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The Cathedral Church of Saint Philip, also called the Birmingham Cathedral, is a Church of England cathedral and the seat of the Bishop of Birmingham. Built as a parish church in the Baroque style by Thomas Archer, it was consecrated in 1715. Located on Colmore Row in central Birmingham, St Philip's became the cathedral of the newly formed Diocese of Birmingham in 1905. The cathedral is a Grade I listed building.
| Birmingham Cathedral | |
|---|---|
| Cathedral Church of Saint Philip, Birmingham | |
 The cathedral viewed from the south in March 2014 | |
 | |
| 52°28′52″N 1°53′56″W | |
| Location | Birmingham |
| Country | United Kingdom |
| Denomination | Church of England |
| Tradition | Anglo-Catholicism |
| Website | birminghamcathedral.com |
| Architecture | |
| Architect(s) | Thomas Archer |
| Style | Baroque |
| Years built | 1710-1725 |
| Administration | |
| Province | Canterbury |
| Diocese | Birmingham (since 1905) |
| Clergy | |
| Bishop(s) | Michael Volland |
| Dean | Matt Thompson |
| Precentor | Josephine Houghton |
| Canon Missioner | Andy Delmege |
Founding
St Philip's Church was planned when the nearby medieval church of St Martin in the Bull Ring became insufficient to house its congregation because of the growing population of Birmingham. The land, previously named the Barley Close, was donated by Robert Philips in 1710. It is one of the highest points in the district and is said to be at the same level as the cross on St Paul's Cathedral in London.[1] Following an Act of Parliament, construction commenced in 1711, to the design of Thomas Archer,[2] and was ready for consecration in 1715, when it was dedicated to the Apostle Philip as a tribute to the benefactor Robert Philips. It appears to have been Archer's first church, apart from a rebuilt chancel at Chicheley attributed to him. Construction was estimated to cost £20,000, but the final figure was only £5,012.[2] (equivalent to £990,000 in 2023).[3] This was because many of the materials were donated and transported to the site at no cost. St Philip's served as a Parish church from 1715 to 1905.
The church contained St. Philip's Parish Library, which was bequeathed to the church by William Higgs. In 1792 a library room was constructed next to the parsonage house by Spencer Madan and was named the Parochial Library.
Cathedral
With the growth of industrial towns in the 18th and 19th centuries, there was a consequent growth in the number of parishes, and a need for new administrative centres. Birmingham became a city in 1889. While the cities of Liverpool and Truro constructed new cathedrals, in a number of other cities existing churches and ancient abbeys were raised to the administrative status of cathedrals. Through the actions of the statesman Joseph Chamberlain and the Bishop of Worcester, Charles Gore, St Philip's became the Cathedral of Birmingham in 1905, with Charles Gore as its first bishop.[4][5]
World War II
During World War II, the cathedral was bombed and gutted on the 7 November 1940. Its most significant treasures, several windows by Edward Burne-Jones, had been removed in the early stages of the war by Birmingham Civic Society, and were replaced, unharmed, when the building was restored in 1948.[4]
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St Philip's was designed by Thomas Archer and constructed between 1711 and 1715. The tower was complete by 1725, and the urns on the parapet were added in 1756. Archer had visited Rome and his design, in the Baroque style, is influenced by the churches of Borromini, being rather more Italianate than churches by Christopher Wren.[4] The rectangular hall church interior has aisles separated from the nave by fluted pillars of classical form with Tuscan capitals supporting an arcade surmounted by a heavily projecting cornice. Wooden galleries are stretched between the pillars in a manner typical of English Baroque churches.
Outside the cathedral, tall windows are interspaced by pilasters in low relief, supporting a balustrade at roof level with an urn rising above each pilaster. The western end is marked by a single tower which rises in stages and is surmounted by a lead-covered dome and a delicate lantern. The building is of brick and is faced with stone quarried on Archer's estate at Umberslade.
