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Bekennen will ich seinen Namen (I shall acknowledge His name), BWV 200, is an arrangement by Johann Sebastian Bach of an aria from Gottfried Heinrich Stölzel's passion-oratorio Die leidende und am Creuz sterbende Liebe Jesu. He scored it for alto, two violins and continuo, possibly as part of a cantata for the feast of Purification. He probably led the first performance around 1742.
Bach arranged in Bekennen will ich seinen Namen an aria, "Dein Kreuz, o Bräutgam meiner Seelen" (Your cross, o bridegroom of my soul" from Gottfried Heinrich Stölzel's passion-oratorio Die leidende und am Creuz sterbende Liebe Jesu.[1][2] Bach's arrangement, dated around 1742–43,[3] was possibly part of a cantata for the Marian feast of Purification.[4][5] The prescribed readings for the day were Malachi 3:1–4, and Luke 2:22–32.[6]
Bach likely performed his arrangement in 1742 in Leipzig.[6]
The aria is scored for solo alto voice, two violins, and basso continuo.[7] As with many of Bach's latest cantatas, the aria has a "quality of mellow assurance". It is in adapted ternary form but includes no clear reprise of the opening section. The vocal line includes melismas but no other word painting.[8]
- Academy of St Martin-in-the-Fields, Kenneth Sillito. J.S. Bach: Cantatas Nos. 53 · 82 · 170 · 200. Capriccio, 1993.
- Amsterdam Baroque Orchestra, Ton Koopman. J.S. Bach: Complete Cantatas Vol. 21. Antoine Marchand, 2002.
- Bach-Orchester Mainz, Diethard Hellmann. J.S. Bach: Psalm 51 BWV 1083 & Cantata BWV 200. Da Camera, 1966.
- English Baroque Soloists, John Eliot Gardiner. J.S. Bach: Cantatas for the Feast of Purification of Mary. Archiv Produktkion, 2000.
- Netherlands Bach Collegium, Pieter Jan Leusink. Bach Edition Vol. 17. Brilliant Classics, 2000.
- Philomusica of London, Thurston Dart. J.S. Bach: Cantatas BWV 53, BWV 54, BWV 200, BWV 244. L'Oiseau-Lyre, 1958.
- Musica Antiqua Köln, Reinhard Goebel. BWV 200: Aria for contralto, 2 violins and basso continuo Magdalena Kozena Archiv Production 2003
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