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Japanese writer, editor and translator From Wikipedia, the free encyclopedia
Kafū Nagai (永井 荷風, Nagai Kafū, 3 December 1879 – 30 April 1959) was a Japanese writer, editor and translator.[1] His works like Geisha in Rivalry and A Strange Tale from East of the River are noted for their depictions of life of the demimonde in early 20th-century Tokyo.[2]
Kafū Nagai | |
|---|---|
Kafū Nagai in 1947 | |
| Born | Sōkichi Nagai 3 December 1879 Tokyo, Japan |
| Died | 30 April 1959 (aged 79) Ichikawa, Japan |
| Occupation | Writer, translator, editor |
| Education | Junior High School |
| Literary movement | Naturalism, Aestheticism |
Nagai was born Sōkichi Nagai (永井 壮吉) in Koishikawa, Bunkyō, Tokyo, as the eldest son of government official Kyūichirō Nagai[1][3] and his wife Tsune, the daughter of scholar Washizu Kidō.[4] His father was an elite government official in the Home Ministry, who had studied as an exchange student in the United States[1] and also wrote and published Chinese poetry.[5] Kyūichirō later left his Ministry occupation to work for the Nippon Yusen shipping company.[2] When the second son was born in 1883, Nagai was sent to live with his maternal grandmother until 1886.[5] During his childhood, he visited a Chinese language school, and, under his mother's influence, was taught singing and playing music instruments, showing a fondness for utazawa, a late Edo era style of singing accompanied by the shamisen.[5] Starting in 1890, he was also taught English language.[5]
Due to illness, Nagai spent several months in 1895 in a hospital in Odawara.[6] From 1897 on, he started his regular visits to the Yoshiwara red-light district, accompanied by his friend and writer Seiichi Inoue (1878–1923).[5] The same year, he graduated from Junior High School.[1] With his mother and younger brothers, he visited Shanghai, where his father was working for Nippon Yusen.[6] He returned to Japan in Autumn and enrolled in the Tokyo School of Foreign Languages.[1][3]
In 1898, he published his first short story Sudare no tsuki.[5] He became a disciple of novelist Hirotsu Ryūrō and writer Fukuchi Ōchi, studied rakugo and kabuki play writing, appeared on stage in yose plays, and dropped out of University.[1][5] His writings were influenced by French Naturalism and Émile Zola, whose work he also translated.[5] Between 1903 and 1908, through his father's influence, Nagai visited the United States and later France, a time which he wrote down in his American Stories [jp] (Amerika monogatari) and Furansu monogatari (lit. "French Stories").[5] The 1908 publication of American Stories met with much critical acclaim.[1]
In 1910, Nagai started teaching as a professor of literature at Keio University and became the editor of the literary magazine Mita Bungaku.[1] At this time, he had already turned away from Naturalism and taken a shift towards Aestheticism.[1][3][5] The transition from the Meiji era to the Taishō era was also a turning point in Nagai's life: the death of his father, the divorce from both his first and second wife[1] (the second marriage—to a geisha—led to the alienation of his mother),[2] and the resigning from his position at Keio University and Mita Bungaku.[1] A frequenter of Tokyo's demimonde, Nagai wrote many stories about its inhabitants, geisha, courtesans and their customers, most notably Geisha in Rivalry (1916–17).[2]
After a decade-long hiatus, he published the novellas During the Rains (1931), Flowers in the Shade (1934) and A Strange Tale from East of the River (1937), with the latter having repeatedly been cited as his major work.[2][7] His contempt for the militarist regime, which in turn regarded his work as subversive for the war effort, led to a halt of the publishing of his writings until the end of World War II.[1][2] The publication of his diaries (1917–1959) ranks as the major literary event of his post-war career.[2]
In 1952, Nagai received the Order of Culture, and in 1954, he was elected a member of the Japan Art Academy.[1] He died on 30 April 1959.[1][2]
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