Mara (demon)

For other uses, see Mara.

Mara,^{[note 1]} in Buddhism, is an Asura malignant celestial king who tried to stop Prince Siddhartha from achieving Enlightenment by trying to seduce him with his celestial Army and the vision of beautiful women who, in various legends, are often said to be Mara's daughters.^[1]

Translations of Māra
English	Mara; Demon
Sanskrit	मार, Māra
Pali	Māra
Burmese	မာရ်နတ် (MLCTS: Marnat)
Chinese	天魔; 魔羅; 魔罗 (Pinyin: Tiān Mó; Mó Luó; Mó Luó)
Indonesian	Mara; Setan; Iblis
Japanese	魔羅; マーラ; 天魔 (Rōmaji: Mara; Māra; Tenma)
Khmer	មារ (UNGEGN: Méru)
Korean	마라 (RR: Mara)
Sinhala	මාරයා (Mārayā)
Tibetan	བདུད (Wylie: bdud)
Thai	มาร (RTGS: Māra)
Vietnamese	Thiên Ma
Glossary of Buddhism

Relief fragment of Mara in Gandhara style, found in Swat Valley

The demons of mara. Palm leaf manuscript. Nalanda, Bihar, India

Mara's assault on the Buddha (an aniconic representation: the Buddha is only symbolized by his throne), 2nd century, Amaravati Stupa, India

Mara, his lustful daughters, and demonic army, attempting to tempt Buddha, on a 10th-century icon from Mogao Caves

In Buddhist cosmology, Mara is associated with death, rebirth and desire.^[2] Nyanaponika Thera has described Mara as "the personification of the forces antagonistic to enlightenment."^[3]

He is Yama's fearsome persona and all beings associated with him, darkness and death, become forces of Mara. These forces consist of Yaksas, Raksases, Pisacas, Aratis and animals.^[4]

Origin

His name is first mentioned in the Atharva Veda (1200 BCE–1000 BCE) as Yama, Mrtyu and Agha Mara, the evil slayer. He is called the "evil one who kills" and "Papiyan", denoting a being which is not only morally bad but intertwined with sorrow, pain and misfortune.^[5]

While Mara's origin is of Hindu nature, the development of the symbolism of Mara was spread by Buddhism.^[6]

Etymology

The word Māra comes from the Sanskrit form of the verbal root mṛ. It takes a present indicative form mṛyate and a causative form mārayati (with strengthening of the root vowel from ṛ to ār). Māra is a verbal noun from the causative root and means 'causing death' or 'killing'.^[7] It is related to other words for death from the same root, such as: maraṇa and mṛtyu. The latter is a name for death personified and is sometimes identified with Yama.

The root mṛ is related to the Indo-European verbal root *mer meaning "die, disappear" in the context of "death, murder or destruction". It is "very wide-spread" in Indo-European languages suggesting it to be of great antiquity, according to Mallory and Adams.^[8]

Four types of Māra

In traditional Buddhism, four or five^{[citation needed]} metaphorical forms of Māra are given:^[9]

• Kleśa-māra – Māra as the embodiment of all unskillful emotions, such as greed, hate and delusion.
• Mṛtyu-māra – Māra as death.
• Skandha-māra – Māra as metaphor for the entirety of conditioned existence.
• Devaputra-māra – the deva of the sensuous realm, who tried to prevent Gautama Buddha from attaining liberation from the cycle of rebirth on the night of the Buddha's enlightenment.

Character

Early Buddhism acknowledged both a literal and psychological interpretation of Mara.^[10][11]

Mara is described both as an entity having an existence in Kāma-world,^[12] just as are shown existing around the Buddha, and also is described in pratītyasamutpāda as, primarily, the guardian of passion and the catalyst for lust, hesitation and fear that obstructs meditation among Buddhists. The Denkōroku refers to him as the "One Who Delights in Destruction", which highlights his nature as a deity among the Parinirmitavaśavarti devas.^[13]

"Buddha defying Mara" is a common pose of Buddha sculptures.^[14][15] The Buddha is shown with his left hand in his lap, palm facing upwards and his right hand on his right knee. The fingers of his right hand touch the earth, to call the earth as his witness for defying Mara and achieving enlightenment. This posture is also referred to as the bhūmisparśa "earth-witness" mudra.

