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1928 film From Wikipedia, the free encyclopedia
You're Darn Tootin' is a silent short subject directed by E. Livingston Kennedy starring comedy duo Laurel and Hardy. It was released on April 21, 1928, by Metro-Goldwyn-Mayer.
| You're Darn Tootin' | |
|---|---|
 | |
| Directed by | E. L. Kennedy |
| Written by | H.M. Walker (titles) |
| Produced by | Hal Roach |
| Starring | |
| Cinematography | Floyd Jackman |
| Edited by | Richard C. Currier |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 21:29 |
| Country | United States |
| Languages | Silent film English (Original intertitles) |
Stan and Oliver, members of a municipal band, find themselves perpetually at odds with their conductor's direction, leading to their dismissal from both the band and their lodgings. In an attempt to earn a living, they resort to street performance as musicians. However, their discord spills over into their interactions with passersby, resulting in chaotic altercations that escalate into a broader conflict among the crowd, ultimately devolving into a chaotic scene where individuals engage in disruptive behavior, including the removal of each other's clothing.
You're Darn Tootin' was filmed in January 1928. The title is an American idiomatic phrase akin to "You're darn right!" The film was originally released in the UK under its working title The Music Blasters. The film was directed by fellow film comedian Edgar Kennedy (billed as "E. Livingston Kennedy").
Scenes from You're Darn Tootin' were included in several silent film compilations of the 1960s produced by Robert Youngson.
The film was shown on the BBC Four programme Paul Merton's Silent Clowns in full with an original, unique musical score.
Laurel and Hardy: The Magic Behind the Movies author Randy Skretvedt wrote positively about You're Darn Tootin', saying the film "is the first clear statement of the essential idea inherent in Laurel and Hardy. The world is not their oyster: they are the pearls trapped in the oyster. Their jobs hang by rapidly unraveling threads. Their possessions crumble into dust. Their dreams die just at the point of fruition. Their dignity is assaulted constantly. At times they can't live with each other, but they'll never be able to live without each other. Each other is all they will ever have. That, and the hope for a better day — which is about the most profound philosophical statement ever to come from a two-reel comedy."[1]
British film critic Leslie Halliwell commented, "...though early in their teaming [it] shows Stan and Ollie at their best in a salt shaker routine and in a surreal pants-ripping contest."[2]
The Laurel & Hardy Encyclopedia' author Glenn Mitchell contrasts the expanding-mayhem finale with earlier scenes, saying the film "contains what is in many respects the best of Laurel & Hardy's huge street battles. So good is this climactic sequence that other sections tend to be ignored: the opening bandstand segment is timed to a musical beat...."[3]
Bruce Calvert of Allmovie commented that the film "is famous for the pants-ripping scene at the end, but the other parts of it are just as funny.... The final pants-ripping scene is not funny just because so many men lose their pants, but because Laurel and Hardy come up with inventive ways to pull more innocent bystanders into the fray."[4]
Writing in the 1960s, The Films of Laurel and Hardy author William K. Everson appraised the film, saying "The boarding house [dinner] is a charming sequence with Hardy's fruitless efforts to charm and cajole the landlady.... The shin-kicking, pants-ripping finale is one of their best and most meticulously constructed sequences of controlled savagery, similar to and in many ways better than the great pie fight [of The Battle of the Century]."[5]
Chapters, called Tents, of The Sons of the Desert, the international Laurel and Hardy Appreciation Society, all take their names from L&H films; the You're Darn Tootin' Tent is in Mobile, Alabama.
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