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Animated film by Walt Disney From Wikipedia, the free encyclopedia
Alice in Wonderland is a 1951 American animated musical fantasy comedy film produced by Walt Disney Productions and released by RKO Radio Pictures. It is based on Lewis Carroll's 1865 novel Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass. The production was supervised by Ben Sharpsteen, and was directed by Clyde Geronimi, Wilfred Jackson, and Hamilton Luske. With the voices of Ed Wynn, Richard Haydn, Sterling Holloway, Jerry Colonna and Kathryn Beaumont in her film debut, the film follows a young girl, Alice, who falls down a rabbit hole and enters a nonsensical world, Wonderland, which is ruled by the Queen of Hearts, while encountering strange creatures, including the Mad Hatter and the Cheshire Cat.
| Alice in Wonderland | |
|---|---|
_poster.jpg) Theatrical release poster | |
| Directed by | |
| Story by |
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| Based on | Alice's Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll |
| Produced by | Walt Disney |
| Starring | |
| Edited by | Lloyd Richardson |
| Music by | Oliver Wallace |
Production company | |
| Distributed by | RKO Radio Pictures |
Release dates |
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Running time | 75 minutes |
| Country | United States |
| Language | English |
| Budget | $3 million[2] |
| Box office |
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Walt Disney was supposed to make his first film Alice which was supposed to star Mary Pickford as Alice, but he chose not to do the film and instead did Snow White and the Seven Dwarfs (1937). However, the idea was eventually revived in the 1940s, following the success of Snow White. The film was originally intended to be a live-action/animated film, but Disney decided it would be a fully animated feature film. During its production, many sequences adapted from Carroll's books were later omitted, such as Jabberwocky, the White Knight, the Duchess, Mock Turtle and the Gryphon.
Alice in Wonderland premiered at the Leicester Square Theatre in London on July 26, 1951, and was released in New York City on July 28. The film was also shown on television as one of the first episodes of Disneyland. It was initially considered a box-office bomb, grossing $2.4 million domestically and received generally negative reviews from critics. However, its 1974 re-release in theaters proved to be much more successful, leading to subsequent re-releases, merchandising and home video releases; it has been more positively reviewed over the years, being regarded as one of Disney's best animated films today.
In a park in England, a young girl named Alice with her cat, Dinah, listens distractedly to her sister's history lesson, and begins daydreaming of a nonsensical world. She spots a passing White Rabbit in a waistcoat, who panics of being late. Alice follows him into a burrow and plummets down a deep rabbit hole. Upon landing in a place called Wonderland, she finds herself facing a tiny door, whose handle advises drinking from a bottle on a nearby table. She shrinks to an appropriate height, but has forgotten the key on the table. She then eats a cookie that causes her to grow excessively. Exasperated by these changes of state, she begins to cry and floods the room with her tears. She takes another sip from the bottle to shrink again, and rides the empty bottle through the keyhole. As Alice continues to follow the Rabbit after encountering a "Caucus Race", she encounters numerous characters, including Tweedledum and Tweedledee, who recount the tale of "The Walrus and the Carpenter". Alice tracks the Rabbit to his house; he mistakes her for his housemaid, "Mary Ann", and sends her inside to retrieve his gloves. While searching for the gloves, Alice finds and eats another cookie and grows giant, getting stuck in the house. Thinking her a monster, the Rabbit asks the Dodo to help expel her. When the Dodo decides to burn the house down, Alice escapes by eating a carrot from the Rabbit's garden, which causes her to shrink to three inches tall.
