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This is a list of sculptures by Tony Smith, most of which are installed outdoors. While Smith made many artworks in a variety of media and his work as an architectural designer, he is widely known for his sculptures, which range from the small to monumental scale.[1][2] No complete inventory has been published that identifies the current location of all of these works, but in the 1990s Save Outdoor Sculpture! (SOS!) participants completed an inventory and assessment of 83 of these sculptures.[3]
| Photo | Title | Year | Edition Number | Media | Dimensions | Owner | Current Location | GPS Coordinates | City | State/Country | Private or Public |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Untitled | 1954 | Wood | 21-3/8" x 20-1/2" x 12" | Private collection | Private | ||||||
| Untitled | 1956 | Concrete | 8" x 5" x 3" | Private collection | Private | ||||||
| Throne | 1956-57 | 6/6 | Steel, painted black | 28" x 39" x 32" | Private collection | Private | |||||
| Untitled | 1960 | Wire shirt hangers, plaster, and gauze fabric | 47-1/2" x 12-1/2" x 12" | Private collection | Private | ||||||
| Bennington Structure | 1961 | Plywood, metal, lathe, and Portland cement | 40' long overall, diameter of each unit approx 9' | Destroyed | |||||||
| Cigarette (1/3) | 1961 | 1/3 | Steel, Cor-ten, oiled finish | 15'1" × 25'6" × 18'7" | Albright–Knox Art Gallery | 42°55′53.39″N 78°52′34.63″W | Buffalo | NY | Public | ||
| Cigarette (2/3) | 1961 | 2/3 | Steel, painted black | 15'1" × 25'6" × 18'7" | Museum of Modern Art | Not on view | New York City | NY | Public | ||
| Cigarette (3/3) | 1961 | 3/3 | Steel, painted black | 15'1" × 25'6" × 18'7" | Kykuit (John D. Rockefeller Estate) | 41°5′20.66″N 73°50′31.21″W | Sleepy Hollow | NY | Public | ||
| Cigarette (AP) | 1962 | A.P. | Steel, painted black | 15'1" × 25'6" × 18'7" | Private collection | Private | |||||
| For Marjorie | 1961 | 1/1 | Steel, painted red | 17' × 31'2" × 18' | Massachusetts Institute of Technology | 42°21′17.11″N 71°6′9.70″W | Cambridge | MA | Public | ||
| Light Box (AP) | 1961 | 5/9 | Cast bronze, black patina | 26-1/4" x 20" x 22" | Tony Smith Estate | Private | |||||
| Marriage (1/3) | 1961 | 1/3 | Steel, painted black | 10' × 10' × 12' | Norway | Carter-Menil Human Rights Foundation | 59°54′36.18″N 10°44′7.04″E | Oslo | Norway | Public | |
| Marriage (2/3) | 1961 | 2/3 | Steel, painted black | 10' × 10' × 12' | Des Moines Art Center | Pappajohn Sculpture Park | 41°35′5.81″N 93°38′8.77″W | Des Moines | IA | Public | |
| Marriage (3/3) | 1961 | 3/3 | Steel, painted black | 10' × 10' × 12' | Clos Pegase Winery | 38°34′16.27″N 122°33′18.51″W | Calistoga | CA | Public | ||
| Marriage (AP) | 1961 | A.P. | Steel, painted black | 10' × 10' × 12' | Private collection | Private | |||||
| Spitball (1/3) | 1961 | 1/3 | Steel, painted black | 11'5" × 14' × 13'4-1/2" | The Menil Collection | Not on view | Houston | TX | Public | ||
