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Indian actress and filmmaker (1934–1981) From Wikipedia, the free encyclopedia
Nissankara Savitri (also known as Savitri Ganesan; 6 December 1934[a] – 26 December 1981) was an Indian actress and filmmaker who predominantly worked in Telugu and Tamil films. Widely regarded as one of the greatest actresses in the history of Indian cinema, she was popularly known by the epithets Mahanati (transl. The great actress) in Telugu and Nadigaiyar Thilagam (transl. Doyen of all the actresses) in Tamil. Savitri was among the highest-paid and most sought-after actresses in South Indian cinema during the 1950s and 1960s.
Savitri | |
|---|---|
| |
| Born | Savitri 6 December 1934 |
| Died | 26 December 1981 (aged 47) Madras, Tamil Nadu, India |
| Other names | Mahanati Savitri Nadigaiyar Thilagam |
| Occupations | |
| Years active | 1950–1981 |
| Works | Full list |
| Spouse | |
| Children | 2 |
| Awards | Kalaimamani |
In a career spanning three decades, Savitri appeared in more than 250 films. Her first significant role was in the 1952 film Pelli Chesi Choodu. Later, she starred in several critically acclaimed and commercially successful films, including Devadasu (1953), Missamma (1955), Ardhangi (1955), Donga Ramudu (1955), Thodi Kodallu (1957), Mayabazar (1957), Mangalya Balam (1959), Aradhana (1962), Gundamma Katha (1962), Nartanasala (1963),[1] Doctor Chakravarty (1964), Sumangali (1965), and Devata (1965).[2]
Savitri was also known for her philanthropic work and generosity towards the poor. In recognition of her contributions to Indian cinema, she received the "A Moon Among Stars" honor at the 30th International Film Festival of India in 1999.[3] Her life and career were later depicted in the biographical film Mahanati (2018), which won the "Equality in Cinema Award" at the Indian Film Festival of Melbourne.[4]
Savitri was born on 6 December
1934[a] in a [Telugu language|Telugu]] family in Chirravuru, Guntur district of present-day Andhra Pradesh.[5] Her parents were Nissankara Subhadramma and Guravayya and both of them belonged to Telaga caste. Her father died when she was six months old, after which her mother took Savitri and an older sibling Maruti, to live with an aunt and uncle. Her uncle, Kommareddy Venkataramaiah enrolled her in classes when she began to show a talent for dance.
She was named for the expression of her eyes during dramas. She participated in many dramas, in one where she was rewarded with a garland by the famous actor Prithviraj Kapoor. She, along with her uncle, went to the Vijaya Vauhini studio in Madras to enroll Savitri as a character in a movie, though they refused to do so. Not giving up, they tried once again, in another cinema, where she managed to get a role, but could not stand it as she hesitated in reciting dialogues because she was in awe when talking to the hero.
It was then that she met Ramaswamy Ganesan, also known as Gemini Ganesan, who took pictures of Savitri and instructed the duo that they come after two months. Defeated, Savitri went back to her village and continued playing dramas. On one specific day a man came to their home and asked Savitri to play a role for his cinema. Savitri's career thus began. Savitri married Tamil actor Gemini Ganesan in 1952, having first met him in 1948. The marriage led to a permanent rift with her uncle because Ganesan was already married, had four daughters, and was involved in an affair with Pushpavalli.[6] Her marriage became public when she signed a photograph as Savitri Ganesh.[7] Ganesan admitted that while married to his wife Savitri, with whom he had a daughter and a son, he also had two daughters with Pushpavalli.[8]
Savitri acted in dance dramas as a child, including some work with a theatre company run by Jaggayya. She made an unsuccessful speculative trip to find film work in Madras at the age of 14 when she was deemed to be too young to play heroine roles, but in 1950 was cast as the female lead in Samsaram (1950). That role did not become actuality because she became too excited, necessitating numerous retakes and eventually her replacement in the part. She was given a minor speaking role in the film and in the next year had two more minor roles, in Roopavati and Pathala Bhairavi (both in 1951), before getting her big break as the second heroine in Pelli Chesi Choodu (1952). She, later on, was propelled to stardom with critically acclaimed roles in blockbusters such as Devadasu (1953),[9][10][11] and Missamma (1955).[6]
Director P. Chandrasekhara Reddy who directed Savitri says, "there is none who can equal her beauty and talent. She didn't heed anyone's advice and got married very early. I remember she was so addicted to drinking even on the sets; she threw up on my shirt during a shoot. The next day she got a brand new shirt for me. She was a generous woman." Savitri also worked in Bollywood films, although she did not find much success.[6] She also acted in three Malayalam films notably Chuzhi (1973).[12]
Her performance in the 1957 film Mayabazar skyrocketed her to stardom. She later went on to become the highest-paid and most sought-after South-Indian actress of her generation. Savitri was known for her hospitality, philanthropic gestures, and love of buying property and jewelry, but she kept little control of her spending. Ganesan continued to philander and she was susceptible to favoring hangers-on with her largesse. In 1960, she received special mention from Rashtrapathi for her performance in the Telugu film Chivaraku Migiledi. In 1963, she starred in Nartanasala (1963), featured at the Afro-Asian Film Festival in Jakarta.[1] In 1968, she produced and directed the Telugu film Chinnari Papalu, for which she received the state Nandi Award for Best Feature Film(Silver). Her career took a downturn in the late 1960s. Her properties were seized by tax officials in the 1970s and she turned to act in any film in her later years, while sycophants encouraged her to direct and produce films that were unsuccessful and financially draining. Among her few supporters during her financial troubles were Dasari Narayana Rao, who cast her in most of his films, such as Gorintaku (1979), and specifically made Devadasu Malli Puttadu (1978) as a movie for her.[13]
Savitri was also one of the top Tamil actresses of her era. She acted with major stalwarts, such as M.G.R, Sivaji Ganesan and mostly with her husband Gemini Ganesan. Her notable Tamil works include Kalathur Kannamma (1959), Pasamalar (1961), Pava Mannippu (1961), Paarthal Pasi Theerum (1962), Karpagam (1963), Karnan (1963), Kai Koduttha Dheivam, Navarathri (1964), and Thiruvilaiyadal (1965).
In 1958 Savitri was booked by M. G. Ramachandran for his second directorial venture Ponniyin Selvan.[14] One of the first screen adaptations of Kalki Krishnamurthy's Ponniyin Selvan, the film had a huge ensemble cast consisting of Vyjayanthimala, Padmini, Gemini Ganesan, Saroja Devi, M. N. Rajam and Nagesh.[15] In the film, she was given the role of Poonguzhali and the wife of Senthan Amuthan.[15] However, in mid-1958 the film was shelved for unknown reasons.[16]
Savitri died on 26 December 1981, at the age of 47, after being in a coma for 19 months. She had developed diabetes and high blood pressure.[6][17]
In 2011, the Government of India issued a postage stamp in commemoration of Savitri.[18]
Savitri's biopic, titled Mahanati, starring Keerthy Suresh as Savitri and Dulquer Salmaan as Gemini Ganesan was released in 2018 to critical acclaim and commercial success.[19] In the 2019 biopic film of N.T.R. titled NTR: Kathanayakudu, actress Nithya Menen portrayed Savitri onscreen.[20]
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