Continuing to follow the Rabbit, Alice meets a garden of talking flowers who initially welcome her with a song, but then banish her, believing that humans are a type of weed. Alice then encounters a Caterpillar smoking, who becomes enraged at Alice after she laments her small size (which is the same as the Caterpillar's), after which the Caterpillar turns into a butterfly and flies away. Before leaving, the Caterpillar advises Alice to eat a piece from different sides of a mushroom to alter her size. Following a period of trial and error, she returns to her original height and keeps the remaining pieces in her pocket. In the woods, Alice gets stuck between multiple paths and encounters the mischievous Cheshire Cat, who suggests questioning the Mad Hatter or the March Hare to learn the Rabbit's location, but is unhelpful in giving directions. Taking her own path, Alice encounters both, along with the Dormouse, in the midst of an "unbirthday" tea party celebration. The Hatter and the Hare ask Alice to explain her predicament, to which Alice tries, but becomes frustrated by their interruptions and absurd logic. As she prepares to leave, the Rabbit appears and the Hatter attempts to repair his pocket watch, which results in its destruction. Alice attempts to follow the Rabbit after he is ejected from the premises, but decides to go home instead. Unfortunately, her surroundings completely change, leaving her lost in the forest and she begins to cry along with many forest creatures, which vanish.
The Cheshire Cat reappears to the despondent Alice and offers a path to the hot-headed Queen of Hearts, the only one in Wonderland who can take her home. In the Queen's labyrinthine garden, Alice witnesses the Queen – whom the Rabbit serves as a chamberlain – sentencing a trio of playing cards to beheading for painting mistakenly-planted white rosebushes red. The Queen invites a reluctant Alice to play against her in a croquet match, in which live flamingos, card guards, and hedgehogs are used as equipment. The equipment rig the game in favor of the Queen. The Cat appears again and plays a trick on the Queen, setting up Alice to be framed. Before the Queen can sentence her to execution, the King suggests a formal trial. At Alice's trial, the Cat invokes more chaos by having Alice point him out, causing one of the witnesses – the Dormouse – to panic. As the Queen sentences Alice to execution, Alice eats the mushroom pieces to grow large, momentarily intimidating the court. However, the mushroom's effect is short-lived, forcing Alice to flee through the deteriorating realm with a large crowd in pursuit. When Alice reaches the small door she encountered, she sees herself sleeping through the keyhole. Alice emerges from her dream and returns home for tea with her sister.
Directing animators are:[10]
Walt Disney was familiar with Lewis Carroll's Alice books, Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871), having read them as a schoolboy.[11] In 1923, while working at the Laugh-O-Gram Studio in Kansas City, he produced a short film titled Alice's Wonderland,[12] which was loosely inspired by the Alice books and featured a live-action girl (Virginia Davis) interacting with an animated world.[13] Faced with business problems, the Laugh-O-Gram Studio went bankrupt in July of that year,[14] and the film was never released to the general public.[15] However, when Disney left for Hollywood, he used Alice's Wonderland to show to potential distributors.[16] By October 1923, Margaret J. Winkler of Winkler Pictures agreed to distribute the Alice Comedies series, and Disney partnered with his older brother Roy to form the Disney Brothers Cartoon Studio, which was later re-branded Walt Disney Productions;[17] he also re-hired his Kansas City co-workers, including Ub Iwerks, Rudolph Ising, Friz Freleng, Walker and Hugh Harman, to work on the series.[18] Alice Comedies began in 1924 before being retired in 1927.[19]
By June 1932, Roy Disney was first interested in acquiring the film rights to the Alice books, which, as he learned, were in the public domain.[20] In March 1933,[21] Mary Pickford approached Walt with a proposal for a feature-length adaptation of Alice in Wonderland, which would combine Pickford's live-action performance of the title role with an animated Wonderland supplied by the Disney studio.[22] Disney was hesitant about the idea,[23] and the project was quickly scrapped, after Paramount Pictures secured the film rights for their own live-action version.[20] In 1936, Disney produced the Mickey Mouse short film Thru the Mirror, which was based on Carroll's second Alice novel, Through the Looking-Glass, featuring Mickey Mouse going through a mirror into a world where all the items in his house become alive.[24]
