Yves Saint Laurent (film)

Not to be confused with Saint Laurent (film).

Yves Saint Laurent is a 2014 French biographical drama film directed by Jalil Lespert and co-written with Jacques Fieschi, Jérémie Guez, and Marie-Pierre Huster. The film is based on the life of Yves Saint Laurent from 1958.^[4] The film stars Pierre Niney, Guillaume Gallienne, Charlotte Le Bon, Laura Smet, Marie de Villepin, Xavier Lafitte, and Nikolai Kinski.

Yves Saint Laurent
French theatrical release poster
Directed by	Jalil Lespert
Screenplay by	Marie-Pierre Huster Jacques Fieschi Jalil Lespert
Based on	Yves Saint Laurent by Laurence Benaïm
Produced by	Wassim Béji Yannick Bolloré
Starring	Pierre Niney Guillaume Gallienne Charlotte Le Bon Laura Smet Marie de Villepin Nikolai Kinski Ruben Alves Astrid Whettnall Marianne Basler Adeline D'Hermy Xavier Lafitte Jean-Édouard Bodziak Alexandre Steiger Michèle Garcia Olivier Pajot Anne Alvaro
Cinematography	Thomas Hardmeier
Edited by	François Gédigier
Music by	Ibrahim Maalouf[1]
Production companies	WY Productions SND Films Cinéfrance 1888 Hérodiade uMedia
Distributed by	SND Films
Release date	8 January 2014 (2014-01-08) (France)
Running time	105 minutes[2]
Country	France
Languages	French English Russian Arabic Japanese
Budget	€12 million[3]
Box office	$21 million[3]

The film opened the Panorama Special section of the 64th Berlin International Film Festival at the renovated Zoo Palast, with director, cast, and Pierre Bergé in attendance.^[5][6] The film received seven nominations at the 40th César Awards, winning Best Actor for Pierre Niney.^[7]

Premise

Yves Saint Laurent and Pierre Bergé promote the French fashion industry and stay friends against all odds.

Cast

• Pierre Niney as Yves Saint Laurent
• Guillaume Gallienne as Pierre Bergé
• Charlotte Le Bon as Victoire Doutreleau
• Laura Smet as Loulou de la Falaise
• Marie de Villepin as Betty Catroux
• Nikolai Kinski as Karl Lagerfeld
• Xavier Lafitte as Jacques de Bascher
• Ruben Alves as Fernando Sánchez
• Marianne Basler as Lucienne Saint-Laurent
• Astrid Whettnall as Yvonne De Peyerimhoff
• Anne Alvaro as Marie-Louise Bousquet
• Michèle Garcia as Raymonde Zehnacker
• Patrice Thibaud as Christian Dior
• Adeline D'Hermy as Anne-Marie Munoz
• Alexandre Steiger as Jean-Pierre Debord
• Jean-Édouard Bodziak as Bernard Buffet
• Fabienne Chaudat as Dame Dior

Production

In March 2013, The Weinstein Company acquired the rights to the film to distribute in the United States, while Entertainment One holds U.K., Australian and Benelux distribution rights, including Canadian distribution rights.^[8]

Filming

Director Jalil Lespert and lead actor Pierre Niney at the film's premiere in Paris

Principal photography began in June 2013. Part of the filming was done with Bergé, who sent "out models on the runway for a reconstitution of Saint Laurent's famous Opéra Ballets Russes collection of 1976, which was filmed at the fashions show's original venue, the Westin hotel (formerly known as the InterContinental.)"^[4] Bergé's foundation loaned the film "77 vintage outfits from its archives and allowed Lespert to film certain scenes at its headquarters on Avenue Marceau in Paris."^[4] Bergé "praised Lespert's film—based largely on a Laurence Benaïm biography of Saint Laurent and Bergé's reminiscences in his book Letters to Yves—for showing the designer's demons." Bergé said "...there are details I don't like, but that is of no importance whatsoever. You have to take the movie as it is—as a whole."^[4]

Reception

Yves Saint Laurent received mixed reviews. On film aggregation website Rotten Tomatoes, it holds a rating of 45%, with an average score of 5.3/10, based on reviews from 65 critics. The site's consensus reads "While it boasts its share of fine performances, Yves Saint Laurent is also disappointingly bland and formulaic – especially given its subject's dazzling reputation."^[9] On another website, Metacritic, it has a score of 51/100 (indicating "mixed or average"), based on reviews from 25 critics.^[10]

Guy Lodge from Variety stated in 2014, "considerably less innovative than its human subject", "disappointingly by-the-numbers treatment" and "awkwardly structured".^[11]