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Swedish poet and writer From Wikipedia, the free encyclopedia
Bengt Gunnar Ekelöf (15 September 1907 – 16 March 1968) was a Swedish poet and writer. He was a member of the Swedish Academy from 1958 and was awarded an honorary doctorate in philosophy by Uppsala University in 1958. He won a number of prizes for his poetry.
Gunnar Ekelöf was born on 15 September 1907 in Stockholm. He has been called Sweden's first surrealist poet. He made his debut with the collection sent på jorden ("late on earth") in 1932, written during an extended stay in Paris in 1929–1930, which was too unconventional to become widely appreciated and described by its author as capturing a period of suicidal thoughts and apocalyptic moods.[1] It was in a sense an act of literary revolt akin to Edith Södergran's Septemberlyran of a dozen years earlier. While not disavowing his debut, Ekelöf moved towards romanticism and received better reviews for his second poetry collection, Dedikation (1934). Both the volumes are influenced by surrealism and show a violent, at times feverish torrent of images, deliberate breakdown of ordered syntax and traditional poetic language and a defiant spirit bordering on anarchism ("cut your belly cut your belly and don't think of any tomorrow" runs the black humorous refrain of a poem called "fanfare" in sent på jorden; a collection that eschews capital letters). This defiant externalism was grounded in his person. Though he came from an upper-class background, Ekelöf had never felt committed to it – his father had been mentally ill and when his mother remarried, Ekelöf strongly disapproved of his stepfather, and by extension of his mother; he had become a loner and a rebel by his teens and would never feel at ease with the mores of the established upper and middle classes or with their inhibitions and what he perceived as their hypocrisy and back-scratching.[2] Swedish critic Anders Olsson described Ekelöf's turn to poetry as a choice of "the only utterance that doesn't expurge the contradictions and empty spaces of language and of the mind."[3]
Färjesång (1941), showed influence from T.S. Eliot, whose poem East Coker Ekelöf had translated to Swedish. It took influence from oriental poetry and the darkness of the ongoing Second World War.[4] This was followed by the acclaimed works,[5] the prose book Promenader (1941, "Walks"), the disillusioned[4] Non Serviam (1945) (its Latin title meaning "I will not serve") and Om hösten (1951, "In autumn"). This last included the well-known[4] poem "Röster under jorden" ("Underground voices").[4] In Strountes (1955), from Swedish "strunt" ("nonsense"), Ekelöf returned to his attacks on literary conventions, exploring meaninglessness. With his continual wordplay, he demonstrated that meaning can emerge from apparent nonsense.[4]
In April 1958, Ekelöf was elected a member of the Swedish Academy, succeeding author Bertil Malmberg on chair 18 in December the same year.[6] En Mölna-elegi ("A Mölna Elegy", 1960), a lengthy elegy Ekelöf had already begun composing in the 1930s, was a highly personal collection of free associations, moods and memories featuring intertextual references to Emanuel Swedenborg, Carl Michael Bellman, August Strindberg, Edith Södergran, and others. The poems deal with the Proustian theme of memory; the collection has been called Ekelöf's most Joycean work.[4] On its publication, the book received strongly positive reviews by contemporary critics.[7]
Ekelöf's last works, Dīwān över Fursten av Emgión (1965, ``Diwan on the Prince of Emgion``), Sagan om Fatumeh (1966, "The Tale of Fatumeh") and Vägvisare till underjorden (1967, "Guide to the Underworld") was a trilogy with Byzantine theme.[4] The trilogy was inspired by journey to Istanbul and İzmir in 1965 that resulted in an outburst of creativity. In his diary, Ekelöf described the visit as a revelation that would change his life. Dīwān över Fursten av Emgión tells the story of the fictive Prince of Emgión who participated in the Battle of Manzikert, was captured, tortured and blinded, and then jailed in Constantinople for ten years. On his way home, the Prince is accompanied by a mysterious woman, assisting him in his blindness.[8] For this book, Ekelöf was awarded the Nordic Council Literature Prize in 1966.[9]
Ekelöf is remembered as one of the first surrealist poets of Sweden. He died on 16 March 1968 in Sigtuna. According to his will, his ashes were scattered in the river Pactolus (now the river Sart) in Salihli, Turkey.[10] Ovid records the legend that King Midas divested himself of the golden touch by washing himself in that river.[11]
On the 103rd anniversary of his birth, 40 Swedish poetry enthusiasts gathered in Salihli. Together with the deputy mayor, they honored Ekelöf's legacy in the city, which he had come to admire ardently on a visit in 1965, and had portrayed in several poems. A bust of Ekelöf by Gürdal Duyar was to have been placed there, but this was never done, and it now waits in the garden of the Swedish Embassy in Istanbul.[12][13][14]
A collected volume of Ekelöf's poetry, Dikter ("Poems"), was published by Mån Pocket in 1987.
Ekelöf made some substantial re-edits of the text and sequence of poems in later collected editions and anthologies of his work, especially relating to his 1930s books.
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