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Spanish industrial band From Wikipedia, the free encyclopedia
Esplendor Geométrico is a Spanish industrial band. The band was formed in the early 1980s by Arturo Lanz, Gabriel Riaza, and Juan Carlos Sastre, who had all been members of El Aviador Dro y sus Obreros Especializados. They took the name "Geometric Splendor" from Geometric and Mechanical Splendor and the Numerical Sensibility (Italian: Lo splendore geometrico e meccanico e la sensibilità numerica), a text of the Italian futurist, F.T. Marinetti.
This article needs additional citations for verification. (January 2021) |
Esplendor Geométrico | |
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Background information | |
Origin | Madrid, Spain |
Genres | |
Years active | 1980–present |
Labels | Geometrik |
Spinoffs | Most Significant Beat |
Members |
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Past members |
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Website | www |
In 1981, the band released their first single, "Necrosis en la Poya", on the Tic Tac label, followed by their debut LP, Héroe del Trabajo / El Acero del Partido in 1982. The band was active in the early-eighties international tape scene where they established a rhythmic, experimental electronic sound that foreshadowed the emergence of the powernoise subgenre by over a decade.[1]
In 1985, the band formed their own label, Esplendor Geométrico Discos, and released their second LP, Comisario de la Luz / Blanco de Fuerza.
The band returned with 1997's Polyglophone, the following year, artists such as Coil and Chris and Cosey contributed reworkings of Esplendor Geométrico tracks to the remix album EN-CO-D-Esplendor. In 2002, Compuesto de Hierro was released, while a double CD compilation, Anthology 1981–2003, hit the shops in 2005.
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