James P. Starlin (born October 9, 1949)[1] is an American comics artist and writer. Beginning his career in the early 1970s, he is best known for space opera stories, for revamping the Marvel Comics characters Captain Marvel and Adam Warlock, and for creating or co-creating the Marvel characters Thanos, Drax the Destroyer, Gamora, Nebula, and Shang-Chi, as well as writing the acclaimed miniseries The Infinity Gauntlet and its many sequels including The Infinity War and The Infinity Crusade, all detailing Thanos' pursuit of the Infinity Gems to court Mistress Death by annihilating half of all life in the cosmos, before coming into conflict with the Avengers, X-Men, Fantastic Four, and the Elders of the Universe, joined by the Silver Surfer, Doctor Strange, Gamora, Nebula, and Drax.

Quick Facts Born, Area(s) ...
Jim Starlin
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Starlin at the 2021 San Diego Comic-Con
BornJames P. Starlin
(1949-10-09) October 9, 1949 (age 75)
Detroit, Michigan, U.S.
Area(s)Writer, Penciller, Artist, Inker, Colourist
Pseudonym(s)Steve Apollo
Notable works
Batman
Captain Marvel
Cosmic Odyssey
Dreadstar
Silver Surfer
The Thanos Quest
The Infinity Gauntlet
Marvel Graphic Novel
Adam Warlock
AwardsFull list
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Later, for DC Comics, he drew many of their iconic characters, including Darkseid and other characters from Jack Kirby's Fourth World, and wrote the seminal storyline A Death in the Family which featured the death of Jason Todd, the second Robin, during his run on Batman. For Epic Illustrated, he created his own character, Dreadstar.

Early life

Jim Starlin was born on October 9, 1949, in Detroit, Michigan.[2] He had a Catholic upbringing.[3] In the 1960s, Starlin served as an aviation photographer in the US Navy in Vietnam.[4][5] During his off duty time, he drew and submitted various comics.[6]

Early career

After leaving the navy, Starlin sold two stories to DC Comics.[6]

After writing and drawing stories for a number of fan publications, Jim Starlin entered the comics industry in 1972, working for Roy Thomas and John Romita at Marvel Comics.[7] Starlin was part of the generation of artists and writers who grew up as fans of Silver Age Marvel Comics. At a Steve Ditko-focused panel at the 2008 Comic-Con International, Starlin said, "Everything I learned about storytelling was [due to] him or Kirby. [Ditko] did the best layouts."[8]

Starlin's first job for Marvel was as a finisher on pages of The Amazing Spider-Man.[9] He then drew three issues of Iron Man which introduced the characters Thanos and Drax the Destroyer.[10] He was then given the chance to draw an issue (#25) of the "cosmic" title Captain Marvel.[11] Starlin took over as plotter the following issue, and began developing an elaborate story arc centered on the villainous Thanos which spread across a number of Marvel titles. Starlin left Captain Marvel one issue after concluding his Thanos saga.

Concurrently in the mid-1970s, Starlin contributed a cache of stories to the independently published science-fiction anthology Star Reach. Here he developed his ideas of God, death, and infinity, free of the restrictions of mainstream comics publishers' self-censorship arm, the Comics Code Authority. Starlin also drew "The Secret of Skull River", inked by frequent collaborator Al Milgrom, for Savage Tales #5 (July 1974).[12]

After working on Captain Marvel, Starlin and writer Steve Englehart co-created the character Shang-Chi, Master of Kung Fu,[13][14] though they only worked on the early issues of the Master of Kung Fu series. Starlin then took over the title Warlock,[15] starring a genetically engineered being created by Stan Lee and Jack Kirby in the 1960s and re-imagined by Roy Thomas and Gil Kane in the 1970s as a Jesus Christ-like figure on an alternate Earth. Envisioning the character as philosophical and existentially tortured, Starlin wrote and drew a complex space opera with theological and psychological themes. Warlock confronted the militaristic Universal Church of Truth, eventually revealed to be created and led by an evil evolution of his future–past self, known as Magus. Starlin ultimately incorporated Thanos into this story. Comics historian Les Daniels noted that "In a brief stint with Marvel, which included work on two characters [Captain Marvel and Adam Warlock] that had previously never quite made their mark, Starlin managed to build a considerable cult following."[16]

In Fall 1978,[17] Starlin, Howard Chaykin, Walt Simonson, and Val Mayerik formed Upstart Associates, a shared studio space on West 29th Street in New York City. The membership of the studio changed over time.[18]

Death and suicide are recurring themes in Starlin's work: Personifications of Death appeared in his Captain Marvel series and in a fill-in story for Ghost Rider; Warlock commits suicide by killing his future self; and suicide is a theme in a story he plotted and drew for The Rampaging Hulk magazine.

