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First novel of Thomas Dixon's Ku Klux Klan trilogy From Wikipedia, the free encyclopedia
The Leopard's Spots: A Romance of the White Man's Burden—1865–1900 is the first novel of Thomas Dixon's Reconstruction trilogy, and was followed by The Clansman: A Historical Romance of the Ku Klux Klan (1905), and The Traitor: A Story of the Fall of the Invisible Empire (1907).[1] In the novel, published in 1902, Dixon offers an account of Reconstruction in which he portrays a Reconstruction leader (and former slave driver), Northern carpetbaggers, and emancipated slaves as the villains; Ku Klux Klan members are anti-heroes. While the playbills and program for The Birth of a Nation claimed The Leopard's Spots as a source in addition to The Clansman, recent scholars do not accept this.[2][3]
Author | Thomas Dixon |
---|---|
Illustrator | C. D. Williams |
Language | English |
Genre | Novel |
Publisher | Doubleday, Page & Co. |
Publication date | 1902 |
Publication place | United States |
Media type | |
OCLC | 12852953 |
The first half of a passage from the Book of Jeremiah (13:23) is included on the title page: "Can the Ethiopian change his skin, or the leopard his spots?" While the full passage is about evildoers refusing to turn away from evil to good,[4][5] the title conveys the idea that, as leopards could not change their spots, people of African origin could not change what Dixon, as a racist and white supremacist,[1] viewed as inherently negative character traits.
Harriet Beecher Stowe's landmark novel of 1852, Uncle Tom's Cabin; or, Life Among the Lowly, had a profound effect on attitudes toward African Americans and slavery in the U.S. and is said to have "helped lay the groundwork for the Civil War".[6] It was still widely read fifty years after its publication. According to Dixon, whose contact with the work was a dramatized version, Stowe "grossly misrepresent[ed]" the American South, and he felt her sympathetic portrayal of African Americans demanded revision. So as to make it clear he is answering Stowe, he presents his version of Stowe's characters, using Stowe's character names.[7]
A dramatization by Dixon, with the same title, was produced in New York in 1913.[9]: 70
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