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The Fugs
American rock band From Wikipedia, the free encyclopedia
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The Fugs are an American rock band formed in New York City in late 1964,[2] by the poets Ed Sanders and Tuli Kupferberg, with Ken Weaver on drums. Soon afterward, they were joined by Peter Stampfel and Steve Weber of the Holy Modal Rounders. Kupferberg named the band from a euphemism for fuck used in Norman Mailer's novel The Naked and the Dead.
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The band was one of the leaders of the underground scene of the 1960s and became an important part of the American counterculture of that decade.[3] The group is known for its comedic, even lewd, nature but also earned fame through its persistent anti–Vietnam War sentiment during the 1960s.[2] A famous song of theirs was "Kill for Peace",[4] on their 1966 album The Fugs.
Some 1969 correspondence, found inside an FBI file on the rock group the Doors, called the Fugs the "most vulgar thing the human mind could possibly conceive".[5] They have been derided for their scatological lyrics.[6] But Tom Robbins wrote of them in 1968, "Incongruously… this trio of hairy gross ginch gropers is the most intellectual, sophisticated and literary ensemble in rock."[7] The Fugs have been labeled avant-rock noise music.[8]
They've been cited as influences by Bob Dylan,[9] Sonic Youth,[10] Syd Barrett of Pink Floyd,[11] the Godz, David Peel,[12] Lou Reed of the Velvet Underground,[13] Frank Zappa,[14] Iggy Pop of the Stooges,[15] Donald Fagen of Steely Dan,[16] Jonathan Richman and King Missile.[17] They've been covered by Melvins, Sun City Girls,[18] Richie Havens and the Edgar Broughton Band.
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Formation
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The band's original core members, Ed Sanders, Tuli Kupferberg, and Ken Weaver, were joined at various times in the 1960s by a number of others, some of whom were noted session musicians or members of other bands. These included Weber and Stampfel,[19] bassist John Anderson, guitarist Vinny Leary, guitarist Peter Kearney, keyboardist Lee Crabtree, guitarist Jon Kalb, guitarist Stefan Grossman, singer and guitarist Jake Jacobs, guitarist Eric Gale, bassist Chuck Rainey, keyboardist Robert Banks, bassist Charles Larkey, guitarist Ken Pine, guitarist Danny Kortchmar, clarinetist Perry Robinson, bassist Bill Wolf, and drummer Bob Mason.[citation needed]
For most of their career, the Fugs were composed of the primary singer-songwriters Sanders and, until his death, Kupferberg; the composer, songwriter, guitarist and long-time Allen Ginsberg collaborator Steven Taylor; singer-songwriter and percussionist Coby Batty; and Scott Petito, a musician and music producer.[citation needed]
The band signed a record contract with ESP-Disk in 1965. The Fugs said that "our royalty rate was less than 3%, one of the lower percentages in the history of western civilization".[2] The owner of the label, Bernard Stollman, has frequently faced accusation of not paying royalties to artists.[20] In February 1967, the group was signed to Atlantic Records and recorded one album, The Fugs Eat It, but it was never released.[21]
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Career
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A satirical rock band with a political slant, the Fugs have performed at various war protests – against the Vietnam War and since the 1980s at events around other U.S. involved wars. The band's often frank and humorous lyrics about sex, drugs, and politics[22] occasionally generated hostile reactions, most notably from the Federal Bureau of Investigation in the late 1960s.