After the enormous success of his first full-length animated feature Snow White and the Seven Dwarfs (1937),[25] Disney acquired the film rights to the Alice books with John Tenniel's illustrations from the Macmillan Company by May 1938[26][a] and officially registered the title with the Motion Picture Association of America.[27] He then hired storyboard artist Al Perkins to develop the story;[28] on September 6, 1938, Perkins compiled a detailed 161-page "analysis" of Carroll's book, which included preliminary ideas of the story treatment and summarized descriptions for each scene.[29] On March 1, 1939, British illustrator David Hall joined the Disney studio and was immediately assigned to create the concept artwork for the film.[30] A leica reel, featuring Hall's paintings,[13] was completed on September 20, 1939,[31] but Disney was not pleased; he felt that Hall's drawings resembled Tenniel's illustrations too closely, making them too difficult to animate, and that the overall tone of Perkins' script was too grotesque and dark.[28] Disney also expressed a bit of disinterest in the project,[32] stating that "there would be any harm in letting this thing sit for a while. Everyone is stale now. You'll look at it again and maybe have another idea on it. That's the way it works for me. I still feel that we can stick close to Alice in Wonderland and make it look like it and feel like it, you know".[33] By February 1940, the project was still in the development, albeit slowly,[34] with an additional story meeting held on April 2 of that year.[35] After finishing his work on Fantasia, concept artist Gordon Legg created new inspirational sketches for the film, but eventually left the studio the following year.[36] By the fall of 1940, the animation work on Alice in Wonderland was planned to be completed within the next two years,[37] but Disney himself was rather unenthusiastic about the project.[38]
Disney brought up Alice in Wonderland again at a meeting on April 8, 1941,[39] offering to produce it as an animated film starring a live-action actress,[32] similar to his earlier Alice Comedies series;[40] at the same meeting, Gloria Jean was suggested for the role of Alice.[33] In October of that year, given the box-office underperformance of Pinocchio (1940) and Fantasia (1940), as well as the World War II cutting off the foreign cinema market,[41] Joseph Rosenberg of Bank of America issued an ultimatum, ordering Disney to restrict himself to producing animated shorts and to finish features already in production; no other feature film would begin work until they had been released and earned back their costs.[42] In response, the production of Alice in Wonderland was heavily scaled back and eventually shelved.[13][b]
Disney first attempted to revive Alice in Wonderland in mid-1943; new storyboards were developed throughout much of that year, but the project did not move forward.[44] Ginger Rogers was briefly considered to portray the role of Alice on a live-action/animated feature, but she only voiced the character for a record album of the story which was released by Decca Records on October 21, 1944.[45] In the fall of 1945,[46] Disney hired British author Aldous Huxley to work on a live-action/animated feature, titled Alice and the Mysterious Mr. Carroll, which would revolve around Lewis Carroll and Alice Liddell (who was the inspiration for Alice).[47] Huxley delivered a fourteen-page treatment on November 23, 1945, followed by the first draft of the script, written on December 5 of that year.[48] He devised a story in which Carroll and Liddell were misunderstood and persecuted following the publication of Alice in Wonderland, while stage actress Ellen Terry was sympathetic to both Carroll and Liddell, and Queen Victoria served as the deus ex machina, validating Carroll due to her appreciation for the book.[46] Disney considered child actress Margaret O'Brien for the title role,[49] but felt that Huxley's version was too literal an adaptation of Carroll's book.[13] Background artist Mary Blair submitted some concept drawings for Alice in Wonderland. Blair's paintings moved away from Tenniel's detailed illustrations by taking a modernist stance, using bold and unreal colors. Walt liked Blair's designs, and the script was re-written to focus on comedy, music, and the whimsical side of Carroll's books.[13] Lisa Davis (who later voiced Anita Radcliffe in One Hundred and One Dalmatians) and Luana Patten were also considered for the role of Alice.[13][50]
However, Disney soon realized that he could only do justice to the book by making an all-animated feature and, in 1946, work began on Alice in Wonderland.[28] With the film tentatively scheduled for release in 1950,[51] animation crews on Alice in Wonderland and Cinderella effectively competed against each other to see which film would finish first.[49] By early 1948, Cinderella had progressed further than Alice in Wonderland.[52]
A legal dispute with Dallas Bower's 1949 film version was also under way.[53][54] Disney sued to prevent release of the British version in the U.S., and the case was extensively covered in Time magazine.[55] The company that released the British version accused Disney of trying to exploit their film by releasing its version at virtually the same time.[55]
The first story meetings on Alice in Wonderland were held as early as in December 1938.[31] Through various drafts of the script, many sequences that were present in Carroll's book drifted in and out of the story. However, Disney insisted that the scenes themselves keep close to those in the novel since most of its humor is in the writing.[28]
One omitted scene from the 1939 treatment of the film occurred outside the Duchess' manor, where the Fish Footman is giving a message to the Frog Footman to take to the Duchess, saying that she is invited to play croquet with the Queen of Hearts. Alice overhears this and sneaks into the kitchen of the manor, where she finds the Duchess' Cook maniacally cooking and the Duchess nursing her baby. The cook is spraying pepper all over the room, causing the Duchess and Alice to sneeze and the baby to cry. After a quick conversation between Alice and the Duchess, the hot-tempered Cook starts throwing pots and pans at the noisy baby. Alice rescues the baby, but as she leaves the house the baby turns into a pig and runs away.[56] The scene was scrapped for pacing reasons.
