Directors Guild of America

Film and television trade union From Wikipedia, the free encyclopedia

Directors Guild of Americamap

The Directors Guild of America (DGA) is an entertainment guild that represents the interests of film and television directors in the United States motion picture industry and abroad. Founded as the Screen Directors Guild in 1936, the group merged with the Radio and Television Directors Guild in 1960 to become the modern Directors Guild of America.[3]

Quick Facts Predecessor, Founded ...
Directors Guild of America
PredecessorRadio and Television Directors Guild
Founded1936; 89 years ago (1936)
Headquarters7920 Sunset Boulevard
Los Angeles, California
Location
  • United States
Members18,000
President
Lesli Linka Glatter
National Vice President
Mary Ray Thewlis
Key people
Paris Barclay, secretary-treasurer
Websitewww.dga.org
Formerly called
Screen Directors Guild (1936–1960)
[1][2]
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DGA Awards

The DGA hosts the annual DGA Awards, an important precursor to the Academy Awards.[4] In its 69-year history, the DGA Award for Outstanding Directorial Achievement in Feature Film has been a near perfect barometer for both the Best Director, and in some cases, the Best Picture Academy Award. Only seven times has the DGA Award winner not won the corresponding Best Director Academy Award.[5] Honorees are awarded with a statue manufactured by Society Awards.

Credits

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Perspective

The rule that a film can only have one single director was adopted to preserve the continuity of a director's vision and to avoid producers and actors lobbying for a director's credit, or studios hiring multiple directors for a single film or television episode.

The rule is waived only for directorial teams recognized by the DGA who have a history of working together and sharing a common vision. Examples include The Wachowskis, Jonathan Dayton and Valerie Faris, Hughes brothers, Russo brothers, Phil Lord and Christopher Miller and the Coen brothers.[6] The Coens for years divided credit, with Ethan taking producing credit, Joel taking directing credit, and both of them sharing the writing credit (even though the two of them shared all three duties between themselves) until The Ladykillers in 2004.

An example of the DGA refusing to recognize a directorial team was Robert Rodriguez and Frank Miller for Sin City; they were rejected because they had never worked together before; Rodriguez quit the DGA so that Miller would share director's credit.[6]

For the film Bohemian Rhapsody, director Bryan Singer was fired due to frequent absences and clashing on the set, with Dexter Fletcher replacing him with two weeks left of filming. Singer still received director credit and Fletcher received executive producer credit.

In the past, the DGA has also engaged in disputes with the Writers Guild of America (WGA) over possessory credits, first used in the 1915 film The Birth of a Nation. The WGA tried to limit possessory credits to writers, but has always been successfully opposed by the DGA, leaving directors free to try to negotiate such credits if they wish.[7]

Non-member directors

Not all Hollywood directors are DGA members. Notable exceptions include George Lucas and Robert Rodriguez.[6] Quentin Tarantino directed six feature films before becoming a DGA member, in 2012.[8] Those who are not members of the guild are unable to direct for the larger movie studios, which are signatories to the guild's agreements that all directors must be guild members.[6]

Leadership

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Directors Guild of America building on Sunset Boulevard.
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DGA building, Midtown Manhattan

The following are the past Presidents of the Screen Directors Guild and the DGA:[citation needed]

DGA Director's Finder Series

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Perspective

The Director's Finder Series (or Director's Finder Screening Series), inaugurated in December 1998, provides for the screening of independent films with no U.S. distributor, and no previous TV or other distribution. Selected by a lottery, the films are screened in DGA theatres in Los Angeles and New York City to an audience of DGA members and invited potential distributors. Many films have been picked up by distributors via the series that may not otherwise have been spotted.[12] The series was initiated by the DGA's Independent Directors' Committee, chaired by Steven Soderbergh, initially for U.S. films only, but later expanded to include Australian, Irish, British and New Zealand directors, via the International Association of English-Speaking Directors Organisation (IAESDO). By 2007, the series had screened more than 75 films.[13] The DGA has collaborated with organisations such as the Screen Directors Guild of Ireland (SDGI)[14] and the Australian Directors' Guild (ADG), which nominate one film to participate.[13]

Australian entries, selected for the Finders Series Award by the ADG from a shortlist of four,[13] include Boxing Day (2007), directed by Kriv Stenders; and after a five-year lapse,[15] Tony Krawitz's documentary The Tall Man (2012),[16] and in 2014 Catriona McKenzie's Satellite Boy was selected for the series.[17]

Irish entries include Terry McMahon's Patrick's Day (2014)[18] and Ross Whitaker's Katie (2018).[19]

See also

References

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