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2007 studio album by Richard Hawley From Wikipedia, the free encyclopedia
Lady's Bridge is the fifth studio album from musician Richard Hawley, released on 20 August 2007 in the UK and on 9 October 2007 in the US. The album follows his 2005 Mercury Music Prize-nominated album Coles Corner. It is named after the landmark location of Lady's Bridge in Hawley's hometown of Sheffield, an old bridge over the River Don that historically connected the rich and poor parts of the town.[1][2] Hawley told Uncut magazine that "the title is a metaphor too; it's about leaving the past behind".[1] The cover features a photograph, taken by Martin Parr, of Hawley and his guitar at the Club 60 music venue in Sheffield as a tribute to his father Dave who had died of lung cancer earlier that year: Dave Hawley had been a blues guitarist at the club in his youth, playing alongside Muddy Waters and John Lee Hooker.[3]
| Lady's Bridge | ||||
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| Studio album by | ||||
| Released | 20 August 2007 (UK) 9 October 2007 (US) | |||
| Recorded | Yellow Arch Studios and Axis Studios, Sheffield | |||
| Genre | Alternative pop, chamber pop | |||
| Length | 48:24 | |||
| Label | Mute | |||
| Producer | Richard Hawley, Colin Elliot, Mike Timm | |||
| Richard Hawley chronology | ||||
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| Singles from Lady's Bridge | ||||
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The song "Dark Road" originally appeared as a B-side to Hawley's "Born Under a Bad Sign" single. "Roll River Roll" is used as the theme song for the dark British sitcom Getting On. A special edition of the album with a bonus DVD was also released.
The album was certified gold for sales of 100,000 copies in the UK on 11 June 2010.[4]
Lady's Bridge was very favourably received by most critics. AllMusic said the album was "as moving, tender, and literate as its predecessor, without the least bit of formula or pretension applied... Ultimately, Lady's Bridge is a sad kind of record that doesn't leave one depressed... [it] proves that Cole's Corner (sic) was no one-off, and dare it be said, this surpasses the previous album in diversity, depth, and elegance without ever sounding false".[5] BBC Music said that "Lady's Bridge is an utterly lovely, timeless album that Hawley can be proud of, and deserves to further his cause in becoming a proper national treasure".[3] Drowned in Sound was similarly won over, stating that "as a follow-up to a wonderful record in Coles Corner, then, Hawley's latest set more than holds up. It's arguably his most varied collection yet... Nobody was expecting a bad record, but a few people might be surprised by the exceptional pedigree of Richard Hawley's fifth full-length."[6] The Guardian said "this fifth album of easy south Yorkshire nostalgia - stuck in a lush, late-50s groove of twinkly pianos and Disney strings - should rankle. Magically, it doesn't... This is music to connect the generations: beautiful, moving pop at its best."[7] NME stated that "Lady's Bridge is an album that has moments that won't be bettered this year or any other... At worst, some might accuse it of being clever pastiche. But pastiche is hollow, whereas Hawley's the real deal: his heart is all there.[2] Uncut said that the album "sounds as if it has been decanted from a time when disc jockeys wore dinner jackets, and a gentleman in trouble might soothe his troubled heart with a stroll along the banks of the canal. Not that Hawley needs to change. While he still sings like a kinder, sadder Jarvis Cocker would, perhaps after an encounter with his karaoke uncle, he does it with such sincerity that it seems churlish to resist."[1] MusicOMH considered the album to be "a continuation of the Mercury-nominated Coles Corner - lush orchestration, melancholic, wistful ballads - but with an added edge... its this pleasing variety to the songs that make this Hawley's strongest album to date..." and concluding that "Lady's Bridge is a wonderful album that will only confirm and enhance that burgeoning reputation".[8]
Pitchfork was a dissenting voice, believing that "following Coles Corner, it's... a little harder to be totally taken in by [this album]... It begins to feel less like appropriation than note-perfect recreation... There's been no journey, no emotional progress, and little emotional payoff. For an album and artist so otherwise focused, the effect winds up more soporific than satisfying, however stylish and serene."[9]
"Tonight the Streets Are Ours" was featured in both the opening titles of the film Exit Through The Gift Shop and The Simpsons episode "Exit Through the Kwik-E-Mart". It also appeared in the final episode of the 2024 Netflix series Baby Reindeer.[citation needed]
All tracks written and composed by Richard Hawley.
| Region | Certification | Certified units/sales |
|---|---|---|
| United Kingdom (BPI)[10] | Gold | 100,000^ |
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^ Shipments figures based on certification alone. | ||
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