The original shallow eastern apse was extended in 1884–88 by J. A. Chatwin into a much larger chancel,[4] articulated by strongly projecting Corinthian columns. This bold design is made richer by the marbled surfaces of the columns and pilasters, the gilding of capitals and cornice and the ornately coffered ceiling. Chatwin also refaced the exterior of the building because the stone from the original quarry was very soft.[4] The tower was refaced in 1958–59.
Edward Burne-Jones, who was born in nearby Bennett's Hill and baptised in the church, added to the enhancement of St Philips by the donation of several windows, of which three are at the eastern end. The west window, also by Burne-Jones, was dedicated in memory of Henry Bowlby in 1897.[2]
Six of the monuments have heritage listings, including one commemorating two men who died during the construction of Birmingham Town Hall and a memorial to the victims of 1974's Birmingham pub bombings. Thomas Stirling Lee's statue of Charles Gore, vested in convocation robes with his right hand raised in blessing, is located at the West entrance.
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Outside the Cathedral, a large Portland stone obelisk commemorates Frederick Gustavus Burnaby. Besides Burnaby's bust, in relief, it carries only the word "Burnaby", and the dated place names "Khiva 1875" and "Abu Klea 1885". These refer to the Khanate of Khiva and Battle of Abu Klea, respectively; he was killed at the latter.[6] The obelisk was unveiled by Lord Charles Beresford on 13 November 1885.[7] An earlier red marble was erected in 1857 to commemorate the life and death of Lieutenant-Colonel Thomas Unett, who died leading his men during the Siege of Sevastopol.[8] Upon completion of the Burnaby building, it was decided to prohibit monuments from being added to the interior.[2]
The grounds are known colloquially as "Pigeon Park".[9]
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As of 30 November 2020:[10]
Organ
The organ, originally built by Thomas Swarbrick, still dates in part from 1715. It underwent repairs during the late 19th century and was moved from its original position in the gallery. It has been restored, enlarged and modernised several times, most recently by Nicholson's in 1993.[2] Details of the organ can be found at the National Pipe Organ Register.[13]
Organists
Directors of Music and assistant organists at St Philip's Cathedral, Birmingham, have included composers Charles John Blood Meacham, Richard Yates Mander and Rupert Jeffcoat. Until 2018 the Director of Music was Marcus Huxley, and the Head of Music is now David Hardie with Ashley Wagner as the Assistant Head of Music.
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Following the completion of the tower in 1725 Joseph Smith of Edgbaston provided a ring of eight bells which were subsequently augmented to ten, the tenor weighing approximately 26 cwt (1,320 kg). These bells were to prove unsatisfactory for in 1751 the vestry resolved to have them recast by Thomas Lester of the Whitechapel Bell Foundry in London. The new bells were slightly larger than the previous, with a tenor weighing 29 long cwt 0 qr 18 lb (3,266 lb or 1,481 kg) in the key of D—a total weight of 125 long cwt 3 qr 1 lb (14,085 lb or 6,389 kg), and hung in a wooden frame.
Throughout the late 18th and 19th centuries the bells were well used, however from 1906 the bells had become unringable, due in part to concerns about the safety of the tower. Ringing was briefly revived in 1921 but when the Coronation of 1937 provided the impetus to restore the bells they had been unringable again for several years.
The 1937 restoration was carried out by the Croydon bell founders, Gillett & Johnston, the bells being recast and hung in a cast-iron frame at the base of the large louvre windows. The same foundry cast two additional treble bells in 1949, given by Frank B Yates, to complete the ring of twelve bells that exists today. The tenor bell weighs 31 long cwt 21 lb (3,493 lb or 1,584 kg) and is in the key of D.
In 2004, the Whitechapel Bell Foundry carried out rehanging and refurbishment of the frame and fittings, including further strengthening work to the upper frame and the installation of a viewing gallery, accessed from the original belfry doorway. Brian Yates, grandson of the above Frank Yates, was the principal donor for this project.[14]
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