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Fredmans sånger

Collection of poems and songs by Carl Michael Bellman From Wikipedia, the free encyclopedia

Fredmans sånger
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Fredmans sånger (in English, Fredman's Songs or Songs of Fredman) is a collection of 65 poems and songs published in 1791 by the Swedish poet Carl Michael Bellman.[1]

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Start of Fredman's Song No: 21, Så lunka vi så småningom (So we eventually amble). Marche, 2/4 time, 1791. The song mentions Bacchus, death, and "the fairest nymph".

As a follow-up to Fredmans epistlar from the previous year, the book contains songs from a longer period. There are bible travesties ("Gubben Noak", "Gubben Loth och hans gamla Fru", "Joachim uti Babylon"), drinking songs ("Bacchi Proclama", "Til buteljen"), rococo pastorales (Opp Amaryllis!), and lyrical passages ("Fjäriln vingad syns på Haga").

Several of these songs including Gubben Noak and Fjäriln vingad are known by heart by many Swedes.[2]

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Grouping of the songs

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Bellman had public performances known as the Bacchi orden ("Order of Bacchus"). These consisted largely of travesties of the chivalric and society orders of the time, some of which Bellman himself was a member.[3] These orders held strict ceremonials, and members were often expected to live a decent and "christian life". To be knighted in the Order of Bacchus, the candidate had to have been observed publicly lying in a stupor in the gutter, at least twice. Several of the songs from these performances are collected in Songs of Fredman (songs 1–6).[3]

Bellman wrote drinking songs and bible travesties, and also mixed the two genres. The holy men from the Old Testament were portrayed as drunks. The travesties became popular all over the country, being spread (anonymously) by broadsheets and transcripts. Some of Bellman's bible travesties offended the church authorities. As shown in a 1768 letter from the Lund chapter, the church attempted to collect all prints and transcripts in circulation of the most popular song, "Gubben Noak", as well as other songs.[3][4] It and eight other biblical travesties are songs 35–43.[3] There is some thematic grouping among the songs. For instance, songs 18–21 are about death, 35–43 are biblical parodies and 47–54 are part of a song play about "Bacchus's bankruptcy" (Bacchi konkurs).[3]

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Songs

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Ink and watercolor drawing by Elis Chiewitz of Brandy-Distiller Lundholm, described by Carl Michael Bellman in Fredman's Songs, No. 6, with the words "If ever thy wife kissed thy chin in her life, she'd drunk have been."
More information Number, First line ...
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Persons

The songs portray a series of persons, mostly people lapsed into heavy drinking.[5] Named persons are Kolmodin (treasurer), Holmström, Nystedt (pub owner), Meissner (brewer), Steindecker (royal kettledrummer), Lundholm (brewer and distiller), Appelstubbe (customs officer), Österman (workshop owner), Halling (baker), Agrell (customs officer), Kämpendal, Nybom, Planberg, Joseph Israelson (student and poet) and Knapen (musician). In addition to these are the biblical figures such as Adam and Susanna; and the characters from classical mythology Bacchus and Venus, plus a few more.

References

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