Three daughters

In some accounts of the Buddha's enlightenment, it is said that the demon Māra did not send his three daughters to tempt but instead they came willingly after Māra's setback in his endeavor to eliminate the Buddha's quest for enlightenment.^[16] Mara's three daughters are identified as Taṇhā (Thirst), Arati (Aversion, Discontentment), and Rāga (Attachment, Desire, Greed, Passion).^[15][17] For example, in the Samyutta Nikaya's Māra-saṃyutta, Mara's three daughters were undressing in front of the Buddha; but failed to entice him:

They had come to him glittering with beauty –

Taṇhā, Arati, and Rāga –

But the Teacher swept them away right there

As the wind, a fallen cotton tuft.^[18]

The three daughters of Māra were inspired by Aratis, a type of feminine goblin that was associated with avarice.^[19]

Mara's conversion

The Jingde Record of the Transmission of the Lamp and the Denkoroku both contain a story of Mara's conversion to Buddhism under the auspices of the monk Upagupta.

According to the story, Upagupta journeyed to the kingdom of Mathura and preached the Dharma with great success. This caused Mara's palace to tremble, prompting the deity to use his destructive powers against the Dharma. When Upagupta entered samadhi, Mara approached him and slipped a jade necklace around his neck.

Upagupta reciprocated by transforming the corpses of a man, a dog, and a snake into a garland and gifted it to Mara. When Mara discovered the true nature of the gift, he sought the help of Brahma to remove it. Brahma informed him that because the necklace was bestowed by an advanced disciple of the Buddha, its effects could only be assuaged by taking refuge in Upagupta.

Mara returned to the human world where he prostrated before the monk and repented. At Upagupta's recommendation, he vowed never to do harm to the Dharma and took refuge in the Three Jewels.^[20]

In popular culture

Mara appears in Roger Zelazny's 1967 novel Lord of Light as a god of illusion.^[21]

Mara has appeared as a recurring Demon in the Megami Tensei franchise, as well as in its spinoffs. Here, Mara takes the appearance of a giant penis riding a golden chariot. Mara has consistently been one of the most popular demons in the series, even reaching #1 popularity on some demon popularity polls.^[22]

In 2020, the singer-songwriter Jack Garratt released a song entitled "Mara". Inspired by the story of Mara's distraction of the Buddha, "Mara" describes Garratt's experience of intrusive thoughts.^[23]

Notes

1. Sanskrit: मार, Māra; Sinhala: මාරයා; Chinese: 天魔; pinyin: Tiānmó or traditional Chinese: 魔羅; simplified Chinese: 魔罗; pinyin: Móluó; Japanese: 魔羅, romanized: Mara; also マーラ, Māra or 天魔, Tenma; Korean: 마라, romanized: Mara; Vietnamese: Thiên Ma; Tibetan Wylie: bdud; Khmer: មារ; Burmese: မာရ်နတ်; Thai: มาร; Tagalog: Mara

