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American art dealer From Wikipedia, the free encyclopedia
Eric Ian Hornak-Spoutz (born August 3, 1983) is an American art dealer,[1][2] historian[3] and museum curator.[1][2] Spoutz has owned art galleries in Detroit, Michigan,[1][2] Cape Coral, Florida,[4] Palm Beach, Florida, and Los Angeles, California.[5]
Eric Ian Hornak-Spoutz | |
|---|---|
Spoutz lecturing at the Washington County Museum of Fine Arts in Hagerstown, Maryland in 2013 | |
| Born | Eric Ian Spoutz August 3, 1983 Mount Clemens, Michigan, U.S. |
| Education | Fort Hays State University,Rutgers University |
| Occupation(s) | Art dealer; Historian |
| Height | 5’ 11’’ |
| Spouse(s) | Lynsie Leinenger (married 2024); Natasha Gavroski (divorced; married 2012-2018) |
| Relatives | Rosemary Hornak (mother); Ian Hornak (uncle); Julius Rosenthal Wolf (uncle) |
| Website | www.ericspoutz.com |
Eric Ian Hornak-Spoutz was born in Mount Clemens, Michigan on August 3, 1983, to Carl Steven Spoutz, a real estate developer and Rosemary Hornak, a visual artist.[6] Eric Ian Hornak-Spoutz's maternal uncle and namesake[7] was the founding Hyperrealist and Photorealist visual artist, Ian Hornak.[1][2] Ian Hornak's life partner was Julius Rosenthal Wolf,[8][9] who was a prominent American casting director, producer, theatrical agent,[9] art collector, art dealer, and the vice president of General Amusement Corporation, then the second largest talent management agency in the world.[10][11] During the 1950s and 1960s, Wolf had been the assistant director of Edith Halpert's Downtown Gallery in New York City where he became a champion of American Modernism in the visual arts. Via the bloodline of his paternal grandmother, Hornak-Spoutz is the eleventh-generation descendent of Mayflower passenger, Francis Cooke (1583-1663). He is also the thirteenth-generation descendant of captain John Marchant (1540-1592), and the tenth-generation descendant of Massasoit Sachem (1580-1661).[10]
Hornak-Spoutz's parents divorced in 1993 when he was nine years old. Following his parents divorce Hornak-Spoutz was raised by his mother, his paternal grandparents and his uncle, Ian Hornak. During the school year he lived in Mount Clemens, Michigan and many summers, and holidays Hornak-Spoutz spent with Ian Hornak at his home and studio in East Hampton, New York and at his home on the Upper-East Side of Manhattan in New York City.[2]
Through his early exposure to the art world via Ian Hornak in New York, Hornak-Spoutz took an interest in art and became his uncle's studio manager in East Hampton at age 16.[2] Elmer Walter Spoutz, Hornak-Spoutz's paternal grandfather who was a prominent Midwestern real estate developer and businessman, died when Hornak-Spoutz was eighteen in 2002 and he became the co-trustee of his grandfather's estate.[2] Later in 2002 when Hornak-Spoutz was nineteen, his uncle Ian Hornak died and Spoutz became the executor of his estate.[2]
Hornak-Spoutz graduated from Cardinal Mooney Catholic College Preparatory School in 2001.[1][2] He graduated with a Bachelor of General Studies degree with concentrations in General Business and Historical Studies from Fort Hays State University.[12] As of 2022, he was a graduate student at Rutgers University where he was pursuing a Master of Arts degree in Creative Arts and Literature.[13]
In 2003, Hornak-Spoutz opened the Eric I. Spoutz Gallery in the Fisher Building in Detroit, Michigan when he was nineteen years old, which specialized in Photorealist and Hyperrealist artwork.[1][2] One of the early exhibitions of the gallery was, "Lowell Nesbitt: A Retrospective" there in 2004, which was the largest display of the artist's artwork since the artist's death in 1993.[14] Hornak-Spoutz moved to Palm Beach, Florida where he lived into a beachfront penthouse.
