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Ernő Lendvai (6 February 1925 – 31 January 1993) was one of the first music theorists to write on the appearance of the golden section and Fibonacci series and how these are implemented in Bartók's music.[1] He also formulated the axis system, acoustic scale and alpha chord.
Ernő Lendvai | |
|---|---|
| Born | 6 February 1925 |
| Died | 31 January 1993 (aged 67) |
| Nationality | Hungarian |
Lendvai was married to the pianist Erzsébet Tusa, and together they moved to Szombathely in 1949 to run a local music school.[2]
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In Hungarian
- Szimmetria a zenében (Kodály Intézet, 1994)
- Verdi and Wagner (Bartók and the 19th century) (Kahn & Averill, 1988)
- Verdi és a 20. század: A Falstaff hangzás-dramaturgiája (Zeneműkiadó, 1984)
- Polimodális kromatika (Kodály Zoltán Zenepedagógiai Intézet, 1980)
- Bartók és Kodály harmóniavilága (Zeneműkiadó, 1975)
- Bartók Dramaturgiája (Zeneműkiadó Vállalat, Budapest, 1964)
In German
- Bartók's Dichterische Welt (Akkord Music Publishers, 2001)
- Lendvai, Ernő (1972), "Einführung in die Formen- und Harmoniewelt Bartóks (1953)", in Szabolcsi, Bence (ed.), Béla Bartók, Weg und Werk, Schriften und Briege (in German), Kassel: Bärenreiter, OCLC 750457462
In English
- Lendvai, Ernő (1971), Béla Bartók: An Analysis of His Music, Introduction by Alan Bush, London: Kahn & Averill, ISBN 9780900707049, OCLC 240301
- Bartók's Style (Akkord Music Publishers, 1999)
- Verdi and Wagner (Bartók and the 19th century) (Kahn & Averill, 1988)
- The workshop of Bartók and Kodály (Editio Musica, 1983)
- Bartók and Kodály (Institute for Culture, 1980)
- Symmetries of Music[3]
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