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1960s
The group is referenced several times in the F.B.I. file on the Doors; an excerpt mentions eleven songs from "The Fugs First Album" that are "vulgar and repulsive and are most suggestive", another excerpt labels the group "the filthiest and most vulgar thing the human mind could possibly conceive".[23] The FBI received copies of Virgin Fugs as well as their debut and placed both of them under investigation whilst they considered prosecuting the Fugs for obscenity, the plans were later dropped as they were advised by Stephen B. Kaufman that it wasn't a "good vehicle for prosecution".[24]
In a 2012 interview with National Public Radio, Ed Sanders read a leaflet from an August 1965 show: "The Fugs present: Night of napalm, songs against the war, rock n' roll bomb shrieks, heavy metal orgasms! Watch all The Fugs die in a napalm raid!"[25]
In 1965, the Fugs were briefly considered by Andy Warhol as the band for his multimedia performance art series the Exploding Plastic Inevitable, alongside the Holy Modal Rounders, before Warhol ultimately chose The Velvet Underground.[26] Warhol had attended early Fugs performances and was the subject of their improvised track “Spontaneous Salute to Andy Warhol,” recorded during a rehearsal at the Peace Eye Bookstore. According to Ed Sanders, he was gifted three silkscreened flower images by Warhol, two he ultimately lost, Warhol was also present at the group’s 1965 antiwar benefit Night of Napalm at the Bridge Theatre, staged their infamous “Fugs Spaghetti Death” ritual, during which Sanders recalled hitting Warhol in the face with a handful of pasta.[27]
Their participation in the National Mobilization Committee to End the War in Vietnam's 1967 March on the Pentagon, at which they and others purportedly attempted to encircle and levitate the Pentagon, is chronicled in Norman Mailer's book The Armies of the Night. A recording of this event is featured on the Fugs' 1968 album, Tenderness Junction, entitled "Exorcising the Evil Spirits from the Pentagon Oct. 21, 1967".[28] Beforehand, Sanders and Kupferberg had prepared an elaborate exorcism ritual, and rented a flatbed truck along with a sound system.[2] As is heard on the album, the two gathered a large crowd in front of the Pentagon and repeatedly chanted, "Out, demons, out!"[2][28]
In 1968, they toured Europe twice: in May to Denmark and Sweden, where they wrote the song "The Swedish Nada"[21] and played with Fleetwood Mac, Ten Years After, and the Nice;[29] and in September to Germany, where they played with Peter Brötzmann, Cuby and the Blizzards, Family, Guru Guru Groove, Alexis Korner, David Peel, and Tangerine Dream, at the Internationale Essener Songtage in the Grugahalle in Essen.[29][30]
1970s
In 1971, at a General Conference of the Church of Jesus Christ of Latter-day Saints, a Fugs song was castigated by Ezra Taft Benson – a high-ranking elder who would go on to become its President. In a speech condemning rock music as Satanic, Benson said "the cynic defends his degeneracy by ridiculing his critics with confusing metaphors". He complained that critiquing "The words of the rock recording 'I Couldn't Get High'" caused people to call for the LDS hymn "High on the Mountain Top" to be dropped from songbooks. Benson disputed the retort that "If one sees filthy implications in a popular song, it is because he has a dirty mind", saying "No filth is [merely] implied in many of the lyrics. It is proclaimed."[31]
One of their better-known songs is an adaptation of Matthew Arnold's poem "Dover Beach". Others were settings of William Blake's poems "Ah! Sun-flower" and "How Sweet I Roam'd". Another, "Nothing", is a paraphrasing of the Yiddish folk song "Bulbes".[32]
1980s-1990s
After pursuing individual projects over the years, in 1984 Sanders and Kupferberg re-formed the band and staged a series of Fugs reunion concerts.[33] On August 15, 1988, at the Byrdcliff Barn in Woodstock, New York, the Fugs performed one of their first real reunion concerts. This incarnation of the Fugs included, at various times, the guitarist and singer Steve Taylor (who was also Allen Ginsberg's teaching assistant at the Naropa Institute), the drummer and singer Coby Batty, the bassist Mark Kramer, the guitarist Vinny Leary (who had contributed to the first two original Fugs albums), and the bassist and keyboardist Scott Petito. The re-formed Fugs performed concerts at numerous locations in the United States and Europe over the next several years.
In 1994 the band intended to perform a series of concerts in Woodstock, New York (where Sanders had lived for many years), to commemorate the 1969 Woodstock Festival, which had actually occurred near the town of Bethel, some 50 miles away. They learned that a group of promoters were planning to stage Woodstock '94 that August near Saugerties, about eight miles from Woodstock, and that this festival would be much more tightly controlled and commercialized than the original. Consequently, the Fugs staged their own August 1994 concerts as "The Real Woodstock Festival", in an atmosphere more in keeping with the spirit of the 1969 festival. The basic Fugs roster of Sanders, Kupferberg, Taylor, Batty, and Petito performed in this series of concerts with additional vocal support from Amy Fradon and Leslie Ritter and also with appearances by Allen Ginsberg and Country Joe McDonald. In 2003, the group released The Fugs Final CD (Part 1) with positive feedback. In 2004, the Fugs began to record Be Free: The Fugs Final CD (Part 2).
