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1963 Spanish film From Wikipedia, the free encyclopedia
The Executioner (Spanish: El Verdugo) is a 1963 Spanish satirical dark comedy film directed by Luis García Berlanga. It was filmed in black and white, and is widely considered a classic of Spanish cinema. The film won several awards, both in Spain and internationally.
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| The Executioner | |
|---|---|
 Poster | |
| Directed by | Luis García Berlanga |
| Screenplay by | Luis García Berlanga Rafael Azcona Ennio Flaiano |
| Story by | Luis García Berlanga Rafael Azcona |
| Produced by | Naga Films Zebra Films |
| Starring | Nino Manfredi Pepe Isbert Emma Penella José Luis López Vázquez |
| Cinematography | Tonino Delli Colli |
| Edited by | Alfonso Santacana |
| Music by | Miquel Asins Arbó |
Release date |
|
Running time | 90 minutes |
| Countries | Spain Italy |
| Language | Spanish |
Amadeo, an executioner in Madrid, meets José Luis, a funeral parlour employee who is going to pick up the prisoner that Amadeo has just executed. José Luis cannot find a girlfriend, since all girls leave him when they find out that he works in a funeral parlour. Amadeo's daughter, Carmen, cannot find a boyfriend, because all the candidates leave when they find out that her father is an executioner. Carmen and José Luis get to know each other and start a relationship that they declare to Amadeo when Carmen becomes pregnant.
Amadeo hopes that the government will give him a flat (given that he is a civil servant), but they refuse it because by the time they give it to him, he will be retired. He and his daughter trick José Luis into accepting the role of executioner to keep the housing, assuring him that he won't have to kill anybody. When an order arrives for an execution in Mallorca, José Luis is horrified and wants to resign, but this would mean losing the flat and returning the salary he has earned. Amadeo and Carmen tell him to wait until the final moment, since the prisoner is ill and will surely die before being executed. In the end, José Luis is dragged to the execution in despair, as if he were the convict instead of the executioner.
The final scene is inspired by the execution of Pilar Prades Expósito, carried out by the executioner Antonio López Sierra. Curiously, years after, José Monero also accepted the role of executioner, convinced that he wouldn't have to act, and wanted to resign when he was required for the execution of Heinz Ches, which he eventually carried out.
The film won the FIPRESCI Prize at the Venice Film Festival in 1963.[1] At that moment, Francoist Spain was under international pressure because of the death sentence for the Communist leader Julián Grimau. The Spanish ambassador to Italy, Sánchez Vega, criticized the film as "communist."
The film took an estimated gross of ₧ 4,107,300 in Spain and there were some 32,907 viewers in cinemas across the country.
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