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Sergio Larraín Echeñique (1931 – 7 February 2012) was a Chilean photographer.[1][2] He was a member of Magnum Photos during the 1960s.[3] He is considered the most important Chilean photographer in history,[3][4] making street photography, often of street children, using "shadow and angles in a way few had tried before."[1]
Photographs he took in Paris by Notre Dame Cathedral, which revealed scenes of a couple only upon processing, became the basis for Julio Cortázar's story, "Las Babas del Diablo", "The Devil's Drool", which in turn inspired Michelangelo Antonioni's 1966 film Blowup.[5]
Larraín was born in 1931 in Santiago,[1][3] into one of Chile's wealthiest families.[2] He joined Magnum Photos as an associate in 1959 and became a full member in 1961.[3] He worked professionally for a little over ten years, stopping in 1972.[1][3] Larraín is best known for his street photography,[1] often of street children,[3] "and use of shadow and angles in a way few had tried before."[1]
Following the Bolivian guru Oscar Ichazo, he retreated from public and professional life to live in a Chilean mountain village, Tulahuén, and at an even more remote refuge that he built, taking up calligraphy and meditation.[2][1] He also wrote and continued to make personal photography, including that of the Chilean port of Valparaíso.[2] He died in 2012 at the age of 80.[1]
![[icon]](#/media/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding to it. (February 2017) |
- Sergio Larrain: London 1958–59. Stockport: Dewi Lewis, 1988. ISBN 9781899235711.
- Expanded edition. London: Thames and Hudson, 2021. ISBN 978-0500545416. With an introduction by Agnès Sire and an essay by Roberto Bolaño.
- Sergio Larrain: Photographs by Sergio Larrain. New York: Aperture, 2013. ISBN 978-1-59711-259-8. Edited and with text by Agnès Sire, and with an essay by Gonzalo Leiva Quijada.
- Sergio Larrain: Vagabond Photographer. London: Thames & Hudson, 2013. ISBN 978-0500544280.
- Valparaiso. New York: Aperture, 2017. ISBN 978-1597114134. With texts by Larraín, Pablo Neruda and Agnès Sire.
- Museum of Modern Art, New York City[1][2]
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