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2014 compilation album by Lindsay Cooper From Wikipedia, the free encyclopedia
Rarities Volumes 1 & 2 is a 2014 posthumous double-CD compilation album of various pieces by English experimental musician and composer Lindsay Cooper. It was recorded between 1979 and 1992, and released in the UK and US by RēR Megacorp in 2014. The compilation was also released by ReR Megacorp in Japan in 2015.
| Rarities Volumes 1 & 2 | ||||
|---|---|---|---|---|
| ||||
| Compilation album by | ||||
| Released | 2014 | |||
| Recorded | 1979–1992 | |||
| Genre | ||||
| Length | 122:34 | |||
| Label | RēR Megacorp | |||
| Lindsay Cooper chronology | ||||
| ||||
Rarities was compiled by Udi Koomran and Chris Cutler in Cooper's honour. It comprises unreleased material, and tracks that had previously appeared only on limited edition releases and compilations.[1]
Cooper died of multiple sclerosis in 2013. She had been diagnosed in 1987, but did not reveal her illness until the late-1990s.[2] Three memorial concerts took place for Cooper in November 2014 in London, West Yorkshire, and Forlì, Italy.[3][4][5]
The double-CD compilation booklet includes background information by Chris Cutler, and memorials written by Sally Potter, Tim Hodgkinson, David Thomas and Kate Westbrook.[1]
In a review of Rarities in Musicworks, René van Peer wrote that the compilation "is a fitting memorial to a creative life that was cruelly cut short by a horrific disease."[6] He said the album highlights Cooper's main interests, the empowerment of women, her opposition to the establishment, and "an irrepressible urge to play, to be heard ... with dedication and focus, and with [a] zest for life."[6] A review of the album at Avant Music News described it as "full of treasures".[7] It stated that while Cooper's work with Henry Cow and News from Babel is well documented, much of her other work is generally not that well known. The reviewer said that this compilation fills those holes, and called it "an excellent introduction to the varied career of the sadly missed Cooper."[7]
Writing in the Czech cultural magazine kulturní magazín UNI, Petr Slabý said that the collection of thirty brief pieces on the first disc illustrates Cooper's ability to exploit the short format.[8] He stated that the second disc highlight is the Trio Trabant's Strasbourg concert in which Cooper excels, and called her piano solo on "Piano Roulette", with its variations in tempo and mood, an "unreleased rarity". Overall Slabý was impressed with the compilation, but added that he would have liked to have seen samples of the Feminist Improvising Group and Cooper's collaborative work with Alex Švamberk and Laurie Amat.[8]
In a review in the French webzine, Rythmes Croisés, Stéphane Fougere said that Rarities reveals Cooper's lesser known work, and fills the gaps in her discography.[9] He was particularly impressed by the previously unreleased Trio Trabant concert and Cooper's solo "Piano Roulette", but also would have like to have seen something from the Feminist Improvising Group.[9] Fougere stated that while the material on this compilation is quite diversified, and will appeal to diverse audiences, it should not be seen as a retrospective collection, nor used as an introduction to Cooper's music. He suggested that newcomers start with her solo albums like Rags and The Golddiggers, the Oh Moscow concert, and the two News from Babel albums.[9]
All tracks composed by Lindsay Cooper, unless otherwise stated.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Tsar's Band" | 0:44 | |
| 2. | "The Assassination" | 1:33 | |
| 3. | "The Evening Before" | 1:51 | |
| 4. | "Give Us a Smile: film score" | 3:05 | |
| 5. | "Washing Line" | 0:35 | |
| 6. | "Against the Current: film score" | 3:08 | |
| 7. | "The Time of Their Lives: curtain music" | 1:22 | |
| 8. | "Trih's Song" | 1:16 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 9. | "The Song of the Goose and the Common" | traditional | 1:33 |
| 10. | "Off the Fence" | Lindsay Cooper, Lis Rhodes | 1:20 |
| 11. | "Fair Exchange" | Cooper, Rhodes | 1:58 |
| 12. | "Windscale" | Cooper, Rhodes | 0:46 |
| 13. | "The Number 8 Bus" | Cooper, Rhodes | 1:23 |
| 14. | "Belfast" | 2:07 | |
| 15. | "Fanfare" | 0:38 | |
| 16. | "Flute Tune" | traditional | 1:16 |
| 17. | "Priesthill" | 0:48 | |
| 18. | "Domestic Bliss: end credits" | 2:37 | |
| 19. | "Court Entry" | 0:57 | |
| 20. | "Lord Wilberforce" | 1:01 | |
| 21. | "Home Movie 1" | 1:12 | |
| 22. | "Open Letters" | 2:30 | |
| 23. | "Linda B" | 1:04 | |
| 24. | "Home Movie 2" | 2:50 | |
| 25. | "Three Heads" | 1:14 | |
| 26. | "Julia: end credits" | 3:16 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 27. | "Extract from Concerto per Sax Sopranino e Archi " | 5:07 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 28. | "In the Archive" | 0:40 | |
| 29. | "Mainz" | 1:55 | |
| 30. | "Paulskirche" | 2:22 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Le Detroit" | Cooper, Alfred 23 Harth, Phil Minton | 6:48 |
| 2. | "De Breede en de Smalle Weg" | Cooper, Harth, Minton | 4:41 |
| 3. | "Le Cadran Bleu 3" | Cooper, Harth, Minton | 5:38 |
| 4. | "State of Retrograd" | Cooper, Harth, Minton | 4:42 |
| 5. | "Vigilanz" | Cooper, Harth, Minton | 3:46 |
| 6. | "Le Cadran Bleu 5" | Cooper, Harth, Minton | 8:02 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 7. | "Pictures from the Great Exhibition"
|
Cooper, James Tulley | 8:06 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 8. | "In the Dark Year" | Cooper, Chris Cutler | 3:47 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 9. | "Piano Roulette" | 11:25 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 10. | "Petrified" | Cooper, Cutler, David Thomas | 9:49 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 11. | "Education" | Cooper, Cutler | 3:41 |
Source: CD liner notes[1]
Assembled and pre-mastered by Udi Koomran at Ginger's Studio, Tel Aviv, Israel.
Originally released as a limited edition cassette to subscribers to Cooper's Music for Other Occasions (1986)
Recorded in London between 1979 and 1984
Originally released as a limited subscription cassette in 1984
Recorded in March 1983 (Green Flutes), March and August 1984 (Four Corners), June 1984 (Domestic Bliss), September 1984 (With Our Children). All engineered by Charles Gray.
Originally released on Angelica 1992 (1993), a compilation by Pierrot Lunaire
Recorded at the Angelica festival, Bologna, Italy in May/June 1992
Originally released on the No Man's Land compilation sampler, A Classic Guide To No Man's Land (1988)
Recorded and engineered by Walter Brussow in Frankfurt, Germany, March 1987
Tracks originally written for the films Das Nächste Jahrhundert Wird Unseres Sein and Wir Wollen Lieber Fliegen als Kriechen, directed by Claudia von Allemann for Hessischer Rundfunk television
Compiled by Chris Cutler and remastered by Bob Drake at Studio Midi-Pyrenees, France.
Previously unreleased recordings by the trio of Lindsay Cooper, Alfred 23 Harth, Phil Minton
Recorded at Festival Musica in Strasbourg, Germany on 4 October 1991; mastered by Harth at Laubhuette Studio, Moonsun, Korea
Originally released as a limited edition not-for-sale subscription item with Cooper's LP Rags
Recorded at Kaleidophon Studios, London in April 1979 for the film Song of the Shirt
Originally released on The Last Nightingale (1984), released to raise money for the British miners during the 1984–1985 UK miners' strike
Recorded and engineered at Cold Storage in Brixton, London by Gilonis and Tim Hodgkinson, 29–31 October 1984
Previously unreleased
Recorded live at Roulette, New York, 13 November 1985
Originally released on Winter Comes Home (1983)
Recorded live at the Hirschwirt restaurant in Erding, Germany on 11 December 1982; concert mix by EM Thomas
Originally released on Volume 1 No. 1 of the RēR Quarterly magazine (1985)
Recorded at Cold Storage in Brixton, London by Gilonis, April 1984
Source: CD liner notes[1]
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