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Another scene that was deleted from a later draft occurred in Tulgey Wood, where Alice encountered what appeared to be a sinister-looking Jabberwocky hiding in the dark, before revealing himself as a comical-looking dragon-like beast with bells and factory whistles on his head. A song, "Beware the Jabberwock", was also written, but the scene was scrapped in favor of The Walrus and the Carpenter poem.[28] Out of a desire to keep the Jabberwocky poem in the film, it was made to replace an original song for the Cheshire Cat, "I'm Odd".
Another deleted scene in Tulgey Wood shows Alice consulting with The White Knight, who was meant to be somewhat a caricature of Walt Disney. Although Disney liked the scene, he felt it was better if Alice learned her lesson by herself, hence the song "Very Good Advice". The Trial scene at the end of the film was edited with Alice being accused of teasing the Queen during a game of croquet rather than the Knave of Hearts being accused for stealing tarts the Queen made.[28]
Other characters, such as Mock Turtle and the Gryphon were discarded for pacing reasons, though they would later appear alongside Alice in some commercials.
In an effort to retain some of Carroll's imaginative poems, Disney commissioned top songwriters to compose songs built around them for use in the film. Over 30 potential songs were written, and many of them were included in the film—some for only a few seconds—the greatest number of songs of any Disney film. In 1939, Frank Churchill was assigned to compose songs, and they were accompanied by a story reel featuring artwork from David S. Hall. Although none of his songs were used in the finished film, the melody for "Lobster Quadrille" was used for the song "Never Smile at a Crocodile" in Peter Pan which came out two years after film's release. When work on Alice resumed in 1946, Tin Pan Alley songwriters Mack David, Al Hoffman and Jerry Livingston began composing songs for it after working on Cinderella. However, the only song by the trio that made it into the film was "The Unbirthday Song".[57]
While he was composing songs in New York, Sammy Fain had heard that the Disney studios wanted him to compose songs for Alice in Wonderland. He also suggested lyricist Bob Hilliard as his collaborator.[58] The two wrote two unused songs for the film, "Beyond the Laughing Sky" and "I'm Odd". The music for the former song was kept but the lyrics were changed, and it later became the title song for Peter Pan, "The Second Star to the Right".[57][59] By April 1950, Fain and Hilliard had finished composing songs for the film.[60]
The title song, composed by Sammy Fain, has become a jazz standard,[61] adapted by jazz pianist Dave Brubeck in 1952 and included on his 1957 Columbia album Dave Digs Disney. The song, "In a World of My Own", is included on the orange disc of Classic Disney: 60 Years of Musical Magic.
