Loading AI tools
2015 studio album by Ben Folds From Wikipedia, the free encyclopedia
So There is the fourth studio album by Ben Folds and the yMusic Ensemble, released on September 11, 2015. The album includes eight chamber pop songs and one piano concerto performed with the Nashville Symphony.[14]
This article needs additional citations for verification. (March 2016) |
So There | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | September 11, 2015 | |||
Genre | Chamber pop | |||
Length | 51:50 | |||
Label | New West Records | |||
Ben Folds chronology | ||||
|
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 66/100[1] |
Review scores | |
Source | Rating |
AbsolutePunk | ![]() ![]() ![]() ![]() ![]() |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
American Songwriter | ![]() ![]() ![]() ![]() ![]() |
Consequence | 58/100[5] |
Drowned in Sound | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Exclaim! | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Magnet | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Mojo | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
PopMatters | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Q Magazine | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Record Collector | ![]() ![]() ![]() ![]() ![]() |
Uncut | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
On Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, So There received an average score of 66, which indicated "Generally Favorable Reviews".[15] In a review that gave the album an 80/100, AllMusic's Marcy Donelson stated "The album will very likely be embraced by solo Folds aficionados, though it may not appeal to those who strongly favor the brasher Five."[16]
In a more negative review, Adam Kivel from Consequence wrote, "In that sense, the orchestra draws out the purest essence of Folds. When he’s cute, he’s so remarkably cute and knows it. When he’s clever, the same holds true. When he’s singing sincerely and digging into deep emotion, the instrumentation doubles down. That makes dramatic songs like "Capable of Anything" and "I’m Not the Man" the most affective, while others are either momentarily fun or obnoxious, depending on your predisposition." Later in the same review saying "Folds' gifts for narrative and composing are clear, but fusing the two more fluidly could be something magical."[17]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Capable of Anything" | 3:49 | |
2. | "Not a Fan" | 3:34 | |
3. | "So There" | 4:20 | |
4. | "Long Way to Go" | 4:42 | |
5. | "Phone in a Pool" | 4:03 | |
6. | "Yes Man" | Ben Folds / Rob Moose | 3:59 |
7. | "F10-D-A" | 1:58 | |
8. | "I'm Not the Man" | Ben Folds / Alicia Witt | 4:41 |
9. | "Concerto for Piano and Orchestra, Movement 1" | 10:28 | |
10. | "Concerto for Piano and Orchestra, Movement 2" | 5:45 | |
11. | "Concerto for Piano and Orchestra, Movement 3" | 4:31 |
All tracks are written by Ben Folds except where noted[18]
Tracks 1-8:
Additional musicians on Phone in a Pool:
Tracks 9-11:
Chart (2015) | Peak position |
---|---|
UK Albums (OCC)[19] | 63 |
US Billboard 200[20] | 44 |
Seamless Wikipedia browsing. On steroids.
Every time you click a link to Wikipedia, Wiktionary or Wikiquote in your browser's search results, it will show the modern Wikiwand interface.
Wikiwand extension is a five stars, simple, with minimum permission required to keep your browsing private, safe and transparent.