Between 2007 and 2017, Hornak-Spoutz placed artwork by many artists into the permanent collections of the Smithsonian American Art Museum, the Smithsonian Institution's National Museum of American History, the Smithsonian Institution's Archives of American Art, the Smithsonian Libraries, the Library of Congress Prints and Photographs Division, the Library of Congress Rare Books and Special Collections Division, the Board of Governors of the Federal Reserve System, the National Museum of Women in the Arts, the National Hellenic Museum, the National Czech & Slovak Museum & Library, the Florida State Capitol, the Academy of Motion Picture Arts and Sciences, the Los Angeles County Museum, the Museum of Fine Arts, Boston, the Detroit Institute of Arts, Dartmouth College's Rauner Special Collections Library, the Zimmerli Art Museum at Rutgers University, The George Washington University Art Galleries, The Kinsey Institute for Research in Sex, Gender and Reproduction, the Forest Lawn Museum, the Long Island Museum of American Art, History, and Carriages, the Flint Institute of Arts, the Boston Children's Hospital, the Children's Hospital of Philadelphia, the Detroit Historical Museum and the Rock and Roll Hall of Fame and Museum.[15][1][2] Hornak-Spoutz also curated traveling museum exhibitions throughout the United States including an exhibition at Federal Reserve Board of Governors in Washington D.C. that was on display during Barack Obama's 2013 Presidential Inauguration sponsored by Ben Bernanke,[1][2][3] the Washington County Museum of Fine Arts,[16] the Kinsey Institute,[17] and the Anton Art Center.[18]
During the City of Detroit bankruptcy, which up until that time was the largest municipal bankruptcy in American history, Hornak-Spoutz was a media commentator for multiple media outlets, including The Detroit News, at various times valuing the Detroit Institute of Arts permanent collection[19] and public art owned by the City of Detroit including Marshall Fredericks sculpture, Spirit of Detroit, and the Robert Graham sculpture, Monument to Joe Louis,[20] all of which was then a point of global controversy because of its potential susceptibility to liquidation for payment to the City's creditors.
In 2013 Hornak-Spoutz opened Gallery 928 at The Westin Cape Coral Resort at Marina Village in Cape Coral, Florida where he exhibited the artwork of contemporary artists and masterworks by Andy Warhol, Joan Miró, Pablo Picasso and others, at one time reportedly having $20,000,000 USD worth of artwork on display.[4][21] The gallery closed in 2014 following the suicide of Hornak-Spoutz's business partner, Theodore Eager in the gallery, and Hornak-Spoutz moved to a penthouse in the Mid-Wilshire District in Los Angeles, California where he opened an online dealership for the sale of blue chip artwork.[6]
Hornak-Spoutz also volunteered as the curator for The Heidelberg Project in Detroit, Michigan, The Connecticut Cancer Foundation in Old Saybrook, Connecticut and became the curator and the global commercial representative for the estate of Jack Mitchell, who was the longest serving lead photographer of The New York Times in the publication's history.[2]
Hornak-Spoutz married Natasha Gavroski in Beverly Hills, California in 2012; they divorced in April 2018.[22][23][1][2] In April 2023 he became engaged to Birmingham, Michigan, decorative arts dealer, Lynsie Leinenger in a suite of the Westin Book Cadillac Hotel. Hornak-Spoutz and Leinenger were married at a group wedding ceremony titled, “Totality of the heart,” in Trenton, Ohio during the Solar eclipse of April 8, 2024.[24][25]
HORNAK-SPOUTZ v KAHN. On October 28, 2024, Hornak-Spoutz filed a civil complaint in the Supreme Court of the State of New York, County of Westchester, against American artist, Scott Kahn.[26][27] The complaint alleged a long term close personal friendship and professional relationship between Hornak-Spoutz and Kahn dating to 2011 which included Hornak-Spoutz's longterm representation of Kahn's artwork in Hornak-Spoutz's galleries. One such exhibition referenced was contemporaneously widely publicized in the media at Hornak-Spoutz's gallery in 2014, Gallery 928, at the Westin Cape Coral Resort at Marina Village in Cape Coral, Florida.