There was no soundtrack album available when the film was released in 1951. RCA Victor released a story album and single records with Kathryn Beaumont and several cast members that re-created the story, but it was not the soundtrack. In 1944, Decca Records had released a Ginger Rogers dramatization of Lewis Carroll's book with Disney cover art (perhaps tying in with earlier discussions of her being cast as a live-action Disney "Alice"),[62] Decca did indeed license the rights to release the 1951 Alice soundtrack from Disney, but later decided against it and never produced one. When Disney started its own record company, Disneyland Records, in Spring 1956, it was found to be economically unfeasible at the time to take on the fees and other costs to produce a soundtrack album.[63]
In 1957, Tutti Camarata arranged and conducted an elaborate original production of the Alice score with Darlene Gillespie, who had shown great promise among the Mickey Mouse Club cast as a singer. Camarata assembled a new orchestra and chorus (possibly with the cooperation of Norman Luboff, as Betty Mulliner (Luboff) and choir member Thurl Ravenscroft can be heard) in the Capitol studios in Hollywood. The resulting album became one of the most influential and acclaimed studio versions of a score, garnering praise from within the industry as well as the public.[64] The original issue (WDL-4025), depicting Alice seated in a tree with characters beneath her, is highly collectible. The album was so popular it was reissued in 1959, 1963 and 1968 with different covers, including story albums with books and single records, all featuring music from this album, as well as translated versions of the Camarata Alice music for international recordings.
Selections from this album are still heard in the queue for the Alice In Wonderland dark ride at Disneyland in California and during the Storybook Land Canal Boats ride. Tokyo Disneyland incorporated musical arrangements from the Camarata version for live shows and CD releases.
To date, the only soundtrack material ever made available on vinyl records was released outside the United States. In the late nineties, over 45 years after the film's original release, a soundtrack album of Alice in Wonderland was finally released in the U.S. on Audio CD by Walt Disney Records.[65]
Original songs performed in the film include:
| No. | Title | Writer(s) | Performer(s) | Length |
|---|---|---|---|---|
| 1. | "Alice in Wonderland" | Sammy Fain & Bob Hilliard | The Jud Conlon Chorus | |
| 2. | "In a World of My Own" | Fain & Hilliard | Kathryn Beaumont | |
| 3. | "I'm Late" | Fain & Hilliard | Bill Thompson | |
| 4. | "The Sailor's Hornpipe" | Traditional | Bill Thompson | |
| 5. | "The Caucus Race" | Fain & Hilliard | Bill Thompson & The Jud Conlon Chorus | |
| 6. | "How Do You Do and Shake Hands" | J. Pat O'Malley | ||
| 7. | "The Walrus and the Carpenter" | Fain & Hilliard | J. Pat O'Malley | |
| 8. | "Old Father William" | Oliver Wallace & Ted Sears | J. Pat O'Malley | |
| 9. | "We'll Smoke the Blighter Out" | Wallace & Sears | Bill Thompson | |
| 10. | "All in the Golden Afternoon" | Fain & Hilliard | Kathryn Beaumont & Chorus | |
| 11. | "A-E-I-O-U (The Caterpillar Song)" | Wallace & Sears | Richard Haydn | |
| 12. | "'Twas Brillig" | Don Raye & Gene de Paul | Sterling Holloway | |
| 13. | "The Unbirthday Song" | Mack David, All Hoffman, & Jerry Livingston | Kathryn Beaumont, Ed Wynn & Jerry Colonna | |
| 14. | "Very Good Advice" | Fain & Hilliard | Kathryn Beaumont | |
| 15. | "Painting the Roses Red" | Fain & Hilliard | Kathryn Beaumont & The Mellomen | |
| 16. | "Who's Been Painting My Roses Red" | Fain & Hilliard | Verna Felton |
Songs written for the film but deleted during production include:
Alice in Wonderland’s world premiere took place at the Leicester Square Theatre in London on July 26, 1951.[66] During the film's initial theatrical run, the film was released as a double feature with the True-Life Adventures documentary short, Nature's Half Acre.[67] Following the film's initial lukewarm reception, it was never re-released theatrically in Disney's lifetime, instead being shown occasionally on television. Alice in Wonderland aired as the second episode of the Walt Disney's Disneyland television series on ABC on November 3, 1954,[68] in a severely edited version cut down to less than an hour.
