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The following is a list of commonly used chord progressions in music.
Code | |
---|---|
Major | Major |
Minor | Minor |
Atonal | Atonal |
Bitonal | Bitonal in |
Ind. | Indeterminate |
PD | Phrygian dominant |
Mix. | Mixolydian |
Name | Image | Sound | # of chords | Quality |
---|---|---|---|---|
50s progression | 4 | Major | ||
IV-V-I-VI | 4 | Major | ||
I–V–vi–IV | 4 | Major | ||
I–IV–♭VII–IV | 3 | Mix. | ||
ii–V–I progression | 3 | Major | ||
ii–V–I with tritone substitution (♭II7 instead of V7) | 3 | Major | ||
ii-V-I with ♭III+ as dominant substitute | 3 | Mix. | ||
viio7/V–V–I
(common in ragtime) |
3 | Major | ||
Andalusian cadence | 4 | PD | ||
Backdoor progression (front door is V7) | 3 | Major | ||
Bird changes | 20 | Major | ||
Chromatic descending 5–6 sequence | 4 | Mix. | ||
Circle progression | 4 | Major | ||
Coltrane changes | 6 | Major | ||
Eight-bar blues | 3 | Major | ||
Folia | 4 | Minor | ||
Irregular resolution
(Type I: Two common tones, two note moves by half step motion) |
2 | Major | ||
Montgomery–Ward bridge | 4 | Major | ||
Omnibus progression | ? | Major | ||
Pachelbel's Canon | 5 | Major | ||
Passamezzo antico | 4 | Minor | ||
Passamezzo moderno | 3 | Major | ||
I–V–vi–IV progression | 4 | Major | ||
Ragtime progression | 5 | Major | ||
Rhythm changes | 15 | Major | ||
Romanesca | 3 | Major | ||
Sixteen-bar blues | 3 | Major | ||
Stomp progression | 6 | Major | ||
Twelve-bar blues | 3 | Major | ||
I−vi−ii−V | 4 | Major | ||
♭VII–V7 cadence | 2–3 | Mix. | ||
V–IV–I turnaround | 3 | Major | ||
I–♭VII–♭VI–♭VII | 3 | Minor | ||
IV△7–V7–iii7–vi | 4 | Major | ||
♭VI-♭VII-I | 3 | Major |
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