2000s-2020s
In 2009, Kupferberg suffered two strokes, the latter of which severely hindered his eyesight. He was under constant care, but was able to finish recording his tracks for Be Free in his New York City apartment. A benefit for Kupferberg was held in Brooklyn, New York, in February 2010, featuring all of the Fugs minus Kupferberg, as well as Lou Reed, Sonic Youth, Patti Smith Group guitarist Lenny Kaye, and others. Be Free: The Fugs Final CD (Part 2) was released on February 23, 2010. The album art, designed by Sanders, featured a snail reading Allen Ginsberg's poem "Howl". The album was produced by Taylor and Sanders.
Kupferberg died on July 12, 2010, in Manhattan, at the age of 86.[34] In 2008, in one of his last interviews, he told Mojo magazine, "Nobody who lived through the '50s thought the '60s could've existed. So there's always hope."[35]
The remaining Fugs from time to time seriously consider further performances.[21][33] On June 11, 2011, the four remaining Fugs performed at Queen Elizabeth Hall in London as part of the annual Meltdown Festival, curated that year by Ray Davies of the Kinks. Their set received a four-star review in The Guardian.[36]
They performed at the Beachland Ballroom in Cleveland on November 30, 2012, and at the City Winery in Chicago on December 1, 2012. They performed at the Brooklyn Folk Festival on November 10, 2021.
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Leagacy
The band can be seen performing in the cult film Chappaqua (1967) by Conrad Rooks. Tuli Kupferberg made appearances in W.R.: Mysteries of the Organism (1971) by Dušan Makavejev and played God in Voulez-vous coucher avec God? (1972) by Michael Hirsh and Jack Christie.
Their song "CIA Man" was featured during the closing credits of the 2008 Coen brothers film Burn After Reading, and during the closing credits of the fifth episode of the 2017 docudrama miniseries Wormwood.
Primary lineups
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The Fugs went through a number of lineup changes. Below are those that lasted the longest. For instance, guitarist Stefan Grossman was with the band for only several weeks, so this lineup is not included.
1964 – February 1965
- Kendell Kardt – vocals
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – vocals, conga
- Steve Weber – guitar, vocals
- Peter Stampfel – fiddle, harmonica, vocals
Summer 1965
- Tuli Kupferberg – vocals, percussion
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Steve Weber – guitar, vocals
- Vinny Leary – guitar, vocals
- John Anderson – bass, vocals
September – December 1965
- Tuli Kupferberg – vocals, percussion
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Steve Weber – guitar, vocals
December 1965 – July 1966
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Lee Crabtree – keyboards, percussion
- Vinny Leary – guitar, vocals
- John Anderson – bass, vocals
- Pete Kearney – guitar, vocals
July – October 1966
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Lee Crabtree – keyboards, percussion
- Jon Kalb – lead guitar
- Vinny Leary – rhythm guitar, vocals
- John Anderson – bass, vocals
October 1966 – Spring 1967
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Lee Crabtree – keyboards, percussion
- Jake Jacobs – guitar, vocals
- Chuck Rainey – bass
Summer 1967 – Summer 1968
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Ken Pine – guitar, vocals
- Danny Kortchmar – guitar, violin
- Charles Larkey – bass
Winter 1968 – March 1969
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Ken Pine – guitar, vocals
- Bill Wolf – bass, vocals
- Bob Mason – drums
1984 – 2010
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Steven Taylor – vocals, guitar
- Coby Batty – drums, percussion, vocals
- Scott Petito – bass, keyboards
2010 – present
- Ed Sanders – vocals
- Steven Taylor – vocals, guitar
- Coby Batty – drums, percussion, vocals
- Scott Petito – bass, keyboards
Timeline
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Discography
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Studio albums
* The Fugs First Album is a retitled reissue of the Broadside/Folkways LP.
Live albums
Compilation albums
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References
External links
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