Beginning in 1971, the film was screened in several sold-out venues at college campuses, becoming the most rented film in some cities. Then, in 1974, Disney gave Alice in Wonderland its first theatrical re-release. The company even promoted it as a film in tune with the "psychedelic times", using radio commercials featuring allusions to the song "White Rabbit" performed by Jefferson Airplane.[69] This release was so successful that it warranted a subsequent re-release in 1981.[70] It was re-released in the UK on December 22, 1969 and on July 26, 1979.
Disney sought to use the new medium of television to help advertise Alice in Wonderland. In March 1950, he spoke to his brother Roy about launching a television program featuring the studio's animated shorts. Roy agreed, and later that summer they spoke to the Coca-Cola Company about sponsoring an hour-long Christmas broadcast featuring Disney hosting several cartoons and a scene from the upcoming film. The program became One Hour in Wonderland, which was aired on NBC on Christmas Day 1950.[71] At the same time, a ten-minute featurette about the making of the film, Operation: Wonderland, was produced and screened in theaters and on television stations. Additionally, Disney, Kathryn Beaumont, and Sterling Holloway appeared on The Fred Waring Show on March 18, 1951, to promote the film.[68]
Alice in Wonderland was one of the first titles available for the rental market on VHS and Beta and for retail sale on RCA's short-lived CED Videodisc format. The film was released on October 15, 1981, on VHS, CED Videodisc, and Betamax for its 30th anniversary.[citation needed] Five years later, it was re-issued in the "Wonderland Sale" promotion on May 28, 1986 on VHS, Betamax, and LaserDisc for its 35th anniversary, and then it was re-promoted on July 12, 1991 for its 40th anniversary, surrounding the video re-issue of Robin Hood.[72][73] The film would later receive a third release on VHS and LaserDisc as part of the Walt Disney Masterpiece Collection on October 28, 1994, with the VHS cassette of the film being re-released multiple times: from March 3, 1995 to July 13, 1999.
In January 2000, Walt Disney Home Video launched the Gold Classic Collection, and then Alice in Wonderland was re-issued on VHS and DVD in the line on July 4, 2000.[74] The DVD contained the Operation: Wonderland featurette, several sing-a-long videos, a storybook, a trivia game, and its theatrical trailer.[75]
A fully restored two-disc "Masterpiece Edition" was released on January 27, 2004, including the full hour-long episode of the Disney television show with Kathryn Beaumont, Edgar Bergen, Charlie McCarthy and Mortimer Snerd, Bobby Driscoll and others that promoted the film, computer games, deleted scenes, songs and related materials, and went into moratorium in January 2009. A year and two months later, Disney released a 2-disc special "Un-Anniversary" edition DVD on March 30, 2010 to promote the recent Tim Burton version.[76] The film was released in a Blu-ray and DVD set on February 1, 2011, to celebrate its 60th anniversary,[77] featuring a new HD restoration of the film and many bonus features. Disney re-released the film on Blu-ray and DVD on April 26, 2016, to celebrate the film's 65th anniversary.
