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1997 novel by Patricia Cornwell From Wikipedia, the free encyclopedia
Unnatural Exposure is a crime fiction novel by Patricia Cornwell. It is the eighth book in the Dr. Kay Scarpetta series.[1] The story is set in Richmond, Virginia and Ireland.
Author | Patricia Cornwell |
---|---|
Language | English |
Series | Kay Scarpetta |
Genre | Crime fiction |
Publisher | G. P. Putnam's Sons |
Publication date | 1997 |
Publication place | United States |
Media type | Print (hardcover, paperback) |
Pages | 367 |
ISBN | 0-399-14285-1 |
OCLC | 39285687 |
Preceded by | Cause of Death |
Followed by | Point of Origin |
Virginia Chief Medical Examiner Kay Scarpetta has a bloody puzzle on her hands: five headless, limbless cadavers in Ireland, plus four similar victims in a landfill back home. Is a serial butcher loose in Virginia? That's what the panicked public thinks, thanks to a local TV reporter who got the leaked news from Scarpetta's rival, Investigator Percy Ring. But this is no run-of-the-mill serial killer. A shadowy figure has plans involving mutant smallpox, mass murder, and messing with Scarpetta's mind by e-mailing her hot naked photos of the murder scenes, along with cryptic AOL chat-room messages.[1] Central to the plot is the case of Janet Parker, the last person known to have died of smallpox, which she contracted in 1978 due to a lab accident in Birmingham, England, after the disease was eradicated in the wild. Cornwell makes the villain a junior employee of the lab at the time who was made a scapegoat for the accident and whose career was blighted as a result. This provides the plot with a credible source for the virus and a motive for the central crime.
The emergency response is complicated by a Federal budget freeze, when all "non-essential" government employees are sent home. Cornwell says in an introduction to a 2008 reprint that a decade ago the idea of a deliberate virus threat seemed fanciful and improbable, and she got more access to government facilities like the CDC for researching the book than she would have got a decade later. She said that her "modus operandi when I write a book is to ask my characters where they are and what they are doing. Then I focus on an image. From that image comes the story .... ".
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