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Singaporean writer (born 1963) From Wikipedia, the free encyclopedia
Koh Buck Song (Chinese: 许木松; born 1963) is a Singaporean writer, poet, and country brand adviser.[1] He is the author and editor of more than 40 books, including nine books of poetry and haiga art.[2] He works as a writer, editor and consultant in branding, communications strategy and corporate social responsibility in Singapore. He has held several exhibitions [3] as a Singaporean pioneer of haiga art, developed from a 16th-century Japanese art form combining ink sketches with haiku poems.
Koh Buck Song | |
---|---|
Born | 1963 (age 60–61) |
Chinese name | |
Traditional Chinese | 許木松 |
Simplified Chinese | 许木松 |
Hanyu Pinyin | Xǔ Mùsōng |
Teochew Peng'im | Kou2 Bhag8-song5 |
In 2023, his book Brand Singapore: Nation Branding in a World Disrupted by Covid-19 (2021) was longlisted by the Singapore University of Social Sciences for the Alan Chan Spirit of Singapore Book Prize,[4] while his book One United People: Essays from the People Sector on Singapore's Journey of Racial Harmony (2022) was shortlisted for best non-fiction by the Singapore Book Publishers Association.[5]
Koh was with The Straits Times from 1988 to 1999, where he was literary editor, political supervisor and chief Parliament commentator, arts and features supervisor, and assistant editor of Sunday Review, a weekly world affairs section. His regular personal opinion column, Monday with Koh Buck Song, ran for almost a decade.[6]
From 2003 to 2004, he was a contributing columnist on current affairs based in the USA for the Singapore newspaper Today.[7] From 2004 to 2005, he was a regular columnist on leadership for The Straits Times.
Koh has edited several literary anthologies, and was the English section Editor, and then General Editor, of the multilingual literary and arts journal Singa in the 1990s.[8]
In 1992, he was poet-in-residence at the Scottish Poetry Library in Edinburgh under the Singapore-Scotland Cultural Exchange programme.[9] He has also represented Singapore at literary conferences including at Cambridge University (UK) and Manila, and in poetry readings at Harvard University and Massachusetts Institute of Technology in the USA.
As a haiga artist with several exhibitions in Singapore and Laos, his art builds on earlier work exploring the synergy between poetry and painting, especially in collaborations with the abstract artist Thomas Yeo[10] and the watercolourist Ong Kim Seng.[11] He was the National Gallery Singapore's poet-in-residence 2021-22,[12] the Gallery's third after Edwin Thumboo and Madeleine Lee, with poems and haiga artworks from his residency published by the Gallery in the book the world anew.[13]
As a country brand adviser, Koh has spoken extensively on brand Singapore overseas, including as keynote speaker at a City Nation Place global conference in London, UK;[14] at the Royal Institute for Governance and Strategic Studies in Phuentsholing, Bhutan;[15] at a Pacific Economic Cooperation Council seminar in Tahiti;[16] at the Japan Foundation in Tokyo as a cultural leader of Singapore;[17] and the Blavatnik School of Government at Oxford University, UK.[18]
He was on the Marketing Advisory Panel for Singapore's country brand, "Passion Made Possible".[19] In the 2000s, he was head of global media relations and strategic planning at the Singapore Economic Development Board.[20] As a brand consultant, his projects include the global launches of Gardens by the Bay, National Gallery Singapore, and Fusionopolis.[21]
He wrote the first book on Singapore's country brand, Brand Singapore (2011, translated into Chinese and published in China in 2012, with a third edition in 2021).[22][23] Another of his books that has a place branding theme is Around The World In 68 Days: Observations Of Life From A Journey Across 13 Countries (2021).[24][25]
At the Lee Kuan Yew School of Public Policy, he is on the Executive Education teaching faculty for nation branding, having previously been an adjunct associate professor of leadership.[26]
His public service has included being Deputy Chairman of the Censorship Review Committee 2009–10,[27] and also a member of the Censorship Review Committees of 1991–92 and 2002–03, the only person to have served on all three panels.[28]
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