' letter to him 'Love Mom'] [He comes down to where she is at her computer, he has a very sad and betrayed look on his face, and he places a book of poetry in front of her and walks away, leaving her looking ashamed] Lynette Scavo: [Porter is sitting at the table eating a sandwich] Hi, mind if I join you? [He ignores her] Lynette Scavo: OK, I know what I did was unforgivable and I am not trying to make excuses, but we used to talk all the time, and then one day it just stopped, and it killed me. I felt like I lost you and then I was Sarah J and I had you back and we were talking again and you where telling me things. Porter Scavo: I wasn't telling you anything, I was telling her. Lynette Scavo: Well, for what it's worth, I loved our conversations and I'm going to miss them. [She walks off] Porter Scavo: [Whispers] Me too.
[Porter is listening to music on his headphones, when Lynette walks into his room, he removes them] Lynette Scavo: Hey, got a sec? Porter Scavo: Not really. Lynette Scavo: So, I assume you know what happened to Jimmy Kimrado? Porter Scavo: I guess. Lynette Scavo: Your friend gets busted for dealing drugs at school and all you have to say is 'I guess'?
Porter Scavo: He's not my friend.
Lynette Scavo: What are you talking about? You were on the same little league team.
Porter Scavo: Yeah, a million years ago, anything else?
Lynette Scavo: No, not really.
Tom Scavo: [Lynette is sitting at her computer] What're you doing?
Lynette Scavo: I'm just talking to Porter on Silverfizz.
Tom Scavo: Who is Sarah J from MacArthur High School?
Lynette Scavo: Me! I'm sixteen, cute, I like graphic novels and Tokyo Police Club.
Tom Scavo: Oh my God! You're pretending to be somebody else!
Lynette Scavo: Our brooding son has a classmate who got arrested for selling drugs, I really think the ends justify the means.
Tom Scavo: We'll address you major ethical breach in a moment. What did you find out?
Lynette Scavo: The good news is he really doesn't hang out with that guy, but I am a little worried about 'Anita47' who told him cherry fruit pops are an aphordesiac.
Tom Scavo: OK, you got what you came for, you know who he hangs around with, now time to stop.
Lynette Scavo: You're probably right, it's just, did you know Porter writes poetry? Tom Scavo: Seriously?
Lynette Scavo: Yeah, our Porter, the kid who communicates with grunts and shrugs, writes this beautiful, heartwrenching poetry.
Danielle: (to Bree about Benjamin) You gave him meat and told him to lie?!!
Gabrielle Solis: Are you saying Juanita is fat for her age? Susan Meyer: Gaby, Juanita is fat for your age.
Gabrielle Solis: Look at my life, Susan. I've been beaten down. Susan Meyer: Well, I thought I had you beaten today and the next thing I knew, I was eating grass. Gabrielle Solis: Today doesn't count. Today I was mad. Susan Meyer: Maybe you need to get mad more often.
Gabrielle Solis: [to Andrew] I took the car to the mechanic's who told me the radiator's shot. Andrew Van De Kamp: Oh, that, yeah. It's been giving me trouble for years. Just use the jar. Gabrielle Solis: What jar? Andrew Van De Kamp: It's in the truck. You just keep it full of water and when the radiator reheats, you fill it up. Oh, and try not going uphills and stay in the shade as much as possible. Gabrielle Solis: I can't drive around avoiding gravity and the sun!
Gabrielle Solis: [to Susan] You attacked my child and then me. Why should I even listen to you? Susan Meyer: I brought booze. Gabrielle Solis: Come on in.
Dave Williams: [to Lynette] You know what a midlife crisis is?
Lynette Scavo: I'm married to a 45 year old man who has a red convertible. Yeah, I think I know.
Carlos Solis: Why don't we just tell her the truth?
Gabrielle Solis: What: Mommy rides Daddy like a mechanical bull for jewelry?
Celia Solis: Sperm!
Gabrielle Solis: Juanita, stop talking to your sister!
Karen McCluskey: [to Dave] Stop screwing with me!
Karen McCluskey: You planned this whole thing. The party... breaking into my house... my reaction. You're trying to get rid of me. Dave Williams: Yes... and I'm sorry it had to be you. Karen McCluskey: 'Cause I know you're up to something. Something awful. Dave Williams: You don't know what "awful" is. Well... you take care of yourself, Karen. I mean that.