| Spitball (2/3) | 1961 | 2/3 | Steel, painted black | 11'5" × 14' × 13'4-1/2" | Case Western Reserve University | The John and Mildred Andrews Putnam Sculpture Garden | 41°30′10.92″N 81°36′27.93″W | Cleveland | OH | Public | |
| Spitball (3/3) | 1961 | 3/3 | Steel, painted black | 11'5" × 14' × 13'4-1/2" | Baltimore Museum of Art | 39°19′36.56″N 76°37′6.24″W | Baltimore | MD | Public | ||
| Spitball (AP) | 1961 | A.P. | Steel, painted black | 11'5" × 14' × 13'4-1/2" | Private collection | Private | |||||
| Tetrahedron | 1961 | Plaster, gauze bandage, newspaper, armature | 38" x 48" x 43" | Private collection | Private | ||||||
| Tau (1/3) | 1961–62 | 1/3 | Steel, painted black | 14' × 21'6" × 12'4-1/4" | Hunter College | Hunter College Art Galleries | 40°46′4.18″N 73°57′51.96″W | New York | NY | Public | |
| Tau (AP) | 1961–62 | A.P. | Steel, painted black | 14' × 21'6" × 12'4-1/4" | South Orange | 40°45′0.96″N 74°15′40.29″W | South Orange | NJ | Public | ||
| Beardwig (1/6) | 1962 | 2/6 | Steel, oiled finish | 42" × 36" × 36" | Private collection | Private | |||||
| Beardwig (2/6) | 1962 | 2/6 | Steel, oiled finish | 42" × 36" × 36" | Private collection | Private | |||||
| Black Box (1/3) | 1962 | 1/3 | Steel, oiled finish | 22-1/2" × 33" × 25" | Private collection | Private | |||||
| Black Box (2/3) | 1962 | 2/3 | Steel, oiled finish | 22-1/2" × 33" × 25" | National Gallery of Canada | Ottawa | Canada | Public | |||
| Black Box (3/3) | 1962 | 3/3 | Steel, oiled finish | 22-1/2" × 33" × 25" | Tony Smith Estate | Private | |||||
| Black Box (AP) | 1962 | A.P. | Steel, oiled finish | 22-1/2" × 33" × 25" | Private collection | Private | |||||
| Cross (AP) | 1960-62 | A.P. | Cast bronze, black patina | 32" × 32" × 32" | Private Collection | Private | |||||
| Die (1/3) | 1962 | 1/3 | Steel, oiled finish | 6' × 6' × 6' | Whitney Museum of American Art | New York | NY | Public | |||
| Die (2/3) | 1962 | 2/3 | Steel, oiled finish | 6' × 6' × 6' | National Gallery of Art | Installed indoors[4] | Washington | DC | Public | ||
| Die (3/3) | 1962 | 3/3 | Steel, oiled finish | 6' × 6' × 6' | Private collection | Private | |||||
| Die (AP) | 1962 | A.P. | Steel, oiled finish | 6' × 6' × 6' | The Museum of Modern Art | New York | NY | Public | |||
| Free Ride (1/3) | 1962 | 1/3 | Steel, oiled finish | 6'8" × 6'8" × 6'8" | Private collection | Private | |||||
| Free Ride (2/3) | 1962 | 2/3 | Steel, oiled finish | 6'8" × 6'8" × 6'8" | Saint Louis Art Museum | St. Louis | MO | Public | |||
| Free Ride (3/3) | 1962 | 3/3 | Steel, painted black | 6'8" × 6'8" × 6'8" | The Museum of Modern Art | New York | NY | Public | |||
| Free Ride (AP) | 1962 | A.P. | Steel, painted black | 6'8" × 6'8" × 6'8" | Private collection | Private | |||||
| Gracehoper (1/3) | 1962 | 1/3 | Steel, painted black | 22'8" × 24' × 46' | Detroit Institute of Arts | 42°21′36.21″N 83°3′55.29″W | Detroit | MI | Public | ||
| Gracehoper (2/3) | 1962 | 2/3 | Steel, painted black | 22'8" × 24' × 46' | The Kentucky Center for the Performing Arts | 38°15′36.87″N 85°44′55.03″W | Louisville | KY | Public | ||
