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Short story by Washington Irving From Wikipedia, the free encyclopedia
"The Legend of Sleepy Hollow" is an 1820 short story by American author Washington Irving contained in his collection of 34 essays and short stories titled The Sketch Book of Geoffrey Crayon, Gent. Irving wrote the story while living in Birmingham, England.
"The Legend of Sleepy Hollow" | |||
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Short story by Washington Irving | |||
Text available at Wikisource | |||
Country | United States | ||
Language | English | ||
Genre(s) | Children's Book Gothic horror | ||
Publication | |||
Published in | The Sketch Book of Geoffrey Crayon, Gent. | ||
Media type | Hardback, paperback and online | ||
Publication date | 1820 | ||
Chronology | |||
Series | The Sketch Book | ||
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Along with Irving's companion piece "Rip Van Winkle", "The Legend of Sleepy Hollow" is among the earliest examples of American fiction with enduring popularity, especially during Halloween because of a character known as the Headless Horseman believed to be a Hessian soldier who was decapitated by a cannonball in battle.[1]
It has been adapted for the screen several times, including a 1922 silent film and in 1949, a Walt Disney animation as one of two segments in the package film The Adventures of Ichabod and Mr. Toad.
The story is set in 1790 in the countryside near the former Dutch settlement of Tarry Town, in a secluded glen known as Sleepy Hollow. It relates the tale of Ichabod Crane, a lean, lanky, superstitious schoolmaster from Connecticut. Ichabod intends to woo Katrina Van Tassel, the daughter of a wealthy farmer, in order to procure her family's riches for himself. He competes for her affection with Abraham "Brom Bones" Van Brunt, the town rowdy. Unable to goad Ichabod into fighting for Katrina's hand, Brom instead wages a campaign of harassment against the schoolmaster, plaguing him with a series of pranks and practical jokes.
One autumn night, Ichabod is invited to attend a harvest party at the Van Tassel homestead. At the party, Brom tells the story of the Headless Horseman, the notorious ghost of a Hessian trooper decapitated by a cannonball during the Revolutionary War. The Horseman is supposedly buried in a churchyard in Sleepy Hollow and rises from his grave every night to search for his missing head but is supernaturally barred from crossing a wooden bridge that spans a nearby stream.
Katrina rejects Ichabod before he leaves(The narrator does not know what he asked). He leaves the party crestfallen and rides home on a borrowed plow horse named Gunpowder. He encounters a cloaked rider and believes it to be the Headless Horseman. Ichabod rides for his life with the apparition close behind. At the bridge, the Horseman rears his horse and hurls his severed head directly at Crane, knocking him off his horse.
The next morning, Gunpowder is found eating the grass at his master's gate, but Ichabod has disappeared from the area, leaving Katrina to marry Brom Bones. Although the true nature of both the Headless Horseman and Ichabod's disappearance is left open to interpretation, it is implied that the Horseman was actually Brom. A shattered pumpkin is found near Ichabod's hat where he fell, suggesting that the severed head thrown at him was merely a jack-o'-lantern and that Crane survived the fall from Gunpowder and fled Sleepy Hollow in horror.
The story was the longest one published as part of The Sketch Book of Geoffrey Crayon, Gent. (commonly referred to as The Sketch Book), which Irving issued serially throughout 1819 and 1820, using the pseudonym "Geoffrey Crayon".[2] Irving wrote The Sketch Book during a tour of Europe, and parts of the tale may also be traced to European origins. Headless horsemen were staples of northern Europe storytelling, featured in German, Irish (e.g., Dullahan), Scandinavian (e.g., the Wild Hunt), and British legends, and included in Robert Burns's Scots poem "Tam o' Shanter" (1790) and Gottfried August Bürger's Der Wilde Jäger (1778), translated as The Wild Huntsman (1796). Usually viewed as omens of ill fortune for those who chose to disregard their apparitions, these specters found their victims in proud, scheming persons and characters with hubris and arrogance.[3] One particularly influential rendition of this folktale is the last of the "Legenden von Rübezahl" ('Legends of Rübezahl') from Johann Karl August Musäus's literary retellings of German folktales, Volksmärchen der Deutschen (1783).[4]
After the Battle of White Plains in October 1776, the country south of the Bronx River was abandoned by the Continental Army and occupied by the British. The Americans were fortified north of Peekskill, leaving Westchester County a 30-mile stretch of scorched and desolated no-man's-land, vulnerable to outlaws, raiders, and vigilantes. Besides droves of Loyalist rangers and British light infantry, Hessian Jägers—renowned sharpshooters and horsemen—were among the raiders who often skirmished with Patriot militias.[5] The Headless Horseman may have indeed been based loosely on the discovery of such a corpse found in Sleepy Hollow after a violent skirmish and later buried by the Van Tassel family in an unmarked grave in the Old Dutch Burying Ground.[6]
According to another hypothesis, Irving could have drawn the figure of the "headless rider" from German Silesian literature, precisely from the Chronicle of Sprottau (since 1945 Polish Szprotawa) by J.G. Kreis, written in the first half of the 19th century. In the 19th century, the police counselor Kreis noted that, in the previous century, the inhabitants of this city were afraid to move after dusk on Hospitalstrasse (now Sądowa Street) due to the headless rider apparition seen there.[7] In support of the hypothesis, according to information in Polish Reception of Washington Irving's Work: Between Enlightenment and Romanticism by Zofia Sinko, Walter Scott encouraged Irving to learn German to be able to read stories, ballads, and legends in their native language.[8]
Irving, while he was an aide-de-camp to New York Governor Daniel D. Tompkins, met an army captain named Ichabod Crane in Sackets Harbor, New York, during an inspection tour of fortifications in 1814. Irving may have patterned the character after Jesse Merwin, who taught at the local schoolhouse in Kinderhook, further north along the Hudson River, where Irving spent several months in 1809.[9] Alternatively, it is claimed by many in Tarrytown that Samuel Youngs is the individual from whom Irving drew his character.[10] Author Gary Denniss asserts that while Crane is loosely based on Merwin, it may include elements from Youngs's life.[11]
With "Rip Van Winkle", "The Legend of Sleepy Hollow" is one of Irving's most anthologized, studied, and adapted sketches. Both stories are often paired together in books and other representations, and both are included in surveys of early American literature and Romanticism.[12] Irving's depictions of regional culture and themes of progress versus tradition, supernatural intervention in the commonplace, and the plight of the individual outsider in a homogeneous community permeate both stories and helped develop a unique sense of American cultural and existential selfhood during the early 19th century.[13]
"Legend of Sleepy Hollow (2009), orchestra arrangement by Richard Meyer
Sleepy Hollow, New York, as the setting for the story, contains many of the referenced locations, including ones that can still be visited today. Sleepy Hollow, Illinois; Sleepy Hollow, Marin County, California; and Sleepy Hollow, Wyoming, have street names that reference the story. The latter hosts an annual event called Sleepy Hollow Days.[36] There is also a Sleepy Hollow State Park in Laingsburg, Michigan. The original schoolhouse in Kinderhook, New York, is now owned by the Columbia County Historical Society and called the Ichabod Crane Schoolhouse.[37] The area's modern-day school district, Ichabod Crane Central School District, is also named for the character.
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