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French-born American photographer (1928–2023) From Wikipedia, the free encyclopedia
Elliott Erwitt (born Elio Romano Erwitz, July 26, 1928 – November 29, 2023) was a French-born American advertising and documentary photographer known for his black and white candid photos of ironic and absurd situations within everyday settings. He was a member of Magnum Photos from 1953.
Elliott Erwitt was born in Paris, France on July 26, 1928, to Jewish-Russian immigrant parents, Eugenia and Boris Erwitz, who soon moved to Italy.[1][2] In 1939, when he was ten, his family migrated to the United States. He studied photography and filmmaking at Los Angeles City College[3] and the New School for Social Research.[4] In 1951 he was drafted into the Army, and discharged in 1953.[3]
Erwitt served as a photographer's assistant in the 1950s in the United States Army while stationed in France and Germany. After moving to New York in 1948, he met the photographers Edward Steichen, Robert Capa and Roy Stryker.[5][6] Stryker, the former Director of the Farm Security Administration's photography department, hired Erwitt to work on a photography project for the Standard Oil Company.[7] He then began a freelance photographer career and produced work for Collier's, Look, Life and Holiday. Erwitt was invited to become a member of Magnum Photos by the founder Robert Capa in 1953.[8]
Again and again he has also documented socio-political events in his photographs, such as Richard Nixon's visit to the Soviet Union in 1959,[9] the funeral service for John F. Kennedy in 1963[10] or the inauguration of Barack Obama in 2009.[11]
One of the subjects Erwitt has frequently photographed in his career is dogs: they have been the subject of five of his books, Son of Bitch (1974), To the Dogs (1992), Dog Dogs (1998), Woof (2005), and Elliott Erwitt's Dogs (2008).[12]
Erwitt created an alter ego, the beret-wearing and pretentious "André S. Solidor" (which abbreviates to "ass"), " a contemporary artist, from one of the French colonies in the Caribbean, I forget which one" to "satirise the kooky excesses of contemporary photography." His work was published in a book, The Art of André S. Solidor (2009), and exhibited in 2011 at the Paul Smith Gallery in London.[12][13]
Erwitt was awarded the Royal Photographic Society's Centenary Medal in 2002 in recognition of a sustained, significant contribution to the art of photography,[14] a Royal Photographic Society Honorary Fellowship in 1994[15] and the International Center for Photography's Infinity Award, Lifetime Achievement category, in 2011.[16]
From the 1970s, he devoted much of his energy toward movies. His feature films, television commercials, and documentary films included Arthur Penn: the Director (1970), Beauty Knows No Pain (1971), Red, White and Bluegrass (1973) and the prize-winning Glassmakers of Herat, Afghanistan (1977).[17] He was, as well, credited as camera operator for Gimme Shelter (1970), still photographer for Bob Dylan: No Direction Home (2005), and provided additional photography for Get Yer Ya Ya's Out (2009).[18]
A collection of Erwitt's films were screened in 2011 as part of the DocNYC Festival's special event "An Evening with Elliott Erwitt".[19][20]
In October 2020, Erwitt partnered with the digital collectible cards company Phil Ropy and created a card to raise awareness for Project HOPE's COVID-19 response. The picture on the card shows a pair of medical rubber gloves as a reminder of how exposed health care workers are and as an allusion to Project HOPE's logo.[21] The proceeds from the sales of the card are redistributed to the organization.[22][23]
Erwitt was married to the German filmmaker and writer Pia Frankenberg for several years.
Erwitt died at his home in New York on November 29, 2023 while sleeping. He was 95.[24]
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Erwitt's work is held in the following permanent collections:
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