Catalan poet, playwright, literary manager, translator, narrator, and journalist From Wikipedia, the free encyclopedia
Joan Oliver i Sallarès (Catalan pronunciation:[ʒuˈanuliˈβejsəʎəˈɾɛs]), also known by his pseudonym Pere Quart, (1899 in Sabadell – 1986 in Barcelona) was a Catalan poet, playwright, literary manager, translator, narrator, and journalist. He is considered one of the most important twentieth-century writers of Catalonia.
In this Catalan name, the first or paternalsurname is Oliverand the second or maternal family name is Sallarès; both are generally joined by the conjunction "i".
He was born in 1899, the member of an outstanding family of the industrial bourgeoisie of Sabadell. He was the fourth of eleven brothers; he was the only survivor. He took the pseudonym with which he would sign his poetic work: Pere Quart. He studied law. In year 1919, he formed the Group of Sabadell with the novelist Francesc Trabal and the poet Armand Obiols. In this group the influence of vanguardism was combined with local humor.
The Civil War and the exile
During the Civil War he engaged politically with the republican side. He was nominated president of the Association of Catalan Writers and leader of Generalitat's Ministry of Culture publications. Moreover, he was co-founder and headleader of Institution of the Catalan Letters publications, and author of the Catalan popular army hymn's letter. All this means a definite break with his bourgeois past and the birth of a strong political, ethical and social commitment. In this context he created "Ode to Barcelona" (of clear nationalistic and revolutionary trend) and the play "The Hunger" (La Fam, where the problems of the revolution are brought up).
At the end of the war, the Republican Generalitat will order him the task of evacuating all the intellectuals. Finished the war will exile first in France, embark towards Buenos Aires and establish definitively in Santiago of Chile, where he will live for eight years. During the exile, he continued his task of intellectual compromised with his time and his country. He collaborated with "Catalonia" (edited in Buenos Aires) and directed "Germanor" (Brothehood) (edited in Chile). He set up the collection "The pine of the three branches" along Xavier Benguerel.
Resistance and transition
In 1948 Joan Oliver came back to Barcelona, where Franco's regime was characterized by authoritarianism and repression. He was imprisoned for three months in the Model prison of Barcelona. Three years later he received the Prize of the French Republic President in the floral games of Paris, for the translation into Catalan of The Misanthrope by Molière. He translated and adapted works of several authors - for example Anton Chekhov. In 1960 his more emblematic work appeared: Vacances Pagades (Paid Holidays). It is a skeptical work, sarcastic too, where a great appointment with the social and political reality of the country is shown. Oliver makes an acid crictisim to the capitalism, the consumer society and the Franco dictatorship. With the death of the dictator and democracy entry, he was especially displeased with the dominant politicians, denouncing the betrayal that meant the transition. In year 1982 he rejected the Creu de Sant Jordi award.[1] He became an uncomfortable character for the politicians, who was necessary to corner. Nothing of all this, however, prevented him from being considered one of the five best Catalan poets of the 20th century. In 1986 he died in Barcelona and was buried in his natal city, Sabadell.
Creator of a very diverse work, his poetry is influenced by realism, with a skeptical tone, and influenced by the effects of the Spanish Civil War and the subsequent family's exile. His narrative style is clearly marked by the irony against all the established conventions.[2]
Plays
As a playwright, Oliver helped to make cracks on the Franco's regime to recover the Catalan theater. His most outstanding works in this area were Primera representació [First representation] and Ball robat [Stolen Ball], and D'una drecera [a shortcut] was his attempt to approach to public.[3]
Gairebé un acte o Joan, Joana i Joanet, 1929 [Almost an Act: or, Joan, Joana, and Joanet]
Allò que tal vegada s'esdevingué [What Perhaps Has Happened], Barcelona: La Rosa dels Vents, 1936 / Barcelona: Aymà, 1970 / Barcelona: Edicions 62, 1987 / Terrassa: Centre d'Art Dramàtic del Vallès, 1996 / Barcelona: Educaula, 2010.
Cambrera nova [New Waitress], 1937
La fam [Hunger], Barcelona: Institució de les Lletres Catalanes, 1938 / Barcelona: Aymà, 1975 / Barcelona: Proa, 2003. released in Barcelona's Teatre Poliorama)
L'amor deixa el camí ral [Love Leaves the Highroad], 1947
Quasi un paradís [Almost a Paradise], 1951
La barca d'Amílcar [Amílcar's Boat], 1958
Ball robat [Stolen Dance], 1958
Primera representació [First Representation], 1959
Tercet en Re [Terzetto in D], El Pont, núm. 13, 1959.
Tres comèdies [Three Comedies]. Barcelona: Selecta, 1960.
Noè al port d'Hamburg [Noé in Hamburg's Harbour], 1966.
Quatre comèdies en un acte [Four Comedies in One Act]. Barcelona: Aymà, 1970.
Vivalda i l'Àfrica tenebrosa i Cambrera nova [Vivalda, Dark Africa, and New Waitress], 1970.
El roig i el blau [The Red and the Blue], 1985.
Trenta d'abril [April Thirtieth], 1987.
Ball robat de Joan Oliver (i altres) [Stolen Dance by Joan Oliver (and others)]. Barcelona: Edicions 62 / La Caixa, 1995.
Ball robat [intr. Helena Mesalles]. Barcelona: Proa, 1995 / [intr. Francesc Foguet i Boreu]. Barcelona: Proa, 2005.
Ball robat seguit d'Escena d'alcova [cur. Lluís Busquets i Garabulosa]. Barcelona: La Magrana, 1996.
Marrugat, Jordi (2015). "La participació de Sabadell en la construcció d'un teatre nacional català". Revista Arraona. Sabadell. pp.120–121. ISSN0403-2616.
