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Phöbus — Ein Journal für die Kunst was a literary journal published by Heinrich von Kleist and Adam Heinrich Müller in Dresden between January 1808 and December 1808, in twelve issues grouped into nine instalments. Many of Kleist's most famous works appeared in print for the first time within its covers.
The journal's name is that of the sun-god Phoebus, generally associated with the Greek Apollo. The frontispiece of the first issue, designed by Ferdinand Hartmann, shows Phoebus in a chariot, drawn by sun-horses over the town of Dresden. Kleist wrote: "Thunder on, O thou, with thy flaming steeds, / Phoebus, bringer of day, into infinite space!"
The periodical was modelled on Friedrich Schiller's journal Die Horen. The original plan of including the work of Schiller and Goethe came unravelled early on, especially when Goethe distanced himself from the project. Müller and Kleist having neither well-developed plans nor good contacts with book-sellers, the journal quickly failed and lost them money. The exact circulation is not known, but the biographer Klaus Günzel estimates that hardly more than 150 copies were printed of each issue.
The first issue contained a fragment of Kleist's drama Penthesilea, which, like the journal itself, was poorly received by critics. Goethe was unimpressed, although Kleist had submitted the first issue with a humble dedication "on the knees of his heart". Contributions to the journal from Goethe were not forthcoming and its fate was thus sealed from the very beginning.
Nevertheless, Kleist and Müller pressed on. The complete failure of Goethe's bungled production of Der zerbrochene Krug at Weimar goaded Kleist to include extracts from the comedy in the third issue, which only exacerbated public indignation over its "indecency" and cemented the failure. Accumulating debts led quickly to tensions between the two men, who wrote the bulk of the magazine's content; after Müller finally sold the magazine behind Kleist's back to a Dresden book-seller, in exchange for the remission of debts, relations between the two men cooled markedly, and in 1809 Müller returned to Berlin.
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