| Gracehoper (3/3) | 1962 | 3/3 | Steel, painted black | 22'8" × 24' × 46' | Private Collection | 30°20′57.73″N 97°47′22.82″W | Austin | TX | Private | ||
| Night (1/3) | 1962 | 1/3 | Steel, painted black | 12' × 12' × 16' | Private collection | Private | |||||
| Night (2/3) | 1962 | 2/3 | Steel, painted black | 12' × 12' × 16' | Private collection | Private | |||||
| Night (3/3) | 1962 | 3/3 | Steel, painted black | 12' × 12' × 16' | Gateway Foundation | Citygarden | 38°37′37.53″N 90°11′38.06″W | St. Louis | MO | Public | |
| Night (AP) | 1962 | A.P. | Steel, painted black | 12' × 12' × 16' | Private collection | Private | |||||
| Playground (1/3) | 1962 | 1/3 | Steel, painted black | 5'4" × 10'8" × 5'4" | Memorial Art Gallery | 43°9′25.51″N 77°35′18.09″W | Rochester | NY | Public | ||
| Playground (2/3) | 1962 | 2/3 | Steel, painted black | 5'4" × 10'8" × 5'4" | Private collection | Private | |||||
_Front_small.jpg) | Playground (3/3) | 1962 | 3/3 | Steel, painted black | 5'4" × 10'8" × 5'4" | City of Beverly Hills | Beverly Gardens Park | 34°4′22.87″N 118°24′7.33″W | Hollywood | CA | Public |
| Playground (AP) | 1962 | A.P. | Steel, painted black | 5'4" × 10'8" × 5'4" | Private collection | Private | |||||
| Ringcross | 1962 | A.P. | Wood | 30" × 30" × 30" | Private collection | Private | |||||
| The Snake Is Out (1/3) | 1962 | 1/3 | Steel, painted black | 15'1-1/2" × 23' 2" × 18'10" | Empire State Plaza Art Collection | Governor Nelson A. Rockefeller Empire State Plaza | 42°39′0.66″N 73°45′40.03″W | Albany | NY | Public | |
| The Snake Is Out (2/3) | 1962 | 2/3 | Steel, painted black | 15'1-1/2" × 23' 2" × 18'10" | The Menil Collection | Not on view | Houston | TX | Public | ||
| The Snake Is Out (3/3) | 1962 | 3/3 | Steel, painted black | 15'1-1/2" × 23' 2" × 18'10" | Nasher Sculpture Center | 32°52′16.4″N 96°49′43.94″W | Dallas | TX | Public | ||
| The Snake Is Out (AP) | 1962 | A.P. | Steel, painted black | 15'1-1/2" × 23' 2" × 18'10" | National Gallery of Art | 38°53′27.64″N 77°1′2.53″W | Washington | DC | Public | ||
| Tower of the Winds (1/6) | 1962 | 1/6 | Cast bronze, black patina | 33" x 33" x 33" | Institut Valencia d'Art Modern | Valencia | Spain | Public | |||
| We Lost (1/3) | 1962 | 1/3 | Steel, painted black | 10'8" × 10'8" × 10'8" | University of Pennsylvania | 39°57′9.93″N 75°11′20.8″W | Philadelphia | PA | Public | ||
| We Lost (2/3) | 1962 | 2/3 | Steel, painted black | 10'8" × 10'8" × 10'8" | Matthew Marks Gallery | Private | |||||
| We Lost (3/3) | 1962 | 3/3 | Steel, painted black | 10'8" × 10'8" × 10'8" | Private collection | Private | |||||
| Wingbone | 1962 | Plaster, gauze bandage, newspaper, armature | 2'2" x 2'1" x 9'8" | Solomon R. Guggenheim Museum | New York | NY | Public | ||||
| Willy (1/3) | 1962 | 1/3 | Steel, painted black | 7'7-1/4" × 18'8" × 11'3" | University of Nebraska–Lincoln | Sheldon Museum of Art and Sculpture Garden | 40°49′1.01″N 96°42′19.36″W | Lincoln | NE | Public | |
| Willy (2/3) | 1962 | 2/3 | Steel, painted black | 7'7-1/4" × 18'8" × 11'3" | Dallas Museum of Art | 32°47′11.74″N 96°48′0.07″W | Dallas | TX | Public | ||
| Willy (3/3) | 1962 | 3/3 | Steel, painted black | 7'7-1/4" × 18'8" × 11'3" | Hansol Art Foundation (Hansol) | Seoul | South Korea | Public | |||
| Willy (AP) | 1962 | A.P. | Steel, painted black | 7'7-1/4" × 18'8" × 11'3" | Des Moines Art Center | 41°35′6.13″N 93°38′11″W | Des Moines | IA | Public | ||
| Duck (1/3) | 1962–63 | 1/3 | Steel, painted black | 11'4" × 13'10" × 9'3" | Donald M. Kendall Sculpture Gardens | 41°2′13.81″N 73°41′39.91″W | Purchase | NY | Public | ||
| Duck (2/3) | 1962–63 | 2/3 | Steel, painted black | 11'4" × 13'10" × 9'3" | Private collection | Private | |||||
| Duck (3/3) | 1962–63 | 3/3 | Steel, painted black | 11'4" × 13'10" × 9'3" | Private collection | Private | |||||
| Duck (AP) | 1962–63 | A.P. | Steel, painted black | 11'4" × 13'10" × 9'3" | Private collection | Private | |||||
| Memphis | 1962–63 | 1/6 | Bronze, painted red, blue, ochre | 81.3 x 63.5 x 63.5 cm | Pace Gallery | Private | |||||
| Mistake | 1963 | 6/9 | Cast bronze, black patina | 12" x 12" x 8" | Private Collection | Private | |||||
| The Elevens Are Up (1/3) | 1963 | 1/3 | Steel, painted black | 8' × 8' × 8', (2 units, each 8' × 2' × 8') | The Menil Collection | 29°44′9.12″N 95°23′53.09″W | Houston | TX | Public | ||
| The Elevens Are Up (2/3) | 1963 | 2/3 | Steel, painted black | 8' × 8' × 8', (2 units, each 8' × 2' × 8') | Private collection | Private | |||||
| The Elevens Are Up (3/3) | 1963 | 3/3 | Steel, painted black | 8' × 8' × 8', (2 units, each 8' × 2' × 8') | Private collection | Private | |||||
| The Elevens Are Up (AP) | 1963 | A.P. | Steel, painted black | 8' × 8' × 8', (2 units, each 8' × 2' × 8') | Louisiana Museum of Modern Art | Humlebæk | Denmark | Public | |||
| Moondog (1/3) | 1964 | 1/3 | Aluminum, painted black | 17'1-1/4" × 13'7-1/4" × 15'8-1/2" | Benesse Corporation | Tokyo | Japan | Public | |||
| Moondog (2/3) | 1964 | 2/3 | Aluminum, painted black | 17'1-1/4" × 13'7-1/4" × 15'8-1/2" | Private collection | Private | |||||
| Moondog (3/3) | 1964 | 3/3 | Aluminum, painted black | 17'1-1/4" × 13'7-1/4" × 15'8-1/2" | National Gallery of Art | 38°53′27.31″N 77°1′21.85″W | Washington | DC | Public | ||
| Moondog (AP) | 1964 | A.P. | Aluminum, painted black | 17'1-1/4" × 13'7-1/4" × 15'8-1/2" | The Museum of Modern Art | New York | NY | Public | |||
| Wall (1/3) | 1964 | 1/3 | Steel, painted black | 8' × 2' × 18' | The Menil Collection | 29°44′8.36″N 95°23′52.81″W | Houston | TX | Public | ||
| Wall (2/3) | 1964 | 2/3 | Steel, painted black | 8' × 2' × 18' | Private collection | Private | |||||
| Wall (3/3) | 1964 | 3/3 | Steel, painted black | 8' × 2' × 18' | Tony Smith Estate | Private | |||||
| Wall (AP) | 1964 | 1/3 | Steel, painted black | 8' × 2' × 18' | Private collection | Private | |||||
| Amaryllis (1/3) | 1965 | 1/3 | Cor-Ten Steel, Painted black | 11'6" × 7'6" × 11'6" | Wadsworth Atheneum | Hartford | CT | Public | |||