Starlin occasionally worked for Marvel's chief competitor DC Comics and drew stories for Legion of Super-Heroes[9] and the "Batman" feature in Detective Comics[19] in the late 1970s.

1980s

Starlin co-created the supervillain Mongul with writer Len Wein in DC Comics Presents #27 (Nov. 1980).[20]

The new decade found Starlin creating an expansive story titled "the Metamorphosis Odyssey", which introduced the character of Vanth Dreadstar in Epic Illustrated #3. From its beginning in Epic Illustrated, the initial story was painted in monochromatic grays, eventually added to with other tones, and finally becoming full color.[21] The storyline was further developed in The Price[22] and Marvel Graphic Novel #3[23][24] and eventually the long-running Dreadstar comic book, published first by Epic Comics,[25][26] and then by First Comics.[27][28]

Starlin was given the opportunity to produce a one-shot story in which to kill off a main character. The Death of Captain Marvel became the first graphic novel published by Marvel itself.[29][Note 1]

Starlin and Bernie Wrightson produced Heroes for Hope, a 1985 one-shot designed to raise money for African famine relief and recovery.[30] Published in the form of a "comic jam," the book featured an all-star lineup of comics creators as well as a few notable authors from outside the comic book industry, such as Stephen King, George R. R. Martin, Harlan Ellison, and Edward Bryant.[9] In 1986, he and Wrightson produced a second benefit comic for famine relief. Heroes Against Hunger, featuring Superman and Batman, was published by DC and like the earlier Marvel benefit project featured many top comics creators.[9][31]

Starlin became the writer of Batman, and one of his first storylines for the title was "Ten Nights of The Beast"[32] in issues #417–420 (March – June 1988) which introduced the KGBeast. Starlin then wrote the four-issue miniseries Batman: The Cult (Aug.–Nov. 1988) drawn by Wrightson,[33] and the storyline "Batman: A Death in the Family" in Batman #426–429 (Dec. 1988 – Jan. 1989),[34] in which Jason Todd, the second of Batman's Robin sidekicks, was killed by the Joker. The controversial storyline was suggested by editor Denny O'Neil and lined up with Starlin's well-known desire to remove the Robin character from Batman's storyline.[35] The death was decided by fans, as DC Comics set up a hotline for readers to vote on as to whether or not Jason Todd should survive a potentially fatal situation. Starlin was fired off the Batman title soon afterward.[36]

Other projects for DC included writing The Weird drawn by Wrightson[9] and Cosmic Odyssey drawn by Mike Mignola.[37] Starlin wrote and drew Gilgamesh II in 1989 before returning to Marvel.[9]

Later career

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Starlin at the East Coast Comicon, April 2018

Back at Marvel, Starlin began scripting a revival of the Silver Surfer series. As had become his Marvel norm, he introduced his creation Thanos into the story arc, which led to The Infinity Gauntlet miniseries and its crossover storyline.[38] Here, Starlin brought back Adam Warlock, whom he had killed years earlier in his concluding Warlock story in The Avengers Annual #7 and Marvel Two-in-One Annual #2 in 1977. The Infinity Gauntlet proved successful and was followed by the sequel miniseries The Infinity War and Infinity Crusade.[39]

For DC he created Hardcore Station in 1998.[9]

In 2003, Starlin wrote and drew the Marvel Comics miniseries Marvel: The End.[9] The series starred Thanos and a multitude of Marvel characters, and subsequently, Starlin was assigned an eponymous Thanos series.[9] Starlin then worked for independent companies, creating Cosmic Guard (later renamed Kid Cosmos) published by Devil's Due and then Dynamite Entertainment in 2006.[9]

Starlin returned to DC and, with artist Shane Davis, wrote the miniseries Mystery in Space vol. 2, featuring Captain Comet and Starlin's earlier creation, the Weird.[40] In 2007–2008, he worked on the DC miniseries Death of the New Gods[41] and Rann-Thanagar Holy War,[9] as well as a Hawkman tie-in which altered the character's origins.[42] He wrote the eight-issue miniseries Strange Adventures in 2009[43] and in 2013, became the writer of Stormwatch, one of the series of The New 52 line, beginning with issue #19.[44]

In 2016, Starlin's drawing hand was injured in an accident, which limited him to writing stories without the opportunity to illustrate them. "It takes me two minutes to write the sentence and will take the artist a day and a half to draw the scene. But there is a certain satisfaction to the drawing part … you get up from the drawing board at the end of the day and there’s this image there that wasn’t there before. That’s very satisfying and I miss that."[45][46]

In early 2020 it was announced that Starlin had rehabilitated his drawing hand and would be publishing a new Dreadstar graphic novel, Dreadstar Returns, backed by a successful Kickstarter campaign. The book was published in June 2021.[47]

Other work

  • Starlin co-wrote four novels with his then-wife Daina Graziunas (whom he married in October 1980):[48] Among Madmen (Roc Books, 1990), Lady El (Roc Books, 1992), Thinning the Predators (1996, Warner Books; paperback edition entitled Predators); and Pawns (1989, serialized in comic book Dreadstar #42–54).
  • Starlin makes a cameo appearance in the film Avengers: Endgame as a member of Steve Rogers's support group.[49]

Awards

  • 1973: Won the "Outstanding New Talent" Shazam Award, tied with Walt Simonson[50]
  • 1974: Nominated for the "Superior Achievement by an Individual" Shazam Award
  • 1975: Won the "Favorite Pro Penciller" Comic Fan Art Award
  • 1975: Received an Inkpot Award[51]
  • 1977: Nominated for the "Favourite Comicbook Artist" Eagle Award
  • 1978:
    • Won the "Favourite Single Story" Eagle Award, for Avengers Annual #7: The Final Threat
    • Won the "Favourite Continued Story" Eagle Award, for Avengers Annual #7 / Marvel Two-in-One Annual #2
    • Nominated for the "Favourite Artist" Eagle Award
    • Nominated for "Best Comic" British Fantasy Award, for Avengers Annual #7: The Final Threat
  • 1979: Nominated for "Best Comic" British Fantasy Award, for Among the Great Divide (The Rampaging Hulk #7), with Steve Gerber and Bob Wiacek
  • 1986:
  • 1992:
    • Won the "Best Script" Haxtur Award, for Silver Surfer #1–5[54]
    • Nominated for the "Best Long Story" Haxtur Award, for Silver Surfer #1–5, with Ron Lim[54]
  • 1993:
    • Nominated for the "Best Script" Haxtur Award, for Deeply Buried Secrets (Silver Surfer #12)[55]
    • Nominated for the "Best Short Story" Haxtur Award, for Deeply Buried Secrets (Silver Surfer #12), with Ron Lim[55]
  • 1995:
    • Nominated for the "Best Short Story" Haxtur Award, for Daredevil/Black Widow: Abattoir, with Joe Chiodo[56]
    • Nominated for the "Best Cover" Haxtur Award, for Breed #6[56]
  • 2005: Received the "Author That We Loved" Haxtur Award
  • 2014: Inkwell Awards Special Ambassador (August 2014 – present)[57]
  • 2017: Eisner Award Hall of Fame[58]

Bibliography

DC Comics

Marvel Comics

Other publishers

  • 'Breed: Book of Genesis #1–6 (miniseries) (writer/artist) (Malibu Comics, 1994)
  • 'Breed: Book of Ecclesiastes #1–6 (miniseries) (writer/artist) (Malibu Comics, 1994–1995)
  • 'Breed: Book of Revelation #1–7 (miniseries) (writer/artist) (Image Comics 2011)
  • Cosmic Guard #1–6 (miniseries) & Kid Kosmos (graphic novel) (writer/artist) (Devil's Due Publishing, 2004–2005, 2007)
  • Creepy #106, 114 (artist) (Warren Publishing, 1979–1980)
  • Dreadstar #27–32 (writer/artist); #33–40 main story, 42–54, "Pawns" back-up story (writer) (First Comics, 1986–1989)
  • Eclipse Magazine #1 (writer/artist) (Eclipse Enterprises, 1981)
  • Eerie #76, 79, 80, 84, 100 (Darklon the Mystic) (writer/artist); #101, 128 (artist) (Warren Publishing, 1976–1982)
  • Fighting American: Dogs of War #1–3 (writer) (Awesome, 1998–1999)
  • Heavy Metal (vol 3) #4 (writer/artist) (HM Communications, 1979)
  • Hellboy: Weird Tales #5 (artist) (Dark Horse, 2003)
  • Michael Chabon Presents The Amazing Adventures Of The Escapist #1 (writer/artist) (Dark Horse, 2004)
  • Midnight Rose (one-shot) (writer) (AfterShock Comics, 2022)
  • Star*Reach #1–2 (writer/artist) (Star*Reach Productions, 1974)
  • Supreme: The Return #2 (artist) (Awesome, 1999)
  • Unity 2000 #1–3 (miniseries, #4–6 were not published) (artist) (Acclaim, 1999–2000)
  • Vampirella #78 (artist) (Warren Publishing, 1979)
  • Wyrd the Reluctant Warrior #1–6 (miniseries) (writer/artist) (Slave Labor Graphics, 1999)