During its initial theatrical run, the film grossed $2.4 million in domestic rentals.[79] Because of the film's production budget of $3 million, the studio wrote off a million-dollar loss.[2] During its theatrical re-release in 1974, the film grossed $3.5 million in domestic rentals.[80]
Despite being regarded as one of Disney's best animated films today,[81] the initial reviews for Alice in Wonderland were negative. Bosley Crowther, reviewing for The New York Times, complimented that "...if you are not too particular about the images of Carroll and Tenniel, if you are high on Disney whimsey and if you'll take a somewhat slow, uneven pace, you should find this picture entertaining. Especially should it be for the kids, who are not so demanding of fidelity as are their moms and dads. A few of the episodes are dandy, such as the mad tea party and the caucus race; the music is tuneful and sugary and the color is excellent."[67] Variety wrote that the film "has an earnest charm and a chimerical beauty that best shows off the Carroll fantasy. However, it has not been able to add any real heart or warmth, ingredients missing from the two tomes and which have always been an integral part of the previous Disney feature cartoons."[82]
Mae Tinee of the Chicago Tribune wrote that "While the Disney figures do resemble John Tenniel's famous sketches, they abound in energy but are utterly lacking in enchantment, and seem more closely related to Pluto, the clumsy pup, than the products of Carroll's imagination. Youngsters probably will find it a likable cartoon, full of lively characters, with Alice's dream bedecked with just a touch of nightmare—those who cherish the old story as I have probably will be distinctly disappointed."[83] Time stated that "Judged simply as the latest in the long, popular line of Disney cartoons, Alice lacks a developed story line, which the studio's continuity experts, for all their freedom with scissors and paste, have been unable to put together out of the episodic books. Much of it is familiar stuff; Carroll's garden of live flowers prompts Disney to revive the style of his Silly Symphonies. Yet there is plenty to delight youngsters, and there are flashes of cartooning ingenuity that should appeal to grownups."[84] Writing for /Film, Miyako Pleines says "Unlike the other Disney princesses before her, Alice seemed to have no real purpose (even if that purpose is simply to be a damsel in distress). People saw her as lacking ambition and drive, a lazy girl who daydreamed during her studies and wandered into a magical world."[81]
Alice in Wonderland was met with great criticism from Carroll fans, as well as from British film and literary critics, who accused Disney of "Americanizing" a great work of English literature.[85] Walt Disney was not surprised by the critical reception to Alice in Wonderland as his version of Alice was intended for large family audiences, not literary critics. Additionally, the film was met with a lukewarm response at the box office.[86] Additionally, he remarked that the film failed because it lacked heart.[87] In The Disney Films, Leonard Maltin says that animator Ward Kimball felt the film failed because "it suffered from too many cooks—directors. Here was a case of five directors each trying to top the other guy and make his sequence the biggest and craziest in the show. This had a self-canceling effect on the final product."[88] Animators Frank Thomas and Ollie Johnston also considered the film a failure and stated on their website that they felt "none of us could fully capture the characters of Lewis Carrol's imagination."[89]
On the film aggregator website Rotten Tomatoes, Alice in Wonderland received an approval rating of 84% from 32 critical reviews with an average rating of 6.80/10. The consensus states, "A good introduction to Lewis Carroll's classic, Alice in Wonderland boasts some of the Disney canon's most surreal and twisted images."[90] Another film review aggregator, Metacritic, which assigns a rating out of 100 based on top reviews from mainstream critics, calculated a score of 68 based on 10 reviews, indicating "generally favorable reviews".[91]
| Award | Category | Nominee(s) | Result |
|---|---|---|---|
| Academy Awards[92][93] | Best Scoring of a Musical Picture | Oliver Wallace | Nominated |
| Venice International Film Festival | Golden Lion | Clyde Geronimi, Wilfred Jackson and Hamilton Luske | Nominated |
Alice in Wonderland has been condensed into a one-act stage version entitled, Alice in Wonderland, Jr. The stage version is solely meant for middle and high school productions and includes the majority of the film's songs and others including Song of the South's "Zip-a-Dee-Doo-Dah", two new reprises of "I'm Late!", and three new numbers entitled "Ocean of Tears", "Simon Says", and "Who Are You?" respectively. This 60–80 minute version is licensed by Music Theatre International in the Broadway, Jr. Collection along with other Disney Theatrical shows such as Disney's Aladdin, Jr., Disney's Mulan, Jr., Beauty and the Beast, Disney's High School Musical: On Stage!, Elton John and Tim Rice's Aida, and many more. It was not available to license from 2018 to 2023,[94] but is available again, now with some new songs from the 2010 film Alice in Wonderland, as of 2024.[95]
An undetermined animated project focused on the Cheshire Cat was in development for Disney's subscription video on-demand streaming service Disney+ since 2019.[97]
In 2022, a CGI-animated TV series called Alice's Wonderland Bakery was released on Disney Junior. The series centers on Alice, the great-granddaughter of the original heroine.[98]
Costumed versions of Alice, The Mad Hatter, The White Rabbit, The Queen of Hearts, Tweedledum, and Tweedledee make regular appearances at the Disney theme parks and resorts, and other characters from the film (including the Walrus and the March Hare) have featured in the theme parks, although quite rarely. Disneyland features a ride-through visit to Wonderland on board a Caterpillar-shaped ride vehicle; this adventure is unique to Disneyland and has not been reproduced at Disney's other parks. More famously, five of the six Disneyland-style theme parks feature Mad Tea Party, a teacups ride based on Disney's adaptation of Alice in Wonderland. The Disneyland and Tokyo Disneyland versions of It's a Small World also featured Alice and White Rabbit in the England scene since 2009 (in Disneyland) and 2018 (in Tokyo Disneyland)[99].
