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2000 novel by Michael Ondaatje From Wikipedia, the free encyclopedia
Anil's Ghost[1] is the fourth novel by Michael Ondaatje.[2] It was first published in 2000 by McClelland and Stewart.
First edition | |
| Author | Michael Ondaatje |
|---|---|
| Cover artist | John Gall |
| Language | English |
| Genre | Historical fiction, crime fiction |
| Publisher | McClelland & Stewart |
Publication date | March 30, 2000 |
| Publication place | Canada |
| Pages | 320 |
| ISBN | 0-7710-6893-X |
| OCLC | 43391071 |
Anil's Ghost follows the life of Anil Tissera, a native Sri Lankan who left to study in Britain and then the United States on a scholarship, during which time she has become a forensic pathologist. She returns to Sri Lanka in the midst of its merciless civil war as part of a human rights investigation by the United Nations. Anil, along with archaeologist Sarath Diyasena, discovers the skeleton of a recently murdered man in an ancient burial ground which is also a government-protected zone. Believing the murder to be politically motivated, Anil and Sarath set out to identify the skeleton, nicknamed Sailor, and bring about justice for the nameless victims of the war.
The story opens up in early March as Anil arrives in Sri Lanka after a 15-year absence abroad. Her visit comes as a result of the increasing number of deaths in Sri Lanka from all the warring sides in the 1980s' civil war. While on an expedition with archeologist Sarath, Anil notices that the bones of a certain skeleton do not seem to be 6th century like the rest which leads her to conclude that the skeleton must be a recent death. Unsure where Sarath's political allegiance lies, Anil is skeptical of his help, but agrees to it anyway.
Along their journey to identify the skeleton, nicknamed Sailor, Anil becomes increasingly suspicious of Sarath. She begins to question his motives and sees his comments as a hint for her to censor herself since their discovery would implicate the Sri Lankan government in the death of Sailor. Later, Anil and Sarath visit his former teacher, Palipana, hoping to have him confirm their suspicions. Palipana then suggests having a reconstruction of the face done so that others might identify him. They agree to do so and head on to a small village named Galapitigama.
There Anil meets Sarath's brother, Gamini, an emergency doctor. She discovers that he is intricately involved in the country's affairs and daily struggles to save the lives of numerous victims. Gamini helps them with a fellow Sri Lankan whose hands have been nailed to a road, and tells them about the various atrocities citizens face as a result of the civil war. Later Anil and Sarath meet with Ananda, on the advice of Palipana, hoping that he will be able to reconstruct the face of Sailor for them. Ananda does so after some days, despite Anil's impatience and skepticism, and then almost immediately attempts suicide, only to be rescued by an intuitive and quick-thinking Anil. Anil and Sarath eventually are able to identify Sailor in a small village.
As Anil prepares a report to present to the authorities, claiming the skeleton as a recent death, and therefore evidence of state or state-sponsored terrorism, the skeleton of Sailor disappears. Frustrated, she goes on with her presentation, using another skeleton, but is upset when Sarath arrives after a lengthy and mysterious absence to ridicule her efforts and claim that she cannot back up her claims with the skeleton she has. Angry and betrayed, on her way out Anil is frequently stopped and inspected, and her belongings and research seized, such that by the time she leaves the building she is left with nothing. Outside, she meets Sarath, who surprises her with the body of Sailor that he has placed in a van. Sarath instructs Anil to prepare a fake report for the government and then leave the country the next morning on a plane that he arranged. Relieved, Anil does so in the hope that the evidence will be sufficient. Sarath's actions, however, have severe consequences, leading ultimately to his death. The novel ends with Ananda sculpting the eyes of a Buddha statue.
 | This section possibly contains original research. (December 2007) |
Anil's Ghost follows a unique structure in which the novel is divided into eight sections: "Sarath", "Grove of Ascetics", "A Brother", "Ananda", "The Mouse", "Between Heartbeats", "The Life Wheel", and "Distance". Each section corresponds to a narrative that deals primarily with a specific subject or character as denoted by the section's title. Additionally, most of the sections are introduced by an italicized personal anecdote about one of the characters related or unrelated to the section. Characters or events are introduced although the actual novel's narrative will not discuss them until later sections. Events from the past are usually unaddressed by the novel and are described within these anecdotes. Most of the anecdotes are told by a third person narrator from the perspective of one of the characters. This creates a sense of urgency for the individual experiences depicted in the anecdotes that lies in contrast to the rest of the novel. The sense of urgency expressed in the anecdotes mirrors the urgency of individuals involved in the war who remain voiceless victims of war crimes. They all have individual stories of their own related to the war that remain untold.
| This section possibly contains original research. (December 2007) |
One of the important symbols in the novel is the skeleton that Anil and Sarath try to identify, Sailor. Sailor's skeleton is the only real evidence that Anil has that would implicate the government in the murder. Sailor serves as a symbol for all of the nameless victims of the civil war. Like the countless victims, Sailor has been burned beyond recognition and his identity has been lost. His remains serve as the only clue that Anil and Sarath have to bring justice to the victims. Anil and Sarath's fight to identify Sailor is a fight to bring a voice to stop war.
Another symbol is Ananda's reconstructed head of Sailor. Ananda sculpts Sailor's head into a peaceful expression, symbolic of the peace that Ananda wishes for his wife and for the rest of his country. The juxtaposition between the tranquil looking head and its decapitated state is also symbolic of the chaos and death that surrounds Sri Lanka. At once Ananda wishes for peace, and yet no matter how much he tries, that peace is artificial. The reconstructed head at the same time can be seen as the naming of victims: "There was a serenity in the face she did not see too often these days. There was no tension. A face comfortable with itself."[3]
Finally, Anil and Sarath are able, with Ananda's help, to bring a voice to the victim: "[T]his head was not just how someone possibly looked, it was a specific person. It revealed a distinct personality, as real as the head of Sarath."[3]
Ondaatje set Anil's Ghost in his homeland of Sri Lanka. During the turbulent period in Sri Lanka from the mid-1980s to early 1990s, the characters in Anil's Ghost face the everyday struggles of living in a warring nation. During this time period, Sri Lanka is divided among three main warring sides with two ethnic groups and the government in a civil war. The novel places a major focus on war and its effects on individuals, families, and entire societies. Families have been torn apart because of the kidnappings or simply because of the stress of war that is too much of a burden.
The Daily Telegraph reported on reviews from several publications with a rating scale for the novel out of "Love It", "Pretty Good", "Ok", and "Rubbish": Independent and reviews under "Love It" and Daily Telegraph and Times reviews under "Pretty Good" and Sunday Telegraph, Observer, and Spectator reviews under "Ok".[4]
Anil's Ghost is a recipient of the Governor General's Award for English-language fiction in 2000,[5] and the Giller Prize.[6]
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