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Sundanese language is a member of the Malayo-Polynesian language family which is part of the Austronesian language family, thus, Sundanese is one of the derivatives of Proto-Malayo-Polynesian reconstruction whose ancestor is Proto-Austronesian.[1][2] The earliest evidence of the use of Sundanese in written form can be traced from the a collection of inscriptions found in the Kawali region, Ciamis which is thought to have been made in 14th century. Meanwhile, Sundanese in spoken form is believed by some to have been used long before the inscriptions were made.[3]
In its history, Sundanese language has undergone several periodization or developments. The development of linguistics is in line with the development of Sundanese culture which has cultural contact with other cultures. Experts usually divide the periodization of the Sundanese language into two main stages, namely Old Sundanese and Modern Sundanese whose linguistic characteristics can be clearly distinguished.[4] Meanwhile, according Hendayana (2020:217–218), The development of the Sundanese language can be divided into three periods, namely:[5]
Old Sundanese is the name given to the temporal dialect forms of Sundanese found in inscriptions and manuscripts made before 17th century. This language is generally believed to be the predecessor of the Sundanese language used in present day. Based on the level of syntax, morphology, and lexicon, Old Sundanese more or less shows a striking difference with Modern Sundanese. This language is commonly used in the Kingdom of Sunda in the pre-Islamic period which was written on manuscripts from various media, such as lontar leaf, corypha, and daluang. This language is used in various fields, such as religion, art, and government, and in daily communication.[6]
Old Sundanese is mostly written using Old Sundanese script and Buda script, In addition, several Old Sundanese manuscripts are also written using Kawi script.[6] Examples of manuscripts that use the Old Sundanese language include:
Excerpts from the manuscript Bujangga Manik, written around the 14th century to the 15th century.
Note: The transliterated and translated texts presented below are taken with some necessary changes from the book Tiga Pesona Sunda Kuna (2006) which is a translation of the book Three Old Sundanese Poems by J. Noorduyn & A. Teeuw.[7]
Saur sang mahapandita: 'Kumaha girita ini? Mana sinarieun teuing teka ceudeum ceukreum teuing? Mo ha(n)teu nu kabé(ng)kéngan.' Saur sang mahapandita: 'Di mana éta geusanna? Eu(n)deur nu ceurik sadalem, séok nu ceurik sajero, midangdam sakadatuan.' Mo lain di Pakanycilan, tohaan eukeur nu ma(ng)kat, P(e)rebu Jaya Pakuan. Saurna karah sakini: 'A(m)buing tatanghi ti(ng)gal, tarik-tarik dibuhaya, pawekas pajeueung beungeut, kita a(m)bu deung awaking, héngan sapoé ayeuna. Aing dék leu(m)pang ka wétan.' Saa(ng)geus nyaur sakitu, i(n)dit birit su(n)dah diri, lugay sila su(n)dah leu(m)pang. Sadiri ti salu panti, saturun ti tungtung surung, Ulang panapak ka lemah, kalangkang ngabiantara, reujeung deung dayeuhanana, Mukakeun panto kowari.
The mahapandita said: 'Why is this shocking? Not as usual until the cloud is gloomy? Maybe they are confused.' A mahapandita asked: Where did it happen? A weeping roar fills the palace, many are crying inside, all the contents of the kingdom are lamenting. Maybe in Pakancilan, for the departure of the Prince, Prabu Jaya Pakuan.' He said thus: Mother, look clearly, deeply, for the last one face to face, you, mother, with me, only one day left, Ananda is going to the East.' After saying that, crouched down and stood up, walked and left. On his way from the assembly hall, descended from the end of the pulpit, then stepped his feet to the ground, his shadow cast into the sky, together with himself, then opened the gate.
Classical Sundanese is a transitional language that bridges Old Sundanese with Modern Sundanese. This language is a further development of the Old Sundanese language after the collapse of Sunda Kingdom in 1579. The collapse of the Sunda Kingdom coincided with the strengthening of the influence of Islam which penetrated into the territory of the Sundanese. Classical Sundanese vocabulary was strongly influenced by Arabic, then Malay, and the emergence of language level which was adopted from the monarchical culture of an Islamic style. This language was used in the 17th century until the mid-19th century, especially in the fields of religion and government.[8]
The classical Sundanese writing system initially used Old Sundanese script with a form model commonly found in manuscripts, but over time, the writing system of Classical Sundanese began to adopt foreign scripts such as Pegon from Arabic alphabet, Cacarakan from Hanacaraka, and Latin alphabet adapted to Sundanese phonology.[8] Manuscripts written in Cacarakan are in the form of poetry of the type guguritan and wawacan, i.e. poetry composed in the form of dangding or song, has rules gurulagu, guruwilangan, and gurugatra in every pada 'bait' and padalisan 'baris'. Meanwhile, manuscripts in the Pegon alphabet are heavily influenced by Arabic and Malay and are written in the form of verse or pupujian poetry.[10]
One example of Classical Sundanese script is the script Carita Waruga Guru which was written in the 18th century using Old Sundanese script. In addition to these manuscripts, several examples of manuscripts that use Classical Sundanese include:
Excerpt from the manuscript Carita Waruga Guru which is thought to have been written in the 1750s.[14]
Note: The full transliteration text can be found in Wikisource on file Poesaka Soenda 1923-03-1(09).pdf pages 130-136, the translation is adapted from the Dutch translation in file Tijdschrift voor Indische Taal- Land- en Volkenkunde, LV.pdf halaman 380-382.
