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This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Prefecture of Kagoshima.[1]
As of 1 July 2019, one Important Cultural Property has been designated, being of national significance.[2][3][4]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Eight Aspects of the Buddha's Parinirvana, colours on silk 絹本著色八相涅槃図 kenpon chakushoku hassō nehan zu | Kamakura period | Minamisatsuma | Ryūgan-ji (龍巌寺) (kept at Kishinkan, Bōnotsu Center for Historical Material) | the other seven major events in Shaka's life are depicted around the central scene[5][6] | 2.9 metres (9 ft 6 in) by 2.64 metres (8 ft 8 in) | 31°16′09″N 130°13′49″E | ||
As of 14 August 2018, six properties have been designated at a prefectural level.[4][7]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Sixteen Arhats 十六羅漢 十六幅 jūroku Rakan jūroku haba | 1854 | Shibushi | Daiji-ji (大慈寺)) | on paper; sixteen scrolls; by Tokuan (徳庵) | 135 centimetres (4 ft 5 in) by 44.4 centimetres (1 ft 5.5 in) | 31°28′36″N 131°05′55″E | ||
Cedar doors 杉戸 sugi-to | Momoyama period | Minamisatsuma | private (kept at Kishinkan, Bōnotsu Center for Historical Material) | painted on both sides with subjects including Xiwangmu, the baku, a hawk on a rock, the morning sun, and bamboo in the snow; the right side of the face of Xi Wangmu was damaged by a machine gun bullet on 29 July 1945 | 178 centimetres (5 ft 10 in) by 96.5 centimetres (3 ft 2.0 in) | 31°16′09″N 130°13′49″E | ||
Eight Aspects of Shaka 釈迦八相之図 Shaka hassō no zu | Edo period | Kagoshima | Kagoshima Prefecture (kept at Reimeikan, Kagoshima Prefectural Center for Historical Material) | thirteen scrolls on silk, with gold paint; thought to be from early Ming China; restored three times since 1708; dedicated by Shimazu Yoshihisa; recorded as "Paintings of Eight Aspects of Shaka in thirteen scrolls, by a celebrated Chinese master" (「釈迦八相画十三幅, 唐人名筆」) in Sankoku meisho zue (三国名勝図会)[8] | 132.0 centimetres (4 ft 4.0 in) by 65.5 centimetres (2 ft 1.8 in) | 31°35′55″N 130°33′17″E | ||
Mount Fuji and Clouds 富嶽雲烟之図 一幅 Fugaku unen no zu ippuku | 1753 | Kagoshima | Kagoshima City (kept at the Kagoshima City Museum of Art) | ink on paper; by Kimura Tangen (木村探元) (1679-1767)[9] | 237 centimetres (7 ft 9 in) by 128 centimetres (4 ft 2 in) | 31°35′45″N 130°33′12″E | ||
Warrior (by tradition, Shimazu Tadahisa) 武将像(伝島津忠久画像)一幅 bushō zō (den-Shimazu Tadahisa gazō) ippuku | end of the Kamakura period/Nanboku-chō period | Kagoshima | Shoko Shuseikan (尚古集成館) | colour on silk; from Kōzan-ji[10] | 87.4 centimetres (2 ft 10.4 in) by 26.8 centimetres (10.6 in) | 31°37′02″N 130°34′34″E | ||
Unzan, colour on silk 絹本著色雲山和尚像 一幅 kenpon chakushoku Unzan oshō zō ippuku | 1490s | Izumi | Kannō-ji (感応寺) | portrait of Unzan (1274-1344), a priest from Tōfuku-ji who, at the invitation of Shimazu Sadahisa (島津貞久), oversaw the revival of the Shimazu clan family temple of Kannō-ji, where he served as chief priest from 1323-1344, garnering praise also from Ashikaga Takauji, as celebrated in the waka above his portrait, the oldest of a Zen priest in the prefecture[11] | 95.5 centimetres (3 ft 1.6 in) by 45 centimetres (1 ft 6 in) | 32°04′02″N 130°16′00″E | ||
As of 14 August 2018, twenty-nine properties have been designated at a municipal level, including:[4][12]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
The Artist's Studio, by Kuroda Seiki 黒田清輝作「アトリエ」 Kuroda Seiki-saku atorie | 1890 | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | oil on canvas; the atelier of Raphaël Collin, Kuroda Seiki's teacher at the Académie Colarossi in Paris[13] | 72.8 centimetres (28.7 in) by 60.6 centimetres (23.9 in) | 31°35′45″N 130°33′12″E | for all refs see | |
Six Episodes from the Eruption of Sakurajima, by Kuroda Seiki 黒田清輝作「桜島噴火連作6点」 Kuroda Seiki-saku Sakurajima funka rensaku 6-ten | 1914 | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | in Kagoshima from 8 January 1914 due to his father's illness, Kuroda Seiki witnessed a major eruption of Sakurajima and created, in oil on wooden panels, a series of six paintings showing the Plume of smoke (噴煙), Eruption (噴火), Lava (溶岩), Ash fall (降灰), Devastation (荒廃), and Steam (湯気)[14] | 14 centimetres (5.5 in) by 18 centimetres (7.1 in) | 31°35′45″N 130°33′12″E | ||
Bamboo, by Hatta Tomonori 八田知紀筆「竹」 Hatta Tomonori hitsu take | C19 | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | 155.3 centimetres (61.1 in) by 152.5 centimetres (60.0 in) | 31°35′45″N 130°33′12″E | |||
Study of a Nude, by Fujishima Takeji 裸体習作 藤島武二 ratai shūsaku Fujishima Takeji | 1906/7 | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | oil on canvas; from Fujishima Takeji's study days in France[15] | 31°35′45″N 130°33′12″E | |||
Chinese Landscape, by Fujishima Takeji 藤島武二作「中国風景」 Fujishima Takeji-saku Chūgoku fūkei | 1938 | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | oil on canvas; Fujishima Takeji travelled to China in 1937 to serve as judge for the inaugural Manchuria Fine Arts Exhibition (満州美術展) (Manten); the following year his travels took him to Mongolia, Chengde, and Peking[16] | 31°35′45″N 130°33′12″E | |||
Red Matches, by Wada Eisaku 和田英作作「赤い燐寸」 Wada Eisaku-saku akai matchi | 1914 | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | oil on canvas; entered in the eighth Bunten exhibition in 1914; Wada Eisaku's friend Shibusawa Hideo (澁沢秀雄), at the time a student at Tokyo Imperial University, served as model during a trip to Toi on the Izu Peninsula[17] | 31°35′45″N 130°33′12″E | |||
Suzanna, by Arishima Ikuma 有島生馬作「スザンナ」 Arishima Ikuma-saku Suzanna | 1909 | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | 35 centimetres (14 in) by 27 centimetres (11 in) | 31°35′45″N 130°33′12″E | |||
Parisian daughter, by Arishima Ikuma 有島生馬作「巴里娘」 Arishima Ikuma-saku Pari musume | 1964 | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | 31°35′45″N 130°33′12″E | ||||
Court ladies, emakimono, by Momota Ryūei 桃田柳栄筆 「官女図巻」一巻 Momota Ryūei hitsu kannyo zu kan ichi-kan | Edo period | Kagoshima | Kagoshima City (kept at Kagoshima City Museum of Art) | 31°35′45″N 130°33′12″E | ||||
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