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Time base correction (TBC) is a technique to reduce or eliminate errors caused by mechanical instability present in analog recordings on mechanical media. Without time base correction, a signal from a videotape recorder (VTR) or videocassette recorder (VCR), cannot be mixed with other, more time-stable devices such as character generators and video cameras found in television studios and post-production facilities.
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (March 2010) |
Time base correction counteracts errors by buffering the video signal as it comes off the videotape at an unsteady rate, and releasing it after a delay at a steady rate. A sync generator provides the timing reference for all devices in the system. By adjusting the delay using a waveform monitor, the corrected signal can be made to match the timing of the other devices in the system. If all of the devices in a system are adjusted so their signals meet the video switcher at the same time and at the same rate, the signals can be mixed.
Though external TBCs are often used, most broadcast-quality VCRs have simple time base correctors built in. Some high-end domestic analog video recorders and camcorders also include a TBC circuit, which typically can be switched off if required.
As far back as 1956, professional reel-to-reel audio tape recorders were mechanically stable enough that pitch distortion could be below an audible level without time base correction. However, the higher sensitivity of video recordings meant that even the best mechanical solutions still resulted in detectable distortion of the video signals and difficulty in synchronizing with other devices.[1] A video signal consists of not only picture information, but also sync and subcarrier signals. Sync allows the image to be framed up square on the monitor and allows the combination and switching of two or more video signals. The subcarrier is involved in reproducing colors accurately.[a]
Implicit in the idea of time base correction is that there must be some target time base that the corrector is aiming for. There are two time bases commonly used.
- The first method is to make the frames, fields and lines come out smoothly and uniformly, at the rates specified by the standards using an oscillator for time reference.
- The alternative to this method is to align the frames, fields, and lines with some external signal, a procedure called genlocking.[b] Genlocking allows sources that are not themselves genlock-capable to be used with production switchers and A/B roll editing equipment. Stand-alone broadcast model time base correctors typically will genlock the signal to an external sync reference.
Some TBCs featured drop-out compensation (DOC) that enabled videotape flaws caused by oxide defects to be temporarily concealed. The DOC logic required dedicated cabling between the videotape player and the TBC in which irregularities were detected in portions of the video image. Previously captured and stored lines of video would then be superimposed over the flawed video lines.
A variant of the time base corrector is the frame synchronizer which allows devices that cannot be steered by a sync signal to also be time base corrected or timed into a system. Satellites, microwave transmitters and other broadcast signals as well as consumer VTRs cannot be sent a sync signal. The synchronizer accomplishes this by writing the incoming digital video[c] into a frame buffer memory using the timing of the sync information contained in that video signal. A frame synchronizer stores at least a full frame of video. Simultaneously the digital video is being read back out of the buffer by an independent timing system that is genlocked to the house timing reference. If the buffer over or underfills, the Frame Sync will hold the last good frame of video until another full frame's worth of video is received. Usually, this is undetectable to viewers.
Physically there are only 4 types: dedicated IC, add-in cards for prosumer/professorial VTR/VCRs, desktop standalone units, and dedicated rack mount units.
In the broadcast world, 1U Rack-mount type time base correctors were common. They are intended to be easily slid out of a rack on rails to be serviced, as these units were meant for 24/7 workloads. They typically contained little to no SMD hardware, only operator serviceable through-hole electronics, making these units quite heavy.
Software time base correction
A modern 5th and final type of TBC being achieved in the late 2010s is software-defined. The python project LD-Decode[3] (and its extended versions VHS-Decode[4] and CVBS-Decode[5]) implement this "software time base correction" method. The programs take in radio-frequency captures of analogue media signals, then de-modulates and corrects the signal in software.
The TBC programs stores the corrected signals in a ".TBC" file, containing a digital, lossless, 4fsc copy of the signal at 16 bits per sample[6] – not unlike the older D-3 digital videotape. The data within can be combined luminance and chrominance, or separated. ld-analyze, a tool from the LD-decode project, allows frame by frame analysis, closed captioning & VITC timecode readout using the TBC file.[7] TBC files can have their chroma decoded to a uncompressed YUV[d] or RGB video stream, then encoded into a lossless compressed FFV1 .mkv video file for archival via tools like tbc-video-export.
TBC file streams can also be directly played back to analouge TV systems via a DAC.
- Sampling Rate: 4fsc PAL (17734475 Hz)[citation needed]
- Sampling NTSC: 4fsc NTSC (14318181 Hz)[citation needed]
- Data Rate PAL:
- CVBS 2.1 GB/min 35 MB/s (280 mbps)
- Y+C 4.2 GB/min 70 MB/s (560 mbps)
- Data Rate NTSC:
- CVBS 1.7 GB/min 28.33 MB/s (226.5 mbps)
- Y+C 3.4 GB/min 56.66 MB/s (453 mbps)
- In particular, the color information in NTSC is encoded relative to the phase of a high-frequency color sub-carrier, making the displayed colors extremely sensitive to time base errors.
- To handle a randomly varying analog signal, a stable pilot tone is recorded along with the signal. Upon playback, the pilot tone is extracted with filters and frequency variations in the pilot tone are used to generate an error signal that drives the time base correction circuits. A notch filter is then used to suppress the pilot tone from the recovered signal.<[2]
- YUV is technically a misnomer for YCbCr, but the use is customary among codec developers dealing with e.g. YUV4MPEG2.
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