That's the Way It Is (Elvis Presley album)

That's the Way It Is
That's the Way It Is
Studio album by Elvis Presley
Released	November 11, 1970
Recorded	June 5–7 & August 11–12, 1970
Venue	International Hotel (Las Vegas)
Studio	RCA Studio B (Nashville)
Genre	Pop; country; rock;
Length	47:00
Label	RCA Victor
Producer	Felton Jarvis
Elvis Presley chronology
Singles from That's the Way It Is
	"I've Lost You" / "The Next Step Is Love"; Released: July 14, 1970; "You Don't Have to Say You Love Me" / "Patch It Up"; Released: October 6, 1970; "I Just Can't Help Believin'"; Released: November 21, 1971;

That's the Way It Is is the twelfth studio album by American singer and musician Elvis Presley, released on RCA Records, LSP 4445, in November 1970. It consists of eight studio tracks recorded at RCA Studio B in Nashville, and four live in-concert tracks recorded at The International Hotel in Las Vegas. It accompanied the theatrical release of the documentary film Elvis: That's the Way It Is, although it is not generally considered a soundtrack album. The album peaked at number 21 on the Billboard 200 and at number eight on the country chart.^[7] It was certified Gold on June 28, 1973, by the Recording Industry Association of America and up-graded to Platinum, for sales of a million copies on March 8, 2018.^[8]

Quick Facts Studio album by Elvis Presley, Released ...

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Professional ratings
Review scores
Source	Rating
AllMusic	^[3]
Christgau's Record Guide	C+^[2]
MusicHound	2.5/5^[4]
The Rolling Stone Album Guide	^[5]
Rough Guides	^[6]

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The original vinyl LP consisted of eight tracks recorded in the studio in Nashville at the marathon sessions in June 1970 that would also yield several singles and the Elvis Country album, and four tracks from his August 1970 engagement at The International Hotel in Las Vegas. The track "You Don't Have to Say You Love Me" had been released as the advance single on October 6; its b-side, "Patch It Up", appears in a live version here. "The Next Step Is Love" had previously been released as a B-side in July 1970, and its A-side "I've Lost You" appears in a live version here too. The concert version of "I Just Can't Help Believin'" from this album was released as a single in the United Kingdom in November 1971, reaching number six on the UK Singles Chart. Its b-side "How the Web Was Woven" was also taken from this album. A rehearsal version of the latter song was featured in the 1970 documentary Elvis: That's the Way It Is.

Robert Christgau gave the album a C+ rating, writing that "his seventh album ... and third live LP [sic] of 1970 leans toward uptempo countryish ballads rather than the usual pop-rock eclecticism and proves that he can remember the words without cue cards. I know that's the way it is--but is it the way it has to be?"^[2]

Music historian John Robertson noted,

The authority of Presley's singing helped disguise the fact that the album stepped decisively away from the American-roots inspiration of the Memphis sessions towards a more middle-of-the-road sound. With country put on the back burner, and soul and R&B left in Memphis, what was left was very classy, very clean white pop—perfect for the Las Vegas crowd, but a definite retrograde step for Elvis.^[1]

Stephen Thomas Erlewine discusses the original album and several of its reissued versions, stating that:^[9]

"That's the Way It Is is arguably where Elvis Presley's discography gets very confusing. Sharing a title with Denis Sanders' 1970 documentary of Elvis' return to the stage, That's the Way It Is in its original 1970 LP incarnation isn't precisely a soundtrack to the film. In fact, only a third of the album captures Presley live on-stage in Vegas ... Vegas looms large over Elvis' legend in the '70s and many of the clichés -- the jumpsuits, the splashy arrangements of contemporary standards, the snazzy melodies of his old hits -- were born on That's the Way It Is, either on film or on the record. In its original LP incarnation, this wasn't especially apparent due to the record's reliance on the Nashville sessions, where Elvis recorded a fair share of perfectly pleasant middle-of-the-road material pitched halfway between Hollywood and Music City. These tunes -- "Twenty Days and Twenty Nights," "How the Web Was Woven," "Just Pretend," and "Stranger in the Crowd" ... -- these are the songs that don't appear in the live set. They may not have been part of Presley's repertoire but they do indicate how he was shifting away from the soulful, funky sound inspired by his 1968 comeback into something that felt showbiz. The live recordings, though, show that he was still performing with passion, figuring out what worked on-stage and what didn't after his long hiatus from performing. Again, this isn't so apparent on the 1970 LP, which was basically a good studio album that essayed Elvis' new persona for the coming decade, but all the various expanded editions (which include a 2000 special edition that adds a hefty dose of live material) capture the King starting to relax and enjoy his reign yet again. Certainly, the eight-disc set illustrates this in spades, and while it's undoubtedly one for the devoted, it nevertheless isn't overkill because it captures a peerless performer putting his amazing band through the paces. It's wonderful music that actually is more valuable now than it was at the time: Elvis would record more great music in the next few years, but this record -- especially in its 2014 expansion -- captures him at a pivotal moment, when he retained the power of his 1968 comeback and had yet to succumb to all the glitz of Vegas.

In 2009, the Follow That Dream label released The Wonder of You which contains the full concert from August 13, 1970. Some concert footage from that date was used in the documentary.^[10]

On July 6, 2012, Follow That Dream released a two-disc LP special edition of the album. This edition offers highlights from the 2-CD Follow That Dream release. It contains 21 tracks and features different takes of the songs.^[11]