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2005 Indian film From Wikipedia, the free encyclopedia
Anandabhadram (transl.”eternally safe”) is a 2005 Indian Malayalam-language romantic dark fantasy horror film based on the novel of the same name by Sunil Parameshwaran, and directed by Santosh Sivan. The story concerns ghosts, spirits, and black magic. The film stars Manoj K. Jayan as the central character, with Prithviraj Sukumaran and Kavya Madhavan in the titular roles. While Kalabhavan Mani, Biju Menon, Riya Sen, Revathy, Kalasala Babu, Cochin Haneefa and Nedumudi Venu plays other pivotal roles.
| Anandabhadram | |
|---|---|
Promotional poster | |
| Directed by | Santosh Sivan |
| Written by | Sunil Parameshwaran |
| Produced by | Maniyanpilla Raju Ajaya Chandran Nair Reghu Chandran Nair (Sri Bhadra Pictures) Rajendran(Raju) (executive) |
| Starring | Manoj K Jayan Prithviraj Sukumaran Kavya Madhavan Kalabhavan Mani Biju Menon |
| Cinematography | Santosh Sivan |
| Edited by | Sreekar Prasad |
| Music by | Kannan (score) M. G. Radhakrishnan (songs) |
Production companies | Sree Bhadhra Pictures Media Zen |
| Distributed by | Vyshaka Release |
Release date |
|
Running time | 138 minutes |
| Country | India |
| Language | Malayalam |
The film was inspired by the paintings of Raja Ravi Varma, Theyyam, Kathakali dance movements, and Kalaripayattu martial art form. It rode on a renewed interest in both Ravi Varma and Kalaripayattu in and outside of India. Anandabhadram was released on November 4 coinciding with Diwali and received critical acclaim for its screenplay, story, music, cinematography, cast performances and horror elements. Most of the critics praised Manoj K. Jayan's performance as Digambaran and the dark atmosphere of the movie. The film was a massive commercial success. The film won five awards in the 2005 Kerala State Film Awards and two in the 2005 Asianet Film Awards. It also was a commercial success. During production, Santosh replaced Sabu Cyril with Sunil Babu as the art director, M. G. Radhakrishnan replaced Vidyasagar as the music director, Gireesh Puthenchery replaced Sreekumaran Thampy as the lyricist and Kavya Madhavan replaced Meera Jasmine as the actress. The audiography of the film was done by M. R. Rajakrishnan . It was also dubbed in Tamil, Telugu (as Sivapuram), Hindi (as Phir Wohi Darr) and English, and was an inspiration for Tanthra (2006), another Malayalam film.
In the ancient village of Shivapuram, little Ananthan hears a tale from his mother, Gayathri. She tells him that his family comes from a line of powerful magicians named Madambi Tharavadu, and they are responsible for protecting nagamanikyam, a jewel on a serpent's head. The jewel, she narrates, lies in a secret place in the house guarded by snakes, including a tiny snake called Kunjootan.
Years later, obeying the wishes of his dead mother, Ananthan returns to his ancestral village from America to light the lamps at Shivakavu, a dark and mysterious temple of Shiva. On his way home he meets his mother's relative Maravi Mathai on the train. The dreaded wizard named Digambaran opposes the lighting of the lamps on the grounds of local superstitions in order to get his hands on the nagamanikyam and also to take revenge against the entire Madambi Tharavadu family for killing his grandfather Siddhayogigal. Disbeliever Ananthan meets the supernatural for the first time in his life.
In his effort to fit into the local environment, Ananthan gradually wins the villagers' hearts over by his easy and kind manners. This appreciation is breached briefly when Digambaran takes over his mind for a short while. Meanwhile, Ananthan's cousin Bhadra falls for him and his light-hearted flirting, eventually leading to a commitment of love between them. At one point, Bhadra faces the dilemma of choosing between Ananthan's love and becoming a Devi in a mystical ritual of self-offering.
Digambaran's former friend Chemban, a blind martial artist, stands in the way of Digambaran's hunt for the nagamanikyam. Digambaran manages to remove Chemban from his way, and leaves a trail of blood in his wake. Digambaran also lures Chemban's sister Bhama to take her spirit in order to reincarnate Digambaran's lover Subhadra, Bhadra's late elder sister. A series of sensuous and evil magical rites follows that features a wide paraphernalia of the exotic, including Kathakali movements, tantric paraphernalia, traditional magic spells.
At the same time, Digambaran kills Bhama for ruining his brahmacharya. Ananthan and Bhadra escape from Digambaran after Ananthan injures Digambaran using a stone. Chemban decides to destroy Digambaran for killing Bhama and to restore peace in the village. After a sword fight, Chemban cuts off Digambaran's right toe which had the ring containing Digambaran's magical powers and he also gouges out Digambaran's eyes and locked him inside the cave. Digambaran, who now realised that he lost everything, falls on the ground out of grief, when Ananthan, Chemban and Bhadra leave the place. Later, Ananthan and Bhadra reunite after restoring the Nagamanikyam. The film ends with a blind Digambaran helplessly wailing loudly near the cave, after losing his powers, eyesight and everything he possessed.
