The Jazz Discography is a print, CD-ROM, and online discography and sessionography of all categories of recorded jazz — and directly relevant precursors of recorded jazz from 1896. The publisher, Lord Music Reference Inc., a British Columbia company, is headed by Tom Lord and is based in Chilliwack, British Columbia, Canada. The initial 26 of 35 print volumes, which comprise the discography, were issued from 1992 to 2001 in alphabetic order.[1][2][3][4] In 2002, The Jazz Discography became the first comprehensive jazz discography on CD-ROM.[5][6][7]
 | |
| Editor-in-chief | Tom Lord |
|---|---|
| Categories | Jazz music |
| Publisher | Lord Music Reference Inc. |
| Founder | Tom Lord |
| Country | Canada |
| Based in | Chilliwack, British Columbia |
| Language | English |
| Website | www |
| ISSN | 1700-439X |
| OCLC | 48027258 |
Scope
The Jazz Discography covers all categories of jazz and other creative improvised music, including traditional, swing, bebop, modern, avant-garde, fusion, third stream, and others. As of January 2008, the database contained 34,861 leaders, 181,392 recording sessions, 1,030,109 musician entries, and 1,077,503 tune entries.[1]
Early listings
There is an ongoing debate over when and where the word "jazz" became a common, commercial reference for the jazz genre, a genre that predates the word. Bert Kelly (1882–1968), a banjoist and jazz club owner from Chicago, is known for having used the word "jass," on his Chicago venue marquee in 1914.[8] To resolve such vagaries, TJD Online allows users to search by year, beginning 1896. The two listings of 1896 are the compositions of Scott Joplin, preserved on piano rolls — not performed by Joplin — but subsequently recorded many times.
There is a prevailing consensus that the first commercially released jazz recording was the "Livery Stable Blues" (third take), recorded on February 26, 1917, by the Original Dixieland Jass Band of New Orleans.[9]
Sources
Numerous data sources comprise the database. They include existing general and individual jazz discographies and international jazz periodicals. With initial mixed sentiment over some sources, reviewers observed that Lord borrowed heavily from, but expanded upon, the major comprehensive jazz discography work of Walter Bruyninckx, whose research was, and still is (as of 2013), ongoing.[7] Sentiment grew mostly positive after the 26th printed volume was published. Additional input has, and still is being received from recording companies and their catalogs and the issues of Cadence magazine covering many recordings not listed in other discographies. Individuals — particularly record collectors, musicologists, and jazz historians — have, and continue to provide data.[1]
Discography format and categories
The project is organized alphabetically by bandleader, and within each individual entry, chronologically by recording session. For each session, it identifies track and album titles, personnel and instrumentation, location and date, and recording label and numbers. Indexes are organized alphabetically by musician and by tune title.[4] The discography includes recording dates but excludes release dates.
Limited data for cassette releases
Some commercially available cassette releases have been included in The Jazz Discography, but the publisher makes no claim to completeness.[1]
Publication sets
The Jazz Discography (print)
| Volume 1: A – Bankhead | (1992) ISBN 1-881993-00-0 OCLC 723506346 |
| Volume 2: Billy Banks – Christer Boustedt | (1992) ISBN 1-881993-01-9 OCLC 723506344 |
| Volume 3: Boutte – Cathcart | (1992) ISBN 1-881993-02-7 OCLC 723506342 |
| Volume 4: Catherine – Dagradi | (1992) ISBN 1-881993-03-5 OCLC 723506338 |
| Volume 5: Dahlander – Dutch Dixie Devils | (1993) ISBN 1-881993-04-3 OCLC 723506335 |
| Volume 6: Dutch Swing College Band – Fischbacher | (1993) ISBN 1-881993-05-1 OCLC 723506332 |
| Volume 7: Clare Fischer – János Gonda | (1994) ISBN 1-881993-06-X OCLC 723506327 |
| Volume 8: Nat Gonella – Everette Harp | (1994) ISBN 1-881993-07-8 OCLC 723506325 |
| Volume 9: Billy Harper to Claude Hopkins | (1994) ISBN 1-881993-08-6 OCLC 769972678 |
| Volume 10: Duncan Hopkins – Doug Jernigan | (1994) ISBN 1-881993-09-4 OCLC 769972680 |
| Volume 11: Jeff Jerolamon – Billy Kirsch | (1995) ISBN 1-881993-10-8 OCLC 770790833 |
| Volume 12: Kiruna Swingsextett – Mark Lewis | (1995) ISBN 1-881993-11-6 OCLC 770790838 |
| Volume 13: Meade Lux Lewis – Steve Masakowski | (1995) ISBN 1-881993-12-4 OCLC 770793302 |
| Volume 14: Miya Masaoka – Sid Millward | (1996) ISBN 1-881993-13-2 OCLC 770790935 |
| Volume 15: Bob Milne – Martha Nelson | (1996) ISBN 1-881993-14-0 OCLC 770793777 |
| Volume 16: Oliver Nelson – Paradise City Jazz Band | (1997) ISBN 1-881993-15-9 OCLC 770793757 |
| Volume 17: Paradise Club Band – Roy Powell | (1997) ISBN 1-881993-16-7 OCLC 770790931 |
| Volume 18: Seldon Powell – Rimaak | (1997) ISBN 1-881993-17-5 OCLC 772017440 |
| Volume 19: Sammy Rimington – Janne Schaffer | (1997) ISBN 1-881993-18-3 OCLC 772017478 |
| Volume 20: Wolfgang Schalk – Holly Slater | (1998) ISBN 1-881993-19-1 OCLC 772322812 |
| Volume 21: John Slaughter – Straight Line Jazz Ensemble | (1999) ISBN 1-881993-20-5 OCLC 772473461 |
| Volume 22: Straight Talk – Ole Thomsen | (1999) ISBN 1-881993-21-3 OCLC 772681616 |
| Volume 23: Dawn Thomson – Roy Vaughan | (2000) ISBN 1-881993-22-1 OCLC 772908793 |
| Volume 24: Sarah Vaughan – Barry Wedgle | (2000) ISBN 1-881993-23-X OCLC 773031438 |
| Volume 25: Wee Big Band – Titi Winterstein | (2000) ISBN 1-881993-24-8 OCLC 773197201 |
| Volume 26: Jens Winther – Zzebra | (2001) ISBN 1-881993-25-6 OCLC 163345247 |
| Volume 27; Musician Index, Part 1: A – Erich Kunzel | (2002) ISBN 1-881993-26-4 OCLC 163317594 |
| Volume 28; Musician Index, Part 2: Fritz Kunzel – Doc Zywan | (2002) ISBN 1-881993-27-2 OCLC 163317634 |
| Volume 29; Tune Index, Part 1: 0 (zero) – "The Happy Ones" | (2002) ISBN 1-881993-28-0 OCLC 174711185, 163238553 |
| Volume 30; Tune Index, Part 2: "The Happy Organ" – "Pentatitus" | (2002) ISBN 1-881993-29-9 OCLC 163238603, 174711205 |
| Volume 31; Tune Index, Part 3: "Pentatonia" – "ZZ's Blues" | (2002) ISBN 1-881993-30-2 OCLC 163238612 |
| Volume 32; Addendum Vol. 1: A – Lucien Barbarin | (2003) ISBN 1-881993-31-0 OCLC 163147004, 314179184 |
| Volume 33; Addendum Vol. 2: | (2002) ISBN 1-881993-32-9 OCLC 163523463, 314453083 |
| Volume 34; Addendum Vol. 3: Jean-Paul Bourelly – Bob Casanova | (2002) ISBN 1-881993-33-7 OCLC 163523664, 315094679 |
| The Jazz Discography (CD-ROM) | |
| Version 3.3 (same data as Vols. 1–26) | (2002) OCLC 50259659, 640537268 |
| Version 4.4 | (2005) |
| Version 5.0: 1992–2004 | (2004) OCLC 57377680, 57518752 |
| Version 6.0: 1992–2005 | (2005) OCLC 475546570, 62894197 |
| Version 7.0: 1992–2006 | (2007) |
| Version 8.0: 1992–2007 | (2008) |
| Version 9.0: 1992–2008 | (2009) |
| Version 10.0: 1992–2009 | (2010) |
| Version 11.0: 1992–2010 | (2011) |
| Version 12.0: 1992–2011 | (2012) |
| Version 13.0: 1992–2012 | (2013) |
| Version 14.0: 1992–2013 | (2014) |
| Version 15.0: 1992–2014 | (2015) |
| Version 16.0: 1992–2015 | (2016) |
| Version 17.0: 1992–2016 | (2017) |
| Version 18.0: 1992–2017 | (2018) |
| Version 19.0: 1992–2018 | (2019) |
| Version 20.0: 1992–2019 | (2020)
Version 21.0: 1992-2020 (2021) |
| The Jazz Discography (online) | |
| TJD Online | (launched 2005) OCLC 182585494, 690104143 |
About Tom Lord
Before embarking on The Jazz Discography, Tom Lord had been a mechanical engineer and, later, an executive at a shipping container company. Lord, together with Bob Rusch, founded Cadence Jazz Records in 1980, an offshoot of Cadence magazine. Lord financed the record label launch and was a silent partner. In the 1990s, Lord also indexed back issues of Cadence.
References
Wikiwand in your browser!
Seamless Wikipedia browsing. On steroids.
Every time you click a link to Wikipedia, Wiktionary or Wikiquote in your browser's search results, it will show the modern Wikiwand interface.
Wikiwand extension is a five stars, simple, with minimum permission required to keep your browsing private, safe and transparent.