Orson Hodge: They got him for organ trafficking. Bree Hodge: What?
Katherine Mayfair: I tell you if I'm not careful this guy could steal my heart. Bree Hodge: Well if he tries you let me know.
Carlos Solis: Did I ever tell you when I knew I was going to marry you? Gabrielle Solis: First time you saw me on the runway. Carlos Solis: Nooo. That's when I knew I was gonna sleep with you. [chuckles] Nah, I knew I was going to marry you the night we went to that restaurant on 3rd Street. Gabrielle Solis: Mmm. I remember that place. Carlos Solis: Mm-hmm. You wore a white linen sundress and you ordered this giant plate of ribs. And you ate them with such gusto - up to your elbows in barbecue sauce, meat hanging from your teeth and grease in your hair - and when it was all over, I pointed out what a mess you were. You pulled out your mirror, took a look at yourself, and just let out this huge, happy, totally unrestrained laugh. The room completely filled with it, and I thought to myself now that is a sound I'd like to hear the rest of my life. That's why I proposed to you. And it had nothing to do with your looks. Gabrielle Solis: You know when I decided I wanted to be with you forever? Carlos Solis: No. When? Gabrielle Solis: About two seconds ago. [kisses Carlos] Gabrielle Solis: Up until then, it was pretty touch and go.
Susan Meyer: [spits out cookie] I hate macadamia nuts. You think they're white chocolate chips until it's too late. Stupid Hawaii.
[Lynette decides to have a family breakfast]
Lynette Scavo: So, Parker how's that science project you've been working on? [Cops ring the door bell and arrest Porter.]
Parker Scavo: Guess we're done talking about my science project, huh?
Lynette Scavo: Yes, sweetie, we are.
Susan: I need a man in my life! Lee McDermott: Why? We're so useless.
Susan: I need a man in my life! Bob Hunter: Why? We're so useless.
Porter Scavo: Ooh, Dad called a family meeting.
Parker Scavo: Yeah, mom he said it's about the restaurant.
Lynette Scavo: Oh boy, I think I know what this is about. Things have been tough down at the restaurant and I think your dad has finally decided to sell it.
Parker Scavo:Wow!
Preston Scavo: Is he gonna be okay?
Lynette Scavo: I don't know, that's why we all have to be really supportive. Are you with me?
[They all nod.]
Tom Scavo: Hey guys, good, you're all here.
Penny Scavo: I love you, Daddy!
Lynette Scavo: Not yet.
Tom Scavo: I wanted to talk to you all about our pizzeria.
Lynette Scavo: Just know that we're 100% behind you.
Tom Scavo: That means a lot because this was a really rough day for me. I had to let all our employees go. So starting tomorrow, you kids are my new wait staff!
Lynette Scavo: Tom, what the hell are you talking about?
Tom Scavo: You and I'll handle the days and the kids'll join us after school and on the weekends.
'Parker Scavo: At the risk of sounding spoiled, a-noo.
Tom Scavo: Come on, we'll love working together,
Porter Scavo: Why? We don't even like living together.
Preston Scavo: You're not even going to pay us?
Penny Scavo: I'm nine, is that even legal?
Tom Scavo: I think so, but just to be sure, you're fifteen, happy birthday!
Parker Scavo: Mom, please do something. Tom: You said that you were behind me 100 percent.
Lynette: Really? That does not sound like me. Porter: Just so you know, 30 years from now when you and Dad old and feeble--
Lynette: You're putting us in the cheapest nursing home you can find. Yeah, I got it.
[The twins decide to take a break as soon as a group of teenagers come in.]
Lynette Scavo: What's going on here?
Preston Scavo: Those kids go to our school.
Porter Scavo: And you know who that big guy is? Kevin McDurmot, the guy called me 'Jesus' for a year cause I wore sandals for one day! If he sees me wearing this, I'll never hear the end of it.
Tom Scavo: Fine, don't wear the apron.
Porter Scavo: No. I'm not gonna wait on a kid who's gonna make fun of me on Monday morning. It's humiliating enough having to work here. [Tom has a tantrum and slams Porter against the wall, and Lynette breaks it up.]
Parker Scavo: [looking shocked] Guys, I just sat a twelve-top, who's taking it?
Tom Scavo: I will.
[They all look shocked.]
Orson: You're saying I'm worthless.
Bree: No, I'm just sayin you're worth less.
Gabrielle Solis: Susan, if you're not sure what Jessie meant by it, why don't you just talk to her?
Susan Meyer: Oh, that would be way too awkward. She's my boss.
Lynette Scavo: She's your boss? Let her kiss you again and then sue her!
Gabrielle Solis: Okay, we're going to figure this out for you. Were her eyes open or shut?
Susan Meyer: I don't know.
Gabrielle Solis: Well, how many seconds did the kiss last?
Susan Meyer: I don't remember.
Gabrielle Solis: [frustrated] Oh, for God's sake, was it this?
[Gabrielle quickly smooches Susan on her lips] Gabrielle Solis: Or was it this? [Gabrielle kisses Susan passionately for about three seconds]
Susan Meyer: Uh... the second one.
Lynette Scavo: Congratulations. You're now dating a lesbian.
Lee McDermott: [snickers] See you at the parade.
Karl: (to Susan) You know, this is typical Susan behavior! And you wonder why no man can stay with you!
Susan: [to a dying Edie] Don't worry Edie, you're gonna be just fine.
Edie Britt: Susan Meyer, wrong again!
Gabrielle Solis: Ladies, start your blenders.
Edie Britt: [Last Lines] As I looked down on the world, I began to let go of it. I let go of white picket fences, and cars in driveways, coffee cups and vacuum cleaners. I let go of all those things that seemed so ordinary, but when you put them together they make up a life, a life that really was one-of-a-kind. I'll tell you something, it's not hard to die when you know you have lived. And I did. Oh, how I lived.
Immigration Man: Jackson Braddock?
Jackson: Yes?
Immigration Man: We're with immigration. You're in the country on an expired visa. You're gonna have to come with us.
Susan: Oh, no, no, no, no. Y-you can't take him now!
Immigration Man: Ma'am, not now. I need you to step back.
Jackson: Susan, there's a business card on the dresser with an attorney's number. Could you call him for me, please?
Susan: Please, can't this wait? We're about to get married!
Immigration Man: Not today, you're not.
Mike: "What's goin' on? Who are these guys?"
Katherine: Uh, immigration agents, and I think they're sending Jackson back to Canada!
Bree: Orson, we've been robbed!
Orson Hodge: It wasn't me, I swear.
[Tom gets into college] Parker Scavo: I can help you study if you want. Tom Scavo: I'm not sure how much help you're gonna be. I'm majoring in Chinese. Preston Scavo I know how to say "Take me to a strip bar" in Mandarin. Lynette Scavo: I'm so proud. Porter, aren't you gonna congratulate your father?
Porter Scavo: Congratulations on ruining my life. If you see me on campus you're not allowed to talk to me.
[Gaby wonders how Ana got the house clean so fast and then the Scavo twins come down the stairs]
Porter Scavo: We finished upstairs, Ana!
Preston Scavo: Anything else you need done?
Ana Solis: They wanted to hang out but I had chores to do, so they insisted on helping me. Aren't they sweet!
Parker Scavo: [Comes in with a brush and cleaning gloves] Hey, um, I'm not bragging, and I don't recommend it, but you could so eat out of your downstairs toilet.
Gabrielle Solis: Okay boys, thanks for your hard work but maybe it's time to go home and take a shower. Preferably a cold one.
Ana Solis: Bye Preston!
Porter Scavo: I'm Porter.
Preston Scavo: I'm Preston.
Parker Scavo: Oh, you can call me whatever you want!
(Karl lies down on bed and Bree looks shocked.)
Karl: What?
Bree: This is not what I was expecting!
Karl(looks down at abdomen): Yeah, I think I look pretty good for my age.
Katherine: Well, if you two are so happy, then where did he just disappear to?
Susan (exclaims in exasperation): He's snaking a lady's drain, okay?
(Everybody look strangly at her)
Susan: And, yes, I realise how that sounded. Get your minds put of the gutter.
Susan just shot Katherine.