Ananthabhadram is based on the novel of the same name by Sunil Parameswaran.[1] The story was inspired by tales told to Sunil by his grandmother when he was a child.[1] Director Santosh Sivan was also influenced by such stories told by his own grandmother.[2] Set in rural Kerala, the story is a fairy tale dominated by Shakta black magic, martial arts, and tantric seduction rituals.[2]
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Theyyam and Kathakali: Sivan said he received inspiration from the arts of his country: "We have a rich visual culture and even in Ananthabhadram, I have used certain aspects from Theyyam dancers and Kathakali to create the wizard Digambaran's image. The colour, long nails, kohl-lined eyes and so on were inspired from Theyyam and Kathakali."[2] The sequence between Manoj K Jayan using Riya Sen as a channel for black magic, choreographed by Aparna Sindhoor, the dance director of the film, uses Kathakali movements in particular,[4][5] which has been an inspiration for major Indian films[6] like director Shaji Karun's Vanaprastham (1999)[7] and director Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair (2005).[8]
Kalarippayattu: The film also used Kalarippayattu, the traditional martial art of South India, for the fight sequences between Digambaran and Chemban choreographed by action director Arash.[9] Use of Kalari in the film followed the footsteps of Kalari-based movies like Palattu Koman (1962), Thacholi Othenan (1964), Kannappanunni (1977) and Oru Vadakkan Veeragatha (1989),[10] as well as famous martial art film actor Jackie Chan's The Myth.[11][12] After Asoka, it was the second time the director had used Kalari (as it is known in popular coinage).
Raja Ravi Varma: The director used three paintings of Raja Ravi Varma – Damayanti and the swan, Lady in thought and Girl carrying milk tray – as inspiration to picturize the song Pinakkamano (acted by Prithviraj Sukumaran and Kavya Madhavan; sung by M. G. Sreekumar and Manjari; choreographed by Aparna Sindhoor).[13][14] Sivan said, "Yes, it is a tribute to Raja Ravi Varma, who is so intrinsically etched in every Malayali's mind."[15] This song came in the wake of a renewed interest in Varma's work in Indian showbiz, as evidenced in Indian pop star Falguni Pathak's music video for the song "Meri Chunar Ud Ud Jaaye" (2001, acted by Trisha Krishnan) which emulated Varma's Shakuntala[16] and Shaji Karun's declared film to be made on the artist's life which would feature Madhuri Dixit (actress of Gaja Gamini, a film by painter M.F. Hussain).[17][18][19]
Pattanam Rasheed said about the make-up of the Pinakkamano sequence, "The skin tone I gave the characters is akin to an oil painting, orange-yellow shades, which give a painting-like look. That is why you feel that a painting is coming to life in some shots. The eye and eye brow make-up is also different, according to the old styles in the paintings." Costumer Satheesh said, "Not one of the saris that Kavya wears is complete in itself. To get the colours of the body and border of the sari as close as possible to the ones in the paintings, I shopped in Chennai, Bangalore and Kochi. I had to attach the borders to some of the saris and dyed some to get the right shade... I had to rework all the jewels, with a few stones from one chain added to another." art director Sunil Babu points out that despite attempts at accuracy, in the Damayanthi scene, the swan is missing.[15]
Sabu Cyril was originally scheduled to direct the film with actress Meera Jasmine in the lead.[9][20] Production was delayed due to a strike in the Malayalam film industry in June 2004. Later, Cyril became busy with Shankar's film Anniyan. At this point, Santosh Sivan stepped in to replace Cyril.[21][22][23] Cyril's assistant Sunil Babu art directed the film.[24]
Like his earlier directorial ventures Asoka and The Terrorist (a.k.a. Malli), Santosh was also the cinematographer for Anandabhadram. Prithviraj, as the hero, had his biggest success of 2005, out of the five cinemas he did that year.[25] Manoj K Jayan was to have a sannyasin look with long hair in the proposed Sabu Cyril version, but sported a more contemporary look in the version that was eventually shot, winning many critical accolades.[26] The village and the tharavad/ancestral home shown in the movie was set in a village in Palakkad.
| Anandabhadram | |
|---|---|
| Soundtrack album by | |
| Released | 2005 |
| Genre | Feature film soundtrack |
| Length | 28:52 |
| Producer | Sri Bhadra Pictures |
Initially Sabu Cyril was the film director and Santhosh Sivan was the Cinematographer. Vidyasagar composed songs for the film penned by Sreekumaran Thampi. The songs were never recorded. After some months Sabu Cyril opted not to direct the film due to other reasons. And the film was taken over by Santosh Sivan who appointed M. G. Radhakrishnan for the film.[4] Radhakrishnