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2006 Turkish film From Wikipedia, the free encyclopedia
Valley of the Wolves: Iraq (Turkish: Kurtlar Vadisi: Irak) is a 2006 Turkish action film directed by Serdar Akar and starring Necati Şaşmaz, Billy Zane and Ghassan Massoud. The story concerns a Turkish commando team which goes to Iraq to track down the US military commander responsible for the Hood event.
| Valley Of The Wolves: Iraq | |
|---|---|
Theatrical release poster | |
| Directed by | Serdar Akar Sadullah Şentürk |
| Written by | Raci Şaşmaz Bahadır Özdener Soner Yalçın (concept creator) |
| Produced by | Raci Şaşmaz |
| Starring | Necati Şaşmaz Billy Zane Ghassan Massoud Gary Busey Diego Serrano Gürkan Uygun Bergüzar Korel |
| Cinematography | Selahattin Sancaklı |
| Edited by | Kemalettin Osmanlı |
| Music by | Gökhan Kırdar |
Release date |
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Running time | 122 min. |
| Country | Turkey |
| Languages | Turkish English Arabic German Kurdish |
| Budget | $14,000,000 |
| Box office | $27,900,000 |
The film is set during the occupation of Iraq and includes references to other real events such as the Abu Ghraib prison scandal. The film, which went on nationwide general release across Turkey on February 3, 2006, was the highest-grossing Turkish films of 2006 and is one of the most expensive Turkish films ever made.
It is part of the Valley of the Wolves media franchise, based on the Turkish television series of the same name, and was followed by Valley of the Wolves: Gladio (2008) and Valley of the Wolves: Palestine (2010).[1][2][3][4][5][6][7]
Filmed with a budget of $14 million, this was the most expensive Turkish film ever made at the time of its release before being surpassed by A.R.O.G.[4] The film grossed $27.9 million at the box office — $25.1 million in Turkey and $2.8 million in Europe.
Opinions of the film greatly varied. While the Wall Street Journal characterized it as "a cross between American Psycho in uniform and the Protocols of the Elders of Zion",[8] Turkey's parliamentary speaker Bülent Arınç described it as "absolutely magnificent".[9]
The film covers through fiction real-life events like the occupation of Iraq, the execution of Daniel Pearl and the Abu Ghraib torture scandal. Nevertheless, the film's primary focus is the Hood event (Turkish: Çuval Olayı), an incident on July 4, 2003 following the 2003 invasion of Iraq where a group of Turkish military personnel operating in northern Iraq were captured, led away with hoods over their heads, and interrogated by the United States military.
The arrest is infamous in Turkey as the so-called "Hood event". The soldiers were led out of their headquarters at gunpoint, with hoods over their heads and subsequently detained for sixty hours before being released, after Turkey protested to the United States. A US-Turkish commission set up to investigate the incident later issued a joint statement of regret[10] and US Defense Secretary Donald Rumsfeld wrote a letter to the Turkish Prime Minister Recep Tayyip Erdoğan, expressing sorrow over the event.[11]
The film opens with a fictional depiction of a real-life incident, the "Hood event". On July 4, 2003, the Turkish soldiers believe they are receiving an ordinary visit from their NATO allies, but a sudden change occurs, and 11 allied Turkish special forces soldiers and 13 civilians are arrested by Colonel Sam William Marshall (Billy Zane), in the northern Iraqi town of Sulaymaniyah. They are forced to wear hoods while in detention, and are released some time later.
A Turkish officer named Suleyman Aslan, who was a member of the special forces troops involved in the Hood event, is unable to bear the shame of what happened, and commits suicide. Before doing so, he writes a letter saying goodbye to his friend, Polat Alemdar (Necati Şaşmaz). Alemdar is a former Turkish intelligence agent who has recently severed links to the government agency for which he worked. Determined to avenge his friend's humiliation, Alemdar travels to Iraq along with several of his colleagues, seeking vengeance on the American commander whose actions led to Aslan's suicide.
At a checkpoint, Alemdar and his team kill three Iraqi Kurdish paramilitary Peshmerga soldiers. They attach explosives to the foundation of a hotel, to which they demand Colonel Sam William Marshall, who was responsible for the hooding incident, come. When Marshall arrives, Polat wants him to put a sack over his head and to publicly leave the hotel with him, allowing journalists to take photos, taking the same insult he committed to Polat's dead friend. The group threatens to blow up the hotel unless Marshall and some of his men let themselves be led out of the hotel while hooded. Marshall refuses and brings in a group of Iraqi children as human shields. Alemdar gives in and leaves.
Marshall raids an Arab wedding on the pretext of hunting "terrorists". When the usual celebratory gunfire starts, one soldier states: "Now they are shooting, now they are terrorists"; they attack a wedding party, where a small child named Ali sticks a branch up the barrel of one of the soldiers' guns. At first, the soldier just hushes the boy away; the second time, he opens fire and afterwards looks astonished as he sees the little child dead. The rest of the soldiers panic and open fire on the wedding guests, beat up the bride, shoot the groom, the guests and children. The survivors are captured and forced into an airtight container truck and sent to Abu Ghraib prison.
En route to Abu Ghraib, an American soldier complains that the prisoners might be suffocating in the truck. One of Marshall's men then fires on the truck, spraying the detainees with bullets. "See, now they won't suffocate to death", he says. When the soldier threatens to report the incident, he is promptly shot. In Abu Ghraib, a group of American soldiers, among them the sole female Westerner in the film (a clear reference to Lynndie England and the Abu Ghraib torture scandal), is making naked human pyramids from those arrested in the wedding, aided by an Arab interpreter. The prisoners are washed with high pressure nozzles in what appears to be cattle stalls.
In a later scene, the execution of a Western journalist by Iraqi rebels is about to take place, but the sheikh Abdurrahman Halis Karkuki, who is esteemed by the rebels, prevents it, and offers the journalist the opportunity to kill the rebel who was about to kill him. The rebel does not resist, but the journalist declines the offer. Thereafter, the bride who survived the earlier massacre, Leyla, wants revenge by becoming a suicide bomber, but is talked out of it by the Sheikh. Leyla hurries to a market to stop her brother-in-law Abu Ali, the father of the child killed at the wedding, from blowing himself up in the place where Col. Marshall is having a meeting, but she arrives too late. Alemdar and his men, who are there to assassinate Marshall, are led to safety by Leyla.
Alemdar and his team then attempt to kill Marshall again by rigging a bomb in a piano (which once belonged to Saddam Hussein) that is being delivered to Marshall as a gift. The bomb explodes prematurely, and Marshall survives. Alemdar and Leyla then go to a mosque, to meet the sheikh. Marshall tracks them down, however, and a big firefight ensues. The entire village and mosque are destroyed by heavy gunfire. Together they manage to kill Marshall, but Leyla is also killed by Marshall.
The film upset some viewers for its heavy and incriminating subject matter. Some[who?] have criticized it for alleged stereotyping and "black and white" portrayal of the opposing forces.[12] The controversy arises mainly from the following scenes:
The film's scriptwriter Bahadir Ozdener has defined the film by saying:[13]
Our film is a sort of political action. Maybe 60 or 70 percent of what happens on screen is factually true. Turkey and America are allies, but Turkey wants to say something to its friend. We want to say the bitter truth. We want to say that this is wrong.
The movie's director, Serdar Akar, went further and said the film was supposed to promote a dialogue between religions.[14]
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