Katherine: (exclaims angrily) You're going to jail for this! Everyone heard you, ow, threaten me at that meeting. I have witnesses.
Susan: Oh, please, if I were gonna kill you, I wouldn't do it in my own front yard. I'd sneak into your house and shoot you while you were asleep.
(Bree gives her a dirty look.)
Susan: Not that I would ever do that.
Mike Delfino: [to Susan when he comes home to discover that she wants to have sex with him for the 4th time that day] Oh, God... Susan, I can't. I got nothin' left! I hit my hand with a wrench today, and when I cried, only dust came out!
Karl: [to Orson Hodge] I am proposing to Bree today with an airplane banner! And trust me, that will be the highlight of your day!
Patrick Scavo: When I was born the doctors told my parents I wouldn't live through the night, then the week. What I'm trying to say is I really piss my doctors off.
Bree: What you doing? Robin Gallagher: Making you my screensaver. Bree: Oh, that's sweet. Robin Gallagher: You're replacing my cat, he's eating noodles.
Susan Meyer: Oh don't cry, why you crying? Strippers are supposed to be tough.
Robin Gallagher: Stop calling me that. Yes, I was a stripper. But you know what? You were the only person who never treated me like one, until now.
Susan Meyer: Oh.
Robin Gallagher: And I'm really sorry if I crossed the line with Mike. You know I guess after working nine years in the club I just don't know where the line is anymore.
Heidi Klum: [to Gabrielle] Screw you, screw your friend, and screw Fairview!
Katherine: (to Robin) Just because I enjoy having sex with you doesn't make me a lesbian!
Iris Beckley: [Both sitting down in Iris's living room, having coffee] I'm sorry I couldn't get an address or anything.
Patrick Logan: You got me everything I needed. Iris Beckley: Good. So... then I guess...?
Patrick Logan: Ah! Of course. [hands her an envelope full of money]
Iris Beckley: I know you've been looking for Angie for a long time but there's not gonna be any trouble, right?
Patrick Logan: Trouble? Iris Beckley: Well, you're not gonna like, hurt her or anything?
Patrick Logan: She took something of mine. I want it back.
Iris Beckley: Okay. It's just I like Rose and I don't ever want to hear that something bad happened to her kid.
Patrick Logan: You should get that money to the bank. This place doesn't seem very safe to me.
Iris Beckley: What are you talking about? Look at all those locks.
Patrick Logan: Yeah, but what if someone were to come up this fire escape?
Iris Beckley: Oh, that window is always locked.
Patrick Logan: You think that's gonna stop them? [Opens the window and wraps his scarf around his hand, leans through and punches the other window]
Iris Beckley: [Startled] What are you doing?
Patrick Logan: They reach through, unlock the window, and now you're in trouble. [He tightens the scarf in his hands.]
Mary Alice: (closing narrative) Monsters create other monsters.
Danny: If I am, it's because you were my father.
Renee Perry: (to Lynette) It's just hard for me to reconcile this suburban housewife with the girl who had a threesome with two of the guys from the rugby team.
Bree: (explaining her bad luck with love) My marriage ended six days ago, Keith is 15 years too young for me and my track record with lovers...two dead, one in a wheelchair.
Renee- So we both need guys, I'm thinking we should hang.
Renee- Well, a beautiful, classy woman who can get a man without leaving the house...I don't see us being friends.
Renee to Bree- "We gotta get back in the game. Cut loose. Let our hair down. That hair does come down, doesn't it?"
Susan: You know what, I'm glad I didn't let Mike do this because I'm really enjoying it.
Bree: Nine years ago my son found me face down, drunk. He had to turn the sprinklers on to wake me up. Did you not know you're dating the biggest lush in Fairview? Do you think you can deal with a control freak with a drinking problem?
Carlos: We have to protect our daughter.
Gaby: They're both our daughters.
Tom: There's nothing wrong with my mother, so just drop it.
Susan: Oh, and enjoy those raisin muffins. I hope they're all raisins - my apartment has rats.
Susan: You have the kids' table in your driveway.
Renee: The police made me move it off the street.
Lynette: (turns off the football game Preston and Porter are watching) Boys, watch the game upstairs while I have little chat with Susan.
Porter: When did Susan get here?
Preston: Beats Me.
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