James Ilgenfritz (born 1978) is an American composer, bassist, and multi-instrumentalist.[1] He is also a jazz sideman.
James Ilgenfritz | |
---|---|
Born | November 16, 1978 |
Origin | Monroe, Michigan, United States |
Genres | |
Occupation(s) | composer, performer |
Instrument | contrabass |
Labels | Infrequent Seams, Telegraph Harp, Indexical |
Website | https://www.jamesilgenfritz.net |
As a composer, he is known for his surreal experimental multimedia chamber operas, including The Ticket That Exploded (2011, in residency at ISSUE Project Room),[2] and I Looked At The Eclipse (2019, in residency at Roulette Intermedium),[3] and frenetic chamber works including In The Summer Every Truth Is Like A Saturday (2019).[4]
As a jazz and experimental music sideman, he has collaborated with Lukas Ligeti and Eyal Maoz (in the trio Hypercolor), Elliott Sharp, Pauline Oliveros, Roscoe Mitchell, Anthony Braxton, John Zorn, Miya Masaoka, JG Thirlwell, Annie Gosfield, SEM Ensemble, Liturgy, and Ghost Ensemble.[1][5][6][7]
Ilgenfritz studied at UCSD with Mark Dresser, Charles Curtis, and Miller Puckette.[1][8]