| Amaryllis (2/3) | 1965 | 2/3 | Cor-Ten Steel, Painted black | 11'6" × 7'6" × 11'6" | Walker Art Center | 44°58′10.88″N 93°17′21.78″W | Minneapolis | MN | Public | ||
| Amaryllis (3/3) | 1965 | 3/3 | Cor-Ten Steel, Painted black | 11'6" × 7'6" × 11'6" | Shizuoka Prefectural Museum of Art | Shizuoka-Shi, Ikeda | Japan | Public | |||
| Amaryllis (AP) | 1965 | A.P. | Cor-Ten Steel, Painted black | 11'6" × 7'6" × 11'6" | The Metropolitan Museum of Art | University of Texas, Austin | 30°17′12.96″N 97°43′54.38″W | New York | NY | Public | |
| Generation (1/3) | 1965 | 1/3 | Aluminum, painted black | 33'11" × 36'11" × 36'11" | Private collection | Private | |||||
| The Keys To Given! (1/3) | 1965 | 1/3 | Steel, painted black | 8' × 8' × 8' | High Museum of Art | Atlanta | GA | Public | |||
| The Keys To Given! (2/3) | 1965 | 2/3 | Steel, painted black | 8' × 8' × 8' | Private collection | Private | |||||
| The Keys To Given! (3/3) | 1965 | 3/3 | Steel, painted black | 8' × 8' × 8' | Private collection | Private | |||||
| The Keys To Given! (AP) | 1965 | A.P. | Steel, painted black | 8' × 8' × 8' | Private collection | Private | |||||
| Fixture | 1966 | Plywood mock-up, site specific | 16' x 32' x 18' | Wadsworth Atheneum, Hartford, CT | Destroyed | ||||||
| New Piece (1/3) | 1966 | 1/3 | Steel, painted black | 6'11" × 12' × 14'2" | The Menil Collection | 29°44′7.6″N 95°23′53.07″W | Houston | TX | Public | ||
| New Piece (2/3) | 1966 | 2/3 | Steel, painted black | 6'11" × 12' × 14'2" | Institute for Advanced Study | 40°19′46.08″N 74°40′4.99″W | Princeton | NJ | Public | ||
| New Piece (3/3) | 1966 | 3/3 | Steel, painted black | 6'11" × 12' × 14'2" | Private collection | Private | |||||
| New Piece (AP) | 1966 | 3/3 | Steel, painted black | 6'11" × 12' × 14'2" | Ton Smith Estate | Private | |||||
| Dial (6+AP) | 1967 | 6+A.P. | Cast bronze, black patina | 15" x 14" x 14" | Tony Smith Estate | Private | |||||
| Maze (2/3) | 1967 | 2/3 | Steel, painted black | 4 units total: 2 units each 6'8" x 10' x 2'6" and 2 units each 6'8" x 5' x 2'6" | Private collection | Private | |||||
| Smoke (1/3) | 1967 | 1/3 | Aluminum, painted black | 24'2" × 47' × 33' | Los Angeles County Museum of Art | Installed in the Ahmanson Building Room | Los Angeles | CA | Public | ||
| Smoke (2/3) | 1967 | 2/3 | Aluminum, painted black | 24'2" × 47' × 33' | Private collection | Private | |||||
| Source (1/3) | 1967 | 1/3 | Steel, painted black | 11' × 29'6" × 34' | Cleveland Museum of Art | Donna and Stewart Kohl Sculpture Garden | 41°30′35.05″N 81°36′39.62″W | Cleveland | OH | Public | |
| Source (2/3) | 1967 | 2/3 | Steel, painted black | 11' × 29'6" × 34' | Tony Smith Estate | Storm King Art Center | New Windsor | NY | Private | ||
| Wandering Rocks (1/5) | 1967 | 1/5 | Stainless steel | Five units, 23" to 45-1/2" high | Kykuit (John D. Rockefeller Estate) | Sleepy Hollow | NY | Public | |||
