Religious folklore of the Nahua peoples of the Triple Alliance (Aztec Empire) From Wikipedia, the free encyclopedia
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico.[1] The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who became the Aztecs arrived from the North into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City– but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth, the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas (Nahuatl-speaking tribes, from tlaca, "man") to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan (the legendary origin of all civilizations).
Mictlantecuhtli (left), god of death, the lord of the Underworld and Quetzalcoatl (right), god of wisdom, life, knowledge, morning star, patron of the winds and light, the lord of the West. Together they symbolize life and death.
The Mexica/Aztec were said to be guided by their patron war-god Huitzilopochtli, meaning "Left-handed Hummingbird" or "Hummingbird from the South." At an island in Lake Texcoco, they saw an eagle, perched on a nopal cactus, holding a rattlesnake in its talons. This vision fulfilled a prophecy telling them that they should found their new home on that spot. The Aztecs built their city of Tenochtitlan on that site, building a great artificial island, which today is in the center of Mexico City. This legendary vision is pictured on the Coat of Arms of Mexico.
Huitzilopochtli is raising up the skies of the South, one of the four directions of the world, surrounded by their respective trees, temples, patterns, and divination symbols.
According to legend, when the Mexica arrived in the Anahuac valley around Lake Texcoco, they were considered by the other groups as the least civilized of all, but the Mexica decided to learn... and they took in all that they could from the other people, especially from the ancient Toltec (whom they seem to have partially confused with the more ancient civilization of Teotihuacan). To the Aztec, the Toltec were the originators of all culture; "Toltecayotl" was a synonym for culture. Aztec legends identify the Toltecs and the cult of Quetzalcoatl with the legendary city of Tollan, which they also identified with the more ancient Teotihuacan.
Because the Aztecs adopted and combined several traditions with their own earlier traditions, they had several creation myths. One of these, the Five Suns, describes four great ages preceding the present world, each of which ended in a catastrophe, and "were named in function of the force or divine element that violently put an end to each one of them".[2]Coatlicue was the mother of Centzon Huitznahua ("Four Hundred Southerners"), her sons, and Coyolxauhqui, her daughter. At some point, she found a ball of feathers and placed it in her waistband, thus becoming pregnant with Huitzilopochtli. Her other children became suspicious as to the identity of the father, and vowed to kill their mother. She gave birth on Mount Coatepec, pursued by her children, but the newborn Huitzilopochtli (born fully armed and prepared to fight) defeated most of his brothers, who then became the stars. He also killed his half-sister, Coyolxauhqui, by tearing out her heart using Xiuhcoatl (a blue snake) and throwing her body down the mountain. This was said to inspire the Aztecs to rip the hearts out of their human sacrifices and throw their bodies down the sides of the temple dedicated to Huitzilopochtli, who represents the sun, chasing away the stars at dawn.
Our age (Nahui-Ollin), the fifth age, or fifth creation, began in the ancient city of Teotihuacan[citation needed]. According to the myth, all the gods had gathered to sacrifice themselves and create a new age. Although the world and the sun had already been created, it would only be through their sacrifice that the sun would be set into motion, and time (as well as history, could begin.) The strongest and most handsome of the gods, Tecuciztecatl, was supposed to sacrifice himself but when it came time to self-immolate, he could not jump into the fire. Instead, Nanahuatl the smallest and humblest of the gods, who was also covered in boils, sacrificed himself first, and jumped into the flames. The sun was set into motion with his sacrifice, and time began. Humiliated by Nanahuatl's sacrifice, Tecuciztecatl, too, leaped into the fire and became the moon.[3]
Chalchiuhtlicue, goddess of running water, lakes, rivers, seas, streams, horizontal waters, storms, and baptism.
Tlazolteotl, goddess of lust, carnality, and sexual misdeeds.
Tepeyollotl, god of the animals, darkened caves, echoes, and earthquakes. Tepeyollotl is a variant of Tezcatlipoca, whose name means "heart of the mountain"
Tlaloc, god of rain, lightning and thunder. He is a fertility god.
Primo Feliciano Velázquez (1975). Códice Chimalpopoca. Anales de Cuauhtitlán y Leyenda de los Soles (in Spanish). Instituto de Investigaciones Históricas. p.161. ISBN968-36-2747-1.
Adela Fernández (1998). Dioses Prehispánicos de México (in Spanish). Panorama Editorial. p.162. ISBN968-38-0306-7.
Cecilio Agustín Robelo (1905). Diccionario de Mitología Nahua (in Spanish). Biblioteca Porrúa. Imprenta del Museo Nacional de Arqueología, Historia y Etnología. p.851. ISBN978-968-432-795-5.
Otilia Meza (1981). El Mundo Mágico de los Dioses del Anáhuac (in Spanish). Editorial Universo México. p.153. ISBN968-35-0093-5.
Patricia Turner and Charles Russell Coulter (2001). Dictionary of Ancient Deities. Oxford University Press. p.608. ISBN0-19-514504-6.
Michael Jordan (2004). Dictionary of Gods and Goddesses. Facts on File. p.402. ISBN0-8160-5923-3.
Nowotny, Karl Anton (2005). Tlacuilolli: Style and Contents of the Mexican Pictorial Manuscripts with a Catalog of the Borgia Group. Norman: University of Oklahoma Press. p.402. ISBN978-0-8061-3653-0.
François-Marie Bertrand (1881). Dictionnaire universel, historique et comparatif, de toutes les religions du monde: comprenant le judaisme, le christianisme, le paganisme, le sabéisme, le magisme, le druidisme, le brahmanisme, le bouddhismé, le chamisme, l'islamisme, le fétichisme (in French). Vol.1, 2, 3, 4. Migne. p.602.
Douglas, David (2009). The Altlas of Lost Cults and mystery religions. Godsfield Press. pp.34–35.
Boone, Elizabeth Hill (2013). Cycles of Time and Meaning in the Mexican Books of Fate. University of Texas Press. ISBN978-0-292-75656-4.
Brinton, Daniel G., ed. (1890). "Rig Veda Americanus". Library of Aboriginal American Literature. Vol.VIII. Project Gutenberg reproduction.(in English and Nahuatl languages)
Leon-Portilla, Miguel (1990) [1963]. Aztec Thought and Culture. Translated by Davis, J.E. Norman, Oklahoma: Oklahoma University Press. ISBN0-8061-2295-1.
Rig Veda Americanus at Project Gutenberg, Daniel Brinton (Ed); late 19th-century compendium of some Aztec mythological texts and poems appearing in one manuscript version of Sahagun's 16th-century codices.