Covers only

Collections

Hardcover

  • DC Comics Classics Library: A Death In The Family, 272 pages, September 2009, DC Comics, ISBN 9781401225162
  • Death of the New Gods, 256 pages, September 2008, DC Comics, ISBN 978-1401218393
  • Dreadstar: The Beginning, 230 pages, May 2010, Dynamite, ISBN 978-1606901199
  • Dreadstar: The Definitive Collection, 376 pages, September 2004, Dynamite, ISBN 978-0974963808
  • Marvel Masterworks: Captain Marvel vol. 3, 288 pages, April 2008, Marvel Comics, ISBN 978-0785130154
  • Marvel Masterworks: Warlock vol. 2, 336 pages, July 2009, Marvel Comics, ISBN 978-0785135111
  • Marvel Premiere Classic vol. 43: The Death of Captain Marvel, 128 pages, January 2010, Marvel Comics, ISBN 978-0785146278
  • Marvel Premiere Classic vol. 46: The Infinity Gauntlet, 256 pages, July 2010, Marvel Comics, ISBN 978-0785145509
  • Marvel Premiere Classic vol. 47: Silver Surfer: Rebirth of Thanos, 224 pages, July 2010, Marvel Comics, ISBN 978-0785144786
  • Infinity Gauntlet Omnibus, 1248 pages, July 2014, Marvel Comics, ISBN 978-0785154686

Softcover

  • Batman: A Death in the Family, 144 pages, March 1988, Re-released in November 2011 with "A Lonely Place of Dying" story added, 272 pages, ISBN 1401232744
  • Batman: Ten Nights of the Beast, 96 pages, October 1994, ISBN 1563891557
  • Batman: The Cult, 208 pages, 1991, ISBN 0930289854
  • Avengers vs. Thanos, 472 pages, March 2013, Marvel Comics, ISBN 978-0785168508
  • Captain Marvel by Jim Starlin: The Complete Collection, December 2016, Marvel Comics
  • Cosmic Guard (Kid Kosmos), 132 pages, April 2008, Dynamite, ISBN 978-1933305028
  • Cosmic Odyssey, 200 pages, September 2009, DC Comics, ISBN 978-1563890512
  • Dreadstar: The Definitive Collection
  • Death of the New Gods, 256 pages, August 2009, DC Comics, ISBN 978-1401222116
  • Essential Doctor Strange volume 3, 616 pages, December 2007, Marvel Comics, ISBN 978-0785127338
  • Essential Marvel Two-In-One
  • Essential Rampaging Hulk volume 1, 584 pages, May 2008, Marvel Comics, ISBN 978-0785126997
  • Infinity Abyss, 176 pages, March 2003, Marvel Comics, ISBN 978-0785109853
  • Infinity War, 400 pages, April 2006, Marvel Comics, ISBN 978-0785121053
  • Infinity Crusade
  • The Life of Captain Marvel, 256 pages, October 1991, Marvel Comics, ISBN 978-0871356352
  • Thanos: Epiphany, 144 pages, August 2004, Marvel Comics, ISBN 978-0785113553
  • Warlock by Jim Starlin: The Complete Collection, 328 pages, February, 2014, Marvel Comics, ISBN 978-0785188476

Portfolios

  • Camelot 4005 (seven black-and-white and one colour plates) (Bob Hakins, 1978)
  • Insanity (six black-and-white prints) (Middle Earth, 1974)
  • Metamorphosis Odyssey (four colour plates) (S.Q. Productions, 1980)

Retrospective

Notes

  1. Stan Lee and Jack Kirby's reunion for a Silver Surfer graphic novel in 1978 was published by Simon & Schuster.

References

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