 | Wandering Rocks (2/5) | 1967 | 2/5 | Steel, painted black | Five units, 23" to 45-1/2" high | Lynden Sculpture Garden | 43°10′36.03″N 87°56′12.99″W | Milwaukee | WI | Public | |
| Wandering Rocks (3/5) | 1967 | 3/5 | Steel, painted black | Five units, 23" to 45-1/2" high | Private collection | Unknown! | Private | ||||
 | Wandering Rocks (4/5) | 1967 | 4/5 | Steel, painted black | Five units, 23" to 45-1/2" high | National Gallery of Art | 38°53′30.42″N 77°1′22.62″W | Washington | DC | Public | |
| Wandering Rocks (5/5) | 1967 | 5/5 | Steel, painted black | Five units, 23" to 45-1/2" high | Kröller-Müller Museum | Otterlo | Netherlands | Public | |||
| Wandering Rocks (AP) | 1967 | A.P. | Steel, painted black | Five units, 23" to 45-1/2" high | Seattle Art Museum | Olympic Sculpture Park | 47°36′56.88″N 122°21′18.8″W | Seattle | WA | Public | |
| Stinger | 1967–68 | 1/3 | Steel, painted black | 6'6" × 33'4-1/2" × 33'4-1/2" | Seattle Art Museum | Olympic Sculpture Park | 47°36′56.08″N 122°21′17.32″W | Seattle | WA | Public | |
| Arch | 1968 | Plywood mock-up, painted | 16' x 22' x 22' (platform 9'H front x 4'H back) | Sonsbeek Park | Arnhem | Netherlands | Destroyed | ||||
| Arm | 1968 | Plywood mock-up, painted black | 4' x 21' x 12' | Hakone Open-Air Museum Exhibition | Hakone | Japan | Destroyed | ||||
| Asteriskos | 1968 | 1/1 | Steel, painted black | 16'8" × 16'8" × 16'8" | McNay Art Museum | 29°29′7.16″N 98°27′23.56″W | San Antonio | TX | Public | ||
| Equinox | 1968 | Steel, oiled finish | 76.8 x 106.7 x 108 cm | Pace Gallery | Private | ||||||
| Moses (1/3) | 1968 | 1/3 | Steel, painted black | 11'6" × 15' × 7'4" | Princeton University | 40°20′51.31″N 74°39′24.86″W | Princeton | NJ | Public | ||
| Moses (2/3) | 1968 | 2/3 | Steel, painted black | 11'6" × 15' × 7'4" | City of Seattle | Seattle Center | 47°37′14.79″N 122°20′55.9″W | Seattle | WA | Public | |
| Moses (3/3) | 1968 | 3/3 | Steel, painted black | 11'6" × 15' × 7'4" | Toledo Museum of Art | 41°39′31.94″N 83°33′33.49″W | Toledo | OH | Public | ||
| Moses (AP) | 1968 | A.P. | Steel, painted black | 11'6" × 15' × 7'4" | Private collection | Private | |||||
| Seed (1/3) | 1968 | 1/3 | Steel, painted black | 48" × 48" × 48" | Private collection | Private | |||||
| Seed (AP) | 1968 | A.P. | Steel, painted black | 48" × 48" × 48" | Private collection | Private | |||||
| Trap (3/9) | 1968 | 3/9 | Cast bronze | 10" × 55" × 55" | Private collection | Birmingham | Alabama | Private | |||
| Trunk | 1968 | Plywood mock-up, painted black | 4' x 29'8" x 12' | Hakone Open-Air Museum Exhibition | Hakone | Japan | Destroyed | ||||
| Batcave | 1969-71 | Full scale cardboard, 2379 tetrahedral units, 1210 octahedral units | 14'11-5/8" X 38'-1/8"X 42'6" | with Container Corporation of America as part of the Art and Technology Program at LACMA | Destroyed | ||||||
| For M.S. (1/6) Mamoru Sato | 1969 | 1/6 | Welded bronze, black patina | 2'9" × 13'6" × 6'8" | Phillips Exeter Academy | Exeter | NH | Public | |||