[4][28][21] Further alleged was that Hornak had arranged the acquisitions of Kahn's artwork into the permanent collections of the Dallas Museum of Art, and the Schmidt Foundation Center for Art and Design at Fort Hays State University, which culminated in a large exhibition of Kahn's work at the Moss-Thorns Gallery of Art at Fort Hays State University in 2024.[29][30][31][32] The complaint alleged that Hornak-Spoutz had, with Kahn's knowledge and consent, made arrangements with Johnathan Crockett, Chairman of Philips Asia, for a $40,000,000 to $60,000,000 USD retrospective exhibition of Kahn's artwork at Philips Asia's headquarters at WKCDA Tower in the West Kowloon Cultural District in Hong Kong.[26][27] The complaint further alleged that following Hornak-Spoutz's having signed an agreement with Philips Asia for the exhibition which secured the time-slot, October 26, 2023 - November 5, 2023, targeting 50 to 60 artworks by Kahn, and following Hornak-Spoutz and Kahn's mutual planning and curation of the exhibition, Kahn, without warning and in close proximity to the opening of the exhibition, terminated and defaulted on the exhibition.[26][27] The complained also alleged that, at Kahn's request, Hornak-Spoutz used Hornak-Spoutz's own personal, professional, and family connections to introduce Kahn to the senior director of the David Zwirner Gallery for the purpose of securing commercial representation of Kahn's artwork at the gallery.[26][27] It was further alleged that Kahn was displeased with his then current representation at the Almine Rech Ruiz-Picasso Gallery in Paris which had prompted Kahn's request to Hornak for transfer to Zwirner.[26][27] Alleged in the complaint, following Hornak-Spoutz's introduction of Kahn to Zwirner, Kahn conspired with Zwirner to circumvent Hornak-Spoutz in the negotiations for obtaining representation in an effort to avoid compensating Hornak-Spoutz.[26][27] The David Zwirner Gallery subsequently announced global representation of Kahn with a November 2024 debut Kahn exhibition at the David Zwirner Gallery in Hong Kong.[26][27][33] The complaint sought $7,500,000 in damages from Kahn to be awarded to Hornak-Spoutz.[26][27]
UNITED STATES v SPOUTZ. On February 3, 2016, Hornak-Spoutz was arrested by the Art Crime Team of the Federal Bureau of Investigation at his penthouse in the Mid-Wilshire District of Los Angeles, California based upon a 26-page criminal complaint[34] issued by the United States Department of Justice, the office of United States Attorney for the Southern District of New York, Preet Bharara.[35][36][37][38][39][40] Hornak-Spoutz was initially arraigned at the United States Court House in Downtown Los Angeles, and placed on supervised release, thereafter releasing him back to the public. The government charged Hornak-Spoutz with marketing and selling the fraudulent artwork through online auction sites and auction houses. The government conceded that its allegations did not relate to Spoutz's legitimate art galleries that he owned, the artwork that he was responsible for selling and donating to museum collections, or the artwork relating to his uncle, Ian Hornak, but was confined to a separate, isolated criminal scheme. On June 3, 2016, Hornak-Spoutz pled guilty before the Honorable, Lewis A. Kaplan at the Daniel Patrick Moynihan United States Courthouse in Manhattan to one count of wire fraud related to the sale of falsely attributed artwork accompanied by forged provenance documents.[15][5] Dozens of character letters from Hornak-Spoutz's friends, family, colleagues and clients written on his behalf begging for leniency were presented to the court including letters from former New York Yankees, Texas Rangers and Cleveland Indians baseball player, John Ellis, American lyrical abstraction co-founder Ronnie Landfield, New York artist Scott Kahn, and the executive director of The Heidelberg Project.[23] On February 16, 2017, Hornak-Spoutz was sentenced by the Honorable Lewis A. Kaplan in United States District Court for the Southern District of New York to forty-one months in the Federal Bureau of Prisons at the Federal Correctional Institution, Morgantown in West Virginia and ordered to forfeit to the United States Congress the $1,450,000 USD of criminal monetary gains he from the scheme and pay $154,100 USD in restitution.[15][41][42][43][44]
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