Fictional character From Wikipedia, the free encyclopedia
Elric of Melniboné[1] is a fictional character created by English writer Michael Moorcock and the protagonist of a series of sword and sorcery stories taking place on an alternative Earth. The proper name and title of the character are Elric VIII, 428th Emperor of Melniboné. Later stories by Moorcock marked Elric as a facet of the Eternal Champion.
| Elric of Melniboné | |
|---|---|
Elric as depicted by Michael Whelan on the 1977 cover of The Weird of the White Wolf | |
| First appearance | The Dreaming City, 1961 story |
| Created by | Michael Moorcock |
| In-universe information | |
| Gender | Male |
| Title | Elric VIII, 428th Emperor of Melniboné |
| Occupation | Emperor, sorcerer, warrior |
| Nationality | Melnibonéan |
Elric first appeared in print in Moorcock's novella "The Dreaming City" (Science Fantasy No. 47, June 1961). Moorcock's doomed albino antihero is one of the better-known characters in fantasy literature, having crossed over into a wide variety of media, such as role-playing games, comics, music, and film. The stories have been continuously in print since the 1970s.[2]
Elric is described in 1972's Elric of Melniboné:
It is the colour of a bleached skull, his flesh; and the long hair which flows below his shoulders is milk-white. From the tapering, beautiful head stare two slanting eyes, crimson and moody, and from the loose sleeves of his yellow gown emerge two slender hands, also the colour of bone.[3]
Elric is the last emperor of the stagnating island civilization of Melniboné. Physically weak, the anemic Elric must use drugs (special herbs) to maintain his health and vitality. From childhood, he read freely in the immense royal library and learned of the world outside the Dreaming Isle. Perhaps due to this in-depth study, unlike other members of his race, Elric has a conscience. He witnesses the decadence of his culture, which once ruled the known world, and worries about the rise of the Young Kingdoms populated by humans (Melnibonéans consider themselves separate from humanity), along with the threat they pose to his empire. Because of Elric's introspective self-loathing and hatred of Melnibonéan traditions, his subjects find him odd and unfathomable. However, his cousin Yyrkoon (next in the line of succession, as Elric has no heirs) interprets this behaviour as weakness and plots Elric's death. Complicating matters is Yyrkoon's sister Cymoril, who is deeply in love with Elric; Yyrkoon covets her, and part of his plan for usurpation is to marry Cymoril himself.
In addition to his skill with herbs, Elric is an accomplished sorcerer and summoner. As emperor of Melniboné, Elric is able to call for aid upon the traditional patron of the Melniboné emperors, Arioch, a Lord of Chaos and Duke of Hell. From the first story, Elric uses ancient pacts and agreements with not only Arioch, but various other beings—some gods, some demons—to help him accomplish his tasks.
Elric's discovery of the sword Stormbringer serves as both his greatest asset and disadvantage. The sword confers upon Elric strength, health, and fighting prowess, allowing him to do away with his dependence on drugs, but it must be fed by the souls of intelligent beings. In the end, the blade takes everyone close to Elric and eventually Elric's own soul as well. Most of Moorcock's stories about Elric feature this relationship with Stormbringer, and how it—despite Elric's best intentions—brings doom to everything he holds dear.
| Melniboné | |
|---|---|
| 'Elric of Melniboné' location | |
 Map of the Young Kingdoms, with Melniboné at centre | |
| Created by | Michael Moorcock |
| Genre | Fantasy, Sword and sorcery |
| In-universe information | |
| Type | Monarchy |
| Ethnic group(s) | Melnibonéans |
| Locations | Imrryr (capital) |
Melniboné (/ˌmɛlˈnɪboʊneɪ/ mel-NIB-o-nay), also known as the Dragon Isle, is an imaginary country, an island among the Young Kingdoms.
Centuries before Elric's birth, Melniboné ruled its world through sorcerous might and sheer power. By the time of Elric's birth, it has slipped from its preeminent place, being one of many nations. The Melnibonéans themselves are not wholly human. They are skilled with magic and beautiful, though psychologically similar to cats, with a callous nature. They are bound by many ancient customs.
Melniboné's capital and only surviving city is Imrryr, known as "The Dreaming City". Most of the rest of the island has been allowed to revert to wilderness. Caverns exist below the island, in which dragons sleep, awaiting the Melnibonéans' summons to war.
Moorcock acknowledges the work of Bertolt Brecht, particularly Threepenny Novel and The Threepenny Opera, as "one of the chief influences" on the initial Elric sequence; he dedicated 1972's Elric of Melniboné to Brecht.[4][5] In the same dedication, he cited Poul Anderson's Three Hearts and Three Lions and Fletcher Pratt's The Well of the Unicorn as similarly influential texts. Moorcock has referred to Elric as a type of the "doomed hero", one of the oldest character-types in literature, akin to such hero-villains as Mervyn Peake's Steerpike in the Titus Groan trilogy, Poul Anderson's Scafloc in The Broken Sword, T. H. White's Lancelot in The Once and Future King, J. R. R. Tolkien's cursed hero Túrin Turambar, and Jane Gaskell's Zerd in The Serpent.[6] John Clute considers Elric to be a deliberate parody of Robert E. Howard's Conan.[7]
The story of Kullervo from Finnish mythology[8] contains elements similar to Elric's story, such as a talking magic sword and fatal alienation of the hero from his family.[9][original research?] Besides Elric, Kullervo has been proposed as having influence on Poul Anderson's 1954 novel The Broken Sword,[citation needed] and J.R.R. Tolkien's Túrin Turambar. Moorcock has stated that "Anderson's a definite influence [on Elric], as stated. But oddly, the Kalevala was read to us at my boarding school when I was about seven", and "from a very early age I was reading Norse legends and any books I could find about Norse stories".[10] Moorcock in the same posting stated that "one thing I'm pretty sure of, I was not in any way directly influenced by Prof. T[olkien]".[11]
Elric's albinism appears influenced by Monsieur Zenith, an albino Sexton Blake villain whom Moorcock appreciated enough to write into later multiverse stories.[12] Moorcock read Zenith stories in his youth and has contributed to their later reprinting, remarking that it "took me forty years to find another copy of Zenith the Albino! In fact it was a friend who found it under lock and key and got a copy of it to Savoy who are, at last, about to reprint it! Why I have spent so much energy making public the evidence of my vast theft from Anthony Skene, I'm not entirely sure... ".[13] Moorcock later said: "As I've said in my introduction to Monsieur Zenith: The Albino, the Anthony Skene's character was a huge influence. For the rest of the character, his ambiguities in particular, I based him on myself at the age I was when I created Elric, which was 20".[14] The influence of Zenith on Elric is often cited in discussions of Zenith.[15]
Elric has appeared in many stories since 1962, which have been republished in several collections.
Two anthologies of works by other authors set in the Moorcock multiverse have been published:
The Elric saga has also been adapted for comics and graphic novels several times:
A video game based on Elric was in development by Haiku Studios and to be published by Psygnosis for the PlayStation during the late 1990s.[27][28][29]
There have also been several references in popular culture to Elric's sword Stormbringer.
Writing for NPR, Jason Sheehan calls Elric "far and away the coolest, grimmest, moodiest, most elegant, degenerate, drug-addicted, cursed, twisted and emotionally weird mass murderer of them all".[30]
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