| For M.S. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'9" × 13'6" × 6'8" | Institut Valencià d'Art Modern | Valencia | Spain | Public | |||
| For D.C. (2/6) Dominique Charlot | 1969 | 2/6 | Welded bronze, black patina | 2'9" x 13'4" x 6'8" | Seoul | Korea | Public | ||||
| For P.C. (2/6) Peter Clarke | 1969 | 2/6 | Steel, painted black | 6'3" × 6'8" × 5'9" | Kunstsammlung Nordrhein-Westfalen | Düsseldorf | Germany | Public | |||
| For P.C. (3/6) | 1969 | 2/6 | Steel, painted black | 6'3" × 6'8" × 5'9" | Cleveland Museum of Art | Not on view | Cleveland | OH | Public | ||
| For V.T. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'4" × 4'8" × 7' | Museum of Fine Arts, Boston | Boston | MA | Public | |||
| For W.A. (1/6) Webster Anderson | 1969 | 1/6 | Welded bronze, black patina | 2 units, each 5' × 5'6" × 2'9" overall: 5' × 11' × 2'9" | Solomon R. Guggenheim Museum | New York | NY | Public | |||
| For J.C. (2/6) Jean Charlot | 1969 | 2/6 | Welded bronze, black patina | 6'8" × 6'8" × 4'9" | The Newark Museum | Newark | NJ | Public | |||
| For D.G. (1/6) David Gregory | 1969 | 1/6 | Welded bronze, black patina | 2'4" × 6'8" × 6'8" | Yale University Art Gallery | New Haven | CT | Public | |||
| For D.G. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'4" × 6'8" × 6'8" | Iris & B. Gerald Cantor Center for Visual Arts | Stanford | CA | Public | |||
| For P.N. (1/6) Prithwish Neogy | 1969 | 1/6 | Welded bronze, black patina | 2'4" × 6'8" × 6'8" | Ho-Am Museum | Seoul | Korea | Public | |||
| For P.N. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'4" × 6'8" × 6'8" | Yale University Art Gallery | New Haven | CT | Public | |||
| For J.W. (1/6) John Wisnosky | 1969 | 1/6 | Welded bronze, black patina | 2'9" × 5' × 3'10" | Frederik Meijer Gardens & Sculpture Park | 42°58′49.7″N 85°35′18.61″W | Grand Rapids | MI | Public | ||
| For J.W. (2/6) | 1969 | 2/6 | Welded bronze, black patina | 2'9" × 5' × 3'10" | Iris & B. Gerald Cantor Center for Visual Arts | Stanford | CA | Public | |||
| Hubris | 1969 | 1/9 | Cast bronze, black patina | 5" x 82-1/4" x 41" | Private Collection | Private | |||||
| Smog (1/3) | 1969–70 | 1/3 | Aluminum, painted black | 6'10" × 78' × 64' | Middlebury College | Middlebury College campus | 44°0′46.42″N 73°10′50.34″W | Middlebury | VT | Public | |
| Smog | 1969–70 | Aluminum, painted black | 6'10" × 78' × 64' | Private collection | 30°19′38.92″N 97°47′34.93″W | Austin | TX | Private | |||
| Bees Do It | 1970 | Wood model | 13-1/2" x 15-1/4" x 11" | Private Collection | Private | ||||||
| Moebius Strip | 1970 | Black Belgian marble | 5-3/4" x 12" | Museum of Modern Art | New York | NY | Public | ||||
| Eighty-One More | 1970-71 | Plywood mock-up, painted red | 4'7" x 41'6" x 41'6" | Museum of Modern Art | New York | NY | Public | ||||
| Light Up | 1971 | 1/1 | Steel, painted yellow | 21' × 29' × 17' or 20'9" × 28'7" × 16'6" | University of Pittsburgh | 40°26′31.15″N 79°57′16.27″W | Pittsburgh | PA | Public | ||
| Yellowbird | 1971 | Cardboard model, painted yellow | 6" x 9" x 3-1/4" | Private Collection | Private | ||||||
