The Leopard's Spots

First novel of Thomas Dixon's Ku Klux Klan trilogy From Wikipedia, the free encyclopedia

The Leopard's Spots

The Leopard's Spots: A Romance of the White Man's Burden—1865–1900 is the first novel of Thomas Dixon's Reconstruction trilogy, and was followed by The Clansman: A Historical Romance of the Ku Klux Klan (1905), and The Traitor: A Story of the Fall of the Invisible Empire (1907).[1] In the novel, published in 1902, Dixon offers an account of Reconstruction in which he portrays a Reconstruction leader (and former slave driver), Northern carpetbaggers, and emancipated slaves as the villains; Ku Klux Klan members are anti-heroes. While the playbills and program for The Birth of a Nation claimed The Leopard's Spots as a source in addition to The Clansman, recent scholars do not accept this.[2][3]

Quick Facts Author, Illustrator ...
The Leopard's Spots: A Romance of the White Man's Burden - 1865-1900
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First edition cover
AuthorThomas Dixon
IllustratorC. D. Williams
LanguageEnglish
GenreNovel
PublisherDoubleday, Page & Co.
Publication date
1902
Publication placeUnited States
Media typePrint
OCLC12852953
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The first half of a passage from the Book of Jeremiah (13:23) is included on the title page: "Can the Ethiopian change his skin, or the leopard his spots?" While the full passage is about evildoers refusing to turn away from evil to good,[4][5] the title conveys the idea that, as leopards could not change their spots, people of African origin could not change what Dixon, as a racist and white supremacist,[1] viewed as inherently negative character traits.

A reply to Uncle Tom's Cabin

Harriet Beecher Stowe's landmark novel of 1852, Uncle Tom's Cabin; or, Life Among the Lowly, had a profound effect on attitudes toward African Americans and slavery in the U.S. and is said to have "helped lay the groundwork for the Civil War".[6] It was still widely read fifty years after its publication. According to Dixon, whose contact with the work was a dramatized version, Stowe "grossly misrepresent[ed]" the American South, and he felt her sympathetic portrayal of African Americans demanded revision. So as to make it clear he is answering Stowe, he presents his version of Stowe's characters, using Stowe's character names.[7]

Characters

Leading characters of the story (as listed in the book) [8]

  • Charles Gaston A man who dreams of making it to the Governor's Mansion
  • Sallie Worth A daughter of the old-fashioned South
  • Gen. Daniel Worth Her father
  • Mrs. Worth Sallie's mother
  • The Rev. John Durham A preacher who threw his life away
  • Mrs. Durham Of the Southern Army that never surrendered
  • Tom Camp A one-legged Confederate soldier
  • Flora Tom's little daughter
  • Simon Legree Ex-slave driver and Reconstruction leader
  • Allan Mcleod A scalawag
  • Hon. Everett Lowell Member of Congress from Boston
  • Helen Lowell His daughter
  • Miss Susan Walker A maiden of Boston
  • Major Stuart Dameron Chief of the Ku Klux Klan
  • Hose Norman A dare-devil poor white man
  • Nelse A black hero of the old régime
  • Aunt Eve His wife – "a respectable woman."
  • Hon. Tim Sheldby Political boss of the new era
  • Hon. Pete Sawyer Sold seven times, got the money once
  • George Harris Jr. An Educated Negro, son of Eliza
  • Dick An unsolved riddle

Using names of characters in Uncle Tom's Cabin

  • Simon Legree In Uncle Tom's Cabin; a cruel master, hateful of religion, superstitious, and determined to “break” Tom
  • Tom Camp In Stowe's novel Tom (no last name) is a humble African-American slave and "Mr. Shelby's best hand". Dixon's Tom is a former Confederate soldier, a poor white Christian whose family is victimized by black men.
  • Hon. Tim Shelby Political boss. In Uncle Tom's Cabin Arthur Shelby was Tom's owner, who "sold him South". His son George Shelby is also a character.
  • George Harris Jr. An educated negro

Dramatization

A dramatization by Dixon, with the same title, was produced in New York in 1913.[9]:70

References

Further reading

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