Alice in Wonderland is also frequently featured in many parades and shows in the Disney Theme Parks, including The Main Street Electrical Parade, SpectroMagic, Fantasmic!, Dreamlights, The Move It! Shake It! Celebrate It! Street Party and Walt Disney's Parade of Dreams. Tokyo Disneyland presented several live productions, including Alice's Wonderland Party and Alice's Wonderland Tales. Disneyland Park features the world's only dark ride based on the film in addition to the Mad Tea Party teacup ride,[100] and Disneyland Paris also contains a hedge maze called Alice's Curious Labyrinth, which takes its inspiration from the film.[101] The now-defunct Mickey Mouse Revue, shown at Walt Disney World and later at Tokyo Disneyland, contained characters and scenes from the film.
On 25 May 2024, a limited-run stage show Alice and the Queen of Hearts: Back to Wonderland opened in the Theater of the Stars in Walt Disney Studios Park at Disneyland Paris. It will be presented until 29 September 2024.[102]
 | This section needs additional citations for verification. (March 2024) |
In Disney's Villains' Revenge, the Queen of Hearts is one of the villains who tries to turn the ending to her story to where she finally cuts off Alice's head.
Mickey Mousecapade features various characters from the film. The Japanese version, in fact, is based very heavily on the film, with almost every reference in the game coming from the film.
A video game version of the film was released on Game Boy Color by Nintendo of America on October 4, 2000, in North America.
The Kingdom Hearts video game series includes Wonderland as a playable world in the titles Kingdom Hearts, Chain of Memories, 358/2 Days, Coded, and Kingdom Hearts χ. In the games, Alice is one of seven "Princesses of Heart", a group of maidens who are a major part of the plot in the series. Other characters from the film that appear in the games include the Queen of Hearts and the Card Soldiers (also enemies in the games), Cheshire Cat, White Rabbit, Doorknob, Mad Hatter, March Hare, Tweedle Dee and Tweedle Dum, and the Caterpillar (this last in the non-official Kingdom Hearts V Cast game only).[103]
In Toy Story 3: The Video Game, the Mad Hatter's hat is one of the hats you can have the townsfolk wear.
In Kinect Disneyland Adventures, Alice, the Mad Hatter, the White Rabbit, and the Queen of Hearts make appearances, while the Caterpillar, the Cheshire Cat and the March Hare only appear in specific sections of the Alice in Wonderland attraction located in Fantasyland. The player can also acquire either Alice's blue dress and white pinafore apron or the Mad Hatter's olive green hat and mustard tailcoat with a blue bow tie as costumes to wear (depending on the avatar's gender) in several different stores located around the park.
In Disney Infinity, there are Power Discs based on Alice in Wonderland.
Several characters of the movie make appearances throughout the Epic Mickey-games. For example, the cards are seen throughout Mickeyjunk Mountain in the original Epic Mickey, Alice appears as a statue carrying a projector screen in Epic Mickey 2 and Alice, the Mad Hatter, and the Cheshire Cat appear as unlockable characters in Epic Mickey: Power of Illusion.
Alice, the White Rabbit, the Mad Hatter, the March Hare, the Cheshire Cat, the Queen of Hearts and the Caterpillar appear as playable characters in Disney Magic Kingdoms, along with some attractions based on locations of the film or real attractions from Disney Parks, as content to unlock for a limited time.[104]
In Disney Mirrorverse Alice is playable.
The theme song of the same name has since become a jazz standard by the likes of Roberta Gambarini, Bill Evans and Dave Brubeck.[105][106][107]
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