 | She Who Must Be Obeyed | 1971–72 | 1/1 | Steel, painted blue | 20'9-3/8" × 33'6" × 16' | General Services Administration | Frances Perkins Building | 38°53′38.35″N 77°0′56.61″W | Washington | DC | Public |
| Fermi | 1973 | Carrara marble | 28" x 42" x 28" | Private Collection | Private | ||||||
 | Smug | 1973 | 1/1 | Aluminum, painted black | 11' × 78' × 64' | Glenstone Museum | 39°3′32.42″N 77°14′57.11″W | Potomac | MD | Public | |
| For Delores | 1973-74 | Carrara marble | 44-1/4" x 44-3/4" x 45-1/4" | Nasher Sculpture Center | Dallas | TX | Public | ||||
| The Fourth Sign | 1974 | 1/1 | Steel, painted black | 15' × 37' × 20' | University of Hawaii | 21°17′59.29″N 157°49′3.13″W | Honolulu | HI | Public | ||
| Ten Elements (1/3) | 1975–79 | 1/3 | Aluminum, painted black | 10 elements, each approx. 4' high | Private collection | Private | |||||
| Ten Elements (2/3) | 1975–79 | 2/3 | Aluminum, painted black | 10 elements, each approx. 4' high | Nasher Sculpture Center | Dallas | TX | Public | |||
| Ten Elements (3/3) | 1975–79 | 3/3 | Aluminum, painted black | 10 elements, each approx. 4' high | Private collection | Private | |||||
| Ten Elements (AP) | 1975–79 | A.P. | Aluminum, painted black | 10 elements, each approx. 4' high | Private collection | Private | |||||
| Lippizzaner | 1976 | 1/1 | Steel, painted white | 101" × 96" × 123" | New Orleans Museum of Art | 29°59′9.98″N 90°5′35.92″W | New Orleans | LA | Public | ||
| One-Two-Three (1/3) | 1976 | 1/3 | Steel, painted black | Three units | Whitney Museum of American Art | New York | NY | Public | |||
| One-Two-Three (2/3) | 1976 | 2/3 | Steel, painted black | Three units | Nasher Sculpture Center | Dallas | TX | Public | |||
| One-Two-Three (3/3) | 1976 | 3/3 | Steel, painted black | Three units | Private collection | Private | |||||
| One-Two-Three | 1976 | 1/1 | Steel, painted black | Three units | Securian Financial Group (Minnesota Mutual Life) | St. Paul | MN | Public | |||
| Throwback (1/3) | 1976–77 | 1/3 | Aluminum, painted black | 6'8" × 16'2-1/4" × 8'9-1/2" | City of New York | 1166 Avenue of the Americas | 40°45′23.65″N 73°58′53.84″W | New York | NY | Public | |
| Throwback (2/3) | 1976–77 | 2/3 | Aluminum, painted black | 6'8" × 16'2-1/4" × 8'9-1/2" | San Francisco Museum of Modern Art | On view in the Rooftop Garden[5] | 37°47′10.72″N 122°24′1.25″W | San Francisco | CA | Public | |
,_Smith.JPG) | Throwback (3/3) | 1976–77 | 3/3 | Aluminum, painted black | 6'8" × 16'2-1/4" × 8'9-1/2" | Hirshhorn Museum and Sculpture Garden | Currently on view in Hirshhorn Plaza | 38°53′17.43″N 77°1′20.75″W | Washington | DC | Public |
| Last | 1979 | 1/1 | Steel, painted orange-red | 35' × 75' | State of Ohio | Frank J. Lausche State Office Building | 41°29′51.73″N 81°41′48.66″W | Cleveland | OH | Public | |
| Untitled (Atlanta) (1/6) | 1980 | 1/6 | Cast bronze, black patina | 48" x 31" x 24" | Tony Smith Estate | Private |
 |
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