Ini carita Waruga Guru, éta nu nyakrawati. Nu poék angen tulus, da kujaba di nu bodo, nu tarrabuka priyayi sakarep kasorang tineung meunang guru. Ratu Pusaka di jagat paramodita, éta, kanyahokeun ratu galuh, keurna bijil ti alam gaib; nya Nabi Adam ti heula. Ratu Galuh dienggonkeun sasaka alam dunya. Basana turun ti langit masuhur, turun ka langit jambalulah, turun ka langit mutiyara, turun ka langit purasani, turun ka langit inten, turun ka langit kancana, turun ka langit putih, turun ka langit ireng, turun ka langit dunya. Ja kalangan, tata lawas turun ka Gunung Jabalkap. Upami: ratu Galuh dienggonkeun sasaka alam dunya, nabi Adam ti heula, pinareking gunung Mesir. Adam diseuweu opat puluh, dwa nu sakembaran, munijah luluhur haji dewi; cikal, da hiji dingarankeun nabi Isis, luluhur manusa.
This is the story of Waruga Guru, who rules the world. He whose mind is dark will remain so, for ignorance is absolutely without exception, Enlightened youths, seeing what they want fulfilled, get it from the teacher. The prince in the image of fear, let it be known, Ratu Galuh, since he emerged from the unseen realm, indeed Prophet Adam preceded (him). Queen Galuh is made an earthly heirloom. Then he descended from the famous sky, descended into the sky "Jambalullah" (God's glory), down to the pearly sky, down to the steel sky, down to the diamond sky, down to the golden sky, down to the white sky, down to the black sky, down to the sky of the world (human world). Because something was in the way, he then descended in time to Mount Jabalkap. The parable: Queen Galuh is made a world heritage, Prophet Adam preceded (him) near Mount Egypt. Adam had forty children, twins of both sexes, (permitted) to become the ancestor of princes and queens: the eldest, king, called the prophet Isis: he was the ancestor of man.
Modern Sundanese is a form of Sundanese language that developed during the Dutch colonialism in Indonesia, This language was developed and codified marked by the publication of dictionaries discussing the Sundanese language. The long journey of the development of the Modern Sundanese language can be described through the events below:
Since then, the Sundanese language has continued to develop, Sundanese literature has begun to be developed and Sundanese has become the language of instruction in schools basic and advanced levels, this is supported by the publication of books or other reading materials in Sundanese which was pioneered by Raden Muhammad Musa, a great ruler of Limbangan, Garut who was also encouraged by Karel Frederik Holle, a Dutch national who pays great attention to language and Sundanese culture. Land's Drukkerij and Volk-slectuur (1908) which changed its name to Balai Poestaka in 1917 played an important role in the publication of these Sundanese books.[20] Then, there emerged authors who wrote their works in Sundanese, such as Adiwijaya, Kartawinata, Burhan Kartadireja, M. Kartadimaja, R. Rangga Danukusumah, R. Suriadiraja, R. Ayu Lasminingrat, D.K. Ardiwinata, and until now there are still many generations of successors emerging.[21]
The Modern Sundanese writing system uses the Latin alphabet with several different spellings, In addition, in limited use, Modern Sundanese can also be written using Pegon and Cacarakan. This situation continued until 1997, a workshop was held at Padjadjaran University to define standard Sundanese script whose form model is based on ancient Sundanese script with some simplifications, This script was later designated as one of the modern (contemporary) Sundanese writing systems taught in schools.[22][23]
Literary works in Modern Sundanese have many titles, some of which are literary works in the form of poetry (Sundanese: Sajak) collected by Ajip Rosidi in his book entitled Puisi Sunda Modern dalam Dua Bahasa (2001).[24]
Poetry by Surachman R.M. (birth on 1936) entitled Basa Ngurebkeun which was later translated by Ajip Rosidi into Di Kuburan.[25]
Basa milu ngurebkeun, harita
patepung reujeung manéhna
Teu sangka
Paromanna geus lalayu sekar
lir potrét panineungan
boléas kawas warna kabayana
"Ceuceu mah geus incuan. Kuma
Ayi sabaraha batina?"
Dijawab ku imut, semu katahan
Sab mangsa 20 taunan téh kapan
keur usum urang mah lain lumayan
Basa ngurebkeun geus lekasan
pok deui manéhna lalaunan
"Kulan?" cék kuring panasaran
"Muhun moal kasorang deui
Mangsa rumaja mah, Yi
moal kasorang deui..."
Time to attend the cemetery
meet him
I didn't expect it
His face is like a withered flower
like a portrait of memories
the color of the kebaya
"I already have grandchildren. And you
How many children do you have?"
I answered with a smile, as if restrained
Because 20 years
not good for us
Burial time over
slowly he said again
"What?" I asked curious
"Yes, it won't happen again
beautiful teenage years
will never happen again..."
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