References

1. See, for instance, SN 4.25, entitled, "Māra's Daughters" (Bodhi, 2000, pp. 217–220), as well as Sn 835 (Saddhatissa, 1998, p. 98). In each of these texts, Mara's daughters (Māradhītā) are personified by sensual Craving (taṇhā), Aversion (arati), and Passion (rāga).
2. Trainor, Kevin (2004). Buddhism: The Illustrated Guide. Oxford University Press. p. 34. ISBN 9780195173987.
3. Thera, Nyanaponika (2008). The Roots of Good and Evil: Buddhist Texts translated from the Pali with Comments and Introduction. Buddhist Publication Society. p. 22. ISBN 9789552403163.
4. Karetzky (1982): 78. Raksases can have the form of male terrestrial goblins and animals (owls, vultures and dogs). They can also have the body of a human but these have deformities like three heads or horn on their heads. They act as messengers of Yama. Pisacas are connected with the death as they are described as flesh-eaters and corpse devourers. Aratis are female goblins who symbolise illiberaty. (Karetzky (1982): 79)
5. Karetzky, Patricia Eichenbaum. "Māra, Buddhist Deity of Death and Desire." East and West, vol. 32, no. 1/4, 1982, pp. 75–92. JSTOR 29756628. Accessed 5 Oct. 2024. p. 77.
6. Ling (1962): Buddhism and the Mythology of Evil. London. p. 30.
7. Olson, Carl (2005). The Different Paths of Buddhism: A Narrative-Historical Introduction. Rutgers University Press. p. 28. ISBN 9780813537788.
8. J. P. Mallory; Douglas Q. Adams (1997). Encyclopedia of Indo-European Culture. Taylor & Francis. pp. 150–153. ISBN 978-1-884964-98-5.
9. Buswell, Robert Jr; Lopez, Donald S. Jr., eds. (2013). Princeton Dictionary of Buddhism. Princeton, NJ: Princeton University Press. pp. 530–531, 550, 829. ISBN 9780691157863.
10. Williams, Paul (2005). Buddhism: The early Buddhist schools and doctrinal history; Theravāda doctrine, Volume 2. Taylor & Francis. pp. 105–106. ISBN 9780415332286.
11. Keown, Damien (2009). Buddhism. Sterling Publishing Company. p. 69. ISBN 9781402768835.
12. "Mara, Māra: 13 definitions". www.wisdomlib.org. 10 August 2008.
13. Jokin, Keizan (2003). "The Denkōroku: The Record of the Transmission of the Light" (PDF). Translated by Hubert Nearman. Mount Shasta, California: OBC Shasta Abbey Press. Retrieved 2019-12-06.
14. Vogel, Jean Philippe; Barnouw, Adriaan Jacob (1936). Buddhist Art in India, Ceylon, and Java. Asian Educational Services. pp. 70–71.
15. "The Buddha's Encounters with Mara the Tempter: Their Representation in Literature and Art". www.accesstoinsight.org.
16. Keown, Damien (2004). A Dictionary of Buddhism. Oxford University Press. p. 174. ISBN 9780191579172.
17. See, e.g., SN 4.25 (Bodhi, 2000, pp. 217–20), and Sn 835 (Saddhatissa, 1998, p. 98). In a similar fashion, in Sn 436 (Saddhatissa, 1998, p. 48), taṇhā is personified as one of Death's four armies (senā) along with desire (kāmā), aversion (arati) and hunger-thirst (khuppipāsā).
18. SN 4.25, v. 518 (Bodhi, 2000, p. 220).
19. Karetzky (1982): 79.
20. Jokin, Keizan (2003). "The Denkōroku: The Record of the Transmission of the Light" (PDF). Translated by Hubert Nearman. Mount Shasta, California: OBC Shasta Abbey Press. Retrieved 2019-12-06.
21. "Lord of Light Summary". Shmoop. Retrieved August 18, 2019.
22. Reggy (2017-10-25). "Shin Megami Tensei Favorite Demon Official Poll Results [Update]". Persona Central. Retrieved 2024-05-09.
23. "Mara Inspiration". ladygunn. 5 February 2020. Retrieved April 5, 2020.

Sources

• Bodhi, Bhikkhu (trans.) (2000). The Connected Discourses of the Buddha: A Translation of the Samyutta Nikaya. Boston: Wisdom Publications. ISBN 0-86171-331-1.
• Saddhatissa, H. (trans.) (1998). The Sutta-Nipāta. London: RoutledgeCurzon Press. ISBN 0-7007-0181-8.

Further reading

• Boyd, James W. (1971). "Symbols of Evil in Buddhism". The Journal of Asian Studies. 31 (1): 63–75. doi:10.2307/2053052. JSTOR 2053052. S2CID 162777343.
• Guruge, Ananda W.P. (1991). "The Buddha's encounters with Mara, the Tempter: their representation in Literature and Art" (PDF). Indologica Taurinensia. 17–18: 183–208. Archived from the original (PDF) on November 22, 2014.
• Ling, Trevor O. (1962). Buddhism and the Mythology of Evil: A Study in Theravada Buddhism. London: Allen and Unwin.

External links

• The Buddha's Encounters with Mara the Tempter: Their Representation in Literature and Art
• Taming the Mara (archived 3 February 2009)
• Mara, the Evil One_99