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1993 live album by Paul McCartney From Wikipedia, the free encyclopedia
Paul Is Live is a live album by Paul McCartney, released in 1993 during his New World Tour in support of his studio album Off the Ground, released that same year. Paul Is Live contains live recordings of McCartney and his touring band—which at the time included his then-wife Linda and guitarist Robbie McIntosh—performing songs by McCartney's former bands The Beatles and Wings, as well as songs from his solo career. The tracks included on the album were recorded at various concerts during his New World Tour, in several American cities and in Australia.
Paul Is Live | ||||
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Live album by | ||||
Released | 8 November 1993 | |||
Recorded | 22 March – 15 June 1993 | |||
Genre | Rock | |||
Length | 77:07 | |||
Label | Parlophone | |||
Producer | Paul McCartney | |||
Paul McCartney chronology | ||||
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Paul Is Live – The New World Tour | ||||
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Video by | ||||
Released | 22 March 1994 | |||
Recorded | 1993 | |||
Genre | Rock | |||
Length | 85 min. | |||
Label | MPL Rounder Home Video | |||
Director | Aubrey Powell | |||
Producer | Steven J. Swartz | |||
Paul McCartney chronology | ||||
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The title of Paul Is Live is a reference to the "Paul is dead" conspiracy theory, and the album's cover artwork, which is based on that of the Beatles' 1969 album Abbey Road, contains multiple references to the theory. Paul Is Live was McCartney's last live album for nine years, until the release of the double live album Back in the U.S., which coincided with his 2002 Driving World Tour.
The album's title is a response to the "Paul is dead" rumours after the 1969 release of the Beatles' penultimate studio album, Abbey Road. The photograph used for the cover is from the same August 1969 photo session as the photo used for the Abbey Road album cover, with some digital manipulation. Differences between the two photos include different people and vehicles in the background, and on the "Abbey Road" cover, George Harrison is partly obscuring the left rear corner of the white Volkswagen with the infamous number plate, which is parked half up on the kerb on the left, whereas the cover of "Paul Is Live" gives a clear view of the Volkswagen.
Apart from these, intentional differences between the two are:[1][2]
The dog featured on the cover is an Old English Sheepdog McCartney owned named Arrow. Arrow was the offspring of McCartney's pet Martha, inspiration for the Beatles 1968 song "Martha My Dear".[3]
Excerpted from his shows in Australia, as well as from various cities in the United States, Paul Is Live followed the 1989–90 Paul McCartney World Tour/Tripping the Live Fantastic extravaganza by only three years, confounding critics and fans as to its appearance,[citation needed] and in some cases its necessity (although the only song it has in common with Tripping the Live Fantastic is "Live And Let Die"). As a result, Paul Is Live became McCartney's lowest-selling live set of his career, peaking at number 34 in the UK and number 78 in the US.
A concert film subtitled The New World Tour was subsequently released on VHS, and later on DVD. It was directed by Aubrey Powell. The video release includes the controversial pre-concert film, which features vintage footage of the Beatles, solo-era live footage of "Maybe I'm Amazed" and "Bluebird" from the Rockshow film, then switches tone by including graphic animal test footage (all of which is underscored by "Live and Let Die" and "Helter Skelter"), and, finally, warmup footage of the band. The program starts with the warm-up footage, and is played in full at the conclusion of the concert. The packaging included a disclaimer warning regarding the graphic nature of the animal footage.
Afterwards, McCartney took an extended break from his solo career to begin the Beatles Anthology project in early 1994 with George Harrison, Ringo Starr and George Martin. This took up much of his time for the next two years, before Flaming Pie in 1997.
Review scores | |
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Source | Rating |
AllMusic | [4] |
Calgary Herald | C−[5] |
Encyclopedia of Popular Music | [6] |
Entertainment Weekly (album) | B+[7] |
Entertainment Weekly (video) | B[8] |
The Essential Rock Discography | 4/10[9] |
MusicHound | [10] |
The Rolling Stone Album Guide | [11] |
Stephen Thomas Erlewine, in a review of the album for AllMusic, called its tracks "competent but utterly unnecessary", and writing that, "it smacks of overkill to release this record, which has the exact same band and tone as Tripping the Live Fantastic."[4] Conversely, Tom Sinclair of Entertainment Weekly wrote that "the most appealing thing about Paul Is Live is the spontaneity of the old boy's performances. What could easily have been a schmaltz revue sounds like 77 minutes of unpretentious rock & roll".[7]
Reviewing the concert film, Entertainment Weekly's Ron Giver wrote: "The appeal of McCartney's rather restrained delivery is undercut, however, by the deadening way in which shots from different performances of the same song have been edited together into a hyperkinetic montage-and the airless way in which crowd noise has been eliminated."[8]
No. | Title | Writer(s) | Venue | Length |
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1. | "Drive My Car" | John Lennon, McCartney | Arrowhead Stadium, Kansas City, Missouri, US 31 May 1993 | 2:32 |
2. | "Let Me Roll It" | McCartney, Linda McCartney | Folsom Field, Boulder, Colorado, US 26 May 1993 | 4:12 |
3. | "Looking for Changes" | Arrowhead Stadium, Kansas City, Missouri, US 31 May 1993 | 2:40 | |
4. | "Peace in the Neighbourhood" | Folsom Field, Boulder, Colorado, US 26 May 1993 | 4:54 | |
5. | "All My Loving" | Lennon–McCartney | Giants Stadium, East Rutherford, New Jersey, US 11 June 1993 | 2:16 |
6. | "Robbie's Bit (Thanks Chet)" | Robbie McIntosh | Blockbuster Pavilion, Charlotte, North Carolina, US 15 June 1993 | 1:57 |
7. | "Good Rockin' Tonight" | Roy Brown | Blockbuster Pavilion, Charlotte, North Carolina, US 15 June 1993 | 2:51 |
8. | "We Can Work It Out" | Lennon–McCartney | Giants Stadium, East Rutherford, New Jersey, US 11 June 1993 | 2:39 |
9. | "Hope of Deliverance" | Giants Stadium, East Rutherford, New Jersey, US 11 June 1993 | 3:32 | |
10. | "Michelle" | Lennon–McCartney | Folsom Field, Boulder, Colorado, US 26 May 1993 | 2:56 |
11. | "Biker Like an Icon" | Folsom Field, Boulder, Colorado, US 26 May 1993 | 3:40 | |
12. | "Here, There and Everywhere" | Lennon–McCartney | Parramatta Stadium, Parramatta, Sydney, Australia 22 March 1993 | 2:29 |
13. | "My Love" | P. McCartney, L. McCartney | Alamodome, San Antonio, Texas, US 29 May 1993 | 4:06 |
14. | "Magical Mystery Tour" | Lennon–McCartney | Parramatta Stadium, Parramatta, Sydney, Australia 22 March 1993 | 3:15 |
15. | "C'Mon People" | Arrowhead Stadium, Kansas City, Missouri, US 31 May 1993 | 5:38 | |
16. | "Lady Madonna" | Lennon–McCartney | Georgia Dome, Atlanta, Georgia, US 1 May 1993 | 2:30 |
17. | "Paperback Writer" | Lennon–McCartney | Blockbuster Pavilion, Charlotte, North Carolina, US 15 June 1993 | 2:36 |
18. | "Penny Lane" | Lennon–McCartney | Folsom Field, Boulder, Colorado, US 26 May 1993 | 3:02 |
19. | "Live and Let Die" | P. McCartney, L. McCartney | Folsom Field, Boulder, Colorado, US 26 May 1993 | 3:53 |
20. | "Kansas City" | Jerry Leiber, Mike Stoller | Arrowhead Stadium, Kansas City, Missouri, US 31 May 1993 | 3:53 |
21. | "Welcome to Soundcheck" (link) | 0:41 | ||
22. | "Hotel in Benidorm" (soundcheck) | Folsom Field, Boulder, Colorado, US 26 May 1993 | 2:00 | |
23. | "I Wanna Be Your Man" (soundcheck) | Lennon–McCartney | Parramatta Stadium, Parramatta, Sydney, Australia 22 March 1993 | 2:36 |
24. | "A Fine Day" (soundcheck) | Giants Stadium, East Rutherford, New Jersey, US 11 June 1993 | 6:19 | |
Total length: | 77:07 |
All tracks are written by Paul McCartney, except where noted
Weekly charts
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Certifications
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