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Casanova & Co. is a 1977 fictional period comedy film starring Tony Curtis. It had many titles during its international release. These are Casanova & Company (Italy), Casanova – sänkykamarivaras (Finland), Enas trellos, poly trellos Kazanovas (Greece), Hilfe, ich bin eine männliche Jungfrau (West Germany), Sex on the Run (United States) (reissue title), Some Like It Cool (US), The Amorous Mis-Adventures of Casanova (United States) (video title), The Rise and Rise of Casanova (United Kingdom), and Treize femmes pour Casanova (France)).[1]
| Casanova & Company | |
|---|---|
 | |
| Directed by | Franz Antel as Francois Legrand |
| Written by | Tom Priman Joshua Sinclair |
| Produced by | Franz Antel Carl Szokoll |
| Starring | Tony Curtis Jean Lefebvre Marisa Berenson Britt Ekland |
| Cinematography | Hanns Matula |
| Edited by | Michel Lewin |
| Music by | Riz Ortolani |
| Distributed by | PRO International Pictures (US 1979) Prima Film (Canada 1979) Monterey Home Video (US VHS 1996 |
Release date |
|
Running time | 104 minutes (Germany) 100 minutes (U.S.) |
| Countries | Austria Italy France |
| Languages | German English (dubbed) |
The action revolves around the adventures of Giacomo Casanova with various women, and takes place during the state visit to the Republic of Venice of the Middle-Eastern entourage of a mythical Caliph of Shiraz, anomalously dominated by his sexually hungry wife, styled Calipha.[2]
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While hiding from the royal authorities, Giacomo Casanova (Tony Curtis), the famous romancer, encounters his look-alike: Giacomino, a fugitive petty con man. Meanwhile, the Caliph and his wife arrive in Venice for a state visit, and she insists on a night with the legendary lover. Through a series of erotic encounters and mistaken-identity comedies, Giacomo and Giacomino make their way back to Venice for their appointment with the Caliph's wife.[2][3]
The initial English-language export version was prepared under the title Casanova & Company and ran 100 minutes. When released in U.S. theatres by PRO International under the titles Some Like it Cool and Sex on the Run, some trimming was performed, a brief prologue depicting the present-day Las Vegas strip of casinos with a narrator comparing the impending story's events to high-stakes gambling was added, and the credits altered to feature just the retitling and the prime star names at the beginning, with the remainder of the previous title sequence placed at the end, sandwiched between closing credit frames. This version was subsequently released on VHS by Vestron Video (under their short-lived "Wanderlust Video" sub-label), and reissued in the 90s by Monterey. When the film was reissued on DVD in 2004 as The Amorous Mis-Adventures of Casanova, the Las Vegas intro was removed, a new videoburned title was placed at the front (with a new copyright line at the bottom of the frame), and the exit music was omitted, shortening the running time further.[citation needed]
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- Tony Curtis as Giacomino/Casanova[3][4]
- Jean Lefebvre as The Sergeant[3][4]
- Marisa Berenson as The Caliph's Wife[3][4]
- Britt Ekland as Countess Trivulzi[3][4]
- Sylva Koscina as The Prefect's Wife[3][4]
- Hugh Griffith as The Caliph[3][4]
- Umberto Orsini as Count Tiretta[3][4]
- Marisa Mell as Duchess of Cornaro[3][4]
- Andréa Ferréol as The Baker's Wife[3][4]
- Victor Spinetti as The Prefect[3][4]
- Jenny Arasse as Cecilia[3][4]
- Jacques Herlin as Senator Dell'Acqua[3][4]
- Jeannie Bell as Fatme[3][4]
- Lillian Müller as Beata[3][4]
- Olivia Pascal as Angela[3][4]
- Katia Christine as Sardella[3][4]
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 | This section possibly contains original research. (February 2019) |
 | This section is written like a review. (April 2020) |
- In a way, the United States title of Some Like It Cool was a piquant comment on the career of star Tony Curtis, whose stardom had chilled since his 1959 appearance in Some Like It Hot. This time around, Curtis plays famed 18th-century lover Giacomo Casanova. The plot would have us believe that Casanova has suddenly turned impotent, and is deploying all manner of subterfuge to hide the fact. One of Casanova's stratagems is to hire a look-alike (also Curtis) to uphold his reputation between the sheets. The stellar supporting cast — Marisa Berenson, Hugh Griffith, Britt Ekland et al. — seem far more embarrassed by their tawdry, topless surroundings than Curtis, who steamrolls his way through the film with the same dogged determination that he'd demonstrated in his "Yonda lies the castle of my fadduh" formative years.[2][3]
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DVD release 5 October 2004
- Casanova's Big Night (1954)
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