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Doreen St. Félix (born 1992)[1] is a Haitian-American writer. She is a staff writer for The New Yorker and was formerly editor-at-large for Lenny Letter, a newsletter from Lena Dunham and Jenni Konner.
St. Félix attended Brown University, where she edited the weekly newspaper, The College Hill Independent.[2] She graduated in 2014.[3]
St. Félix has written for The New York Times Magazine[4] and Pitchfork,[5] as well as serving as an editor for Lena Dunham and Jenni Konner's newsletter, Lenny Letter.[6] St. Félix now writes for The New Yorker.[7]
Critical reception and honors
St. Félix won a National Magazine Award in Columns and Commentary in 2019. She was a finalist in the same category in 2017 for her writing at MTV News.[8] In 2016, Forbes Magazine named St. Félix to its 30 Under 30 list,[9] citing her work on the Lenny Letter launch, with the newsletter reaching 400,000 subscribers in under six months.[10] i-D called her "a guiding voice in the worlds of writing, art and activism."[11] Brooklyn Magazine named St. Félix to its 2016 list of the "100 Most Influential People in Brooklyn Culture", calling her Pitchfork essay on Rihanna "definitive".[12] The Huffington Post named the same essay to its list of "The Most Important Writing From People Of Color In 2015",[13] NPR called it "excellent"[14] and Paper Magazine described it as "the best damn thing ever written re. Rihanna."[15]
Other projects
St. Félix co-hosted a podcast at MTV News with Ira Madison III called Speed Dial with Ira and Doreen, focused on music, pop culture, sex and race.[16]
St. Félix lives in Brooklyn, New York.[12]
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Essays and reporting
- "Ratology". The Talk of the Town. Dept. of Experts. The New Yorker. 91 (37): 36, 38. November 23, 2015.
- "Hot messes : 'The Flight Attendant,' on HBO Max, and 'Bridgerton,' on Netflix". The Critics. On Television. The New Yorker. 96 (43): 84–85. January 4–11, 2021.[lower-alpha 1]
- "Children's hour : 'Waffles + Mochi' and 'City of Ghosts,' on Netflix". The Critics. On Television. The New Yorker. 97 (7): 68–69. April 5, 2021.[lower-alpha 2]
- "Fallout : 'NYC Epicenters 9/11 → 2021 1/2'". The Critics. On Television. The New Yorker. 97 (28): 78–79. September 13, 2021.[lower-alpha 3]
- "Terra nova : 'Reservation Dogs,' on FX on Hulu; 'Only Murders in the Building,' on Hulu". The Critics. On Television. The New Yorker. 97 (30): 88–89. September 27, 2021.[lower-alpha 4]
Columns from newyorker.com
- "Amnesty in Brooklyn". The New Yorker. July 27, 2015.
- "Trump's fixation on Haiti, and the abiding fear of black self-determination". The New Yorker. January 12, 2018.
- "The magical thinking of 'the Goop Lab'". The New Yorker. February 3, 2020.
- "The embarrassment of Democrats wearing kente-cloth stoles". On and Off the Avenue. The New Yorker. June 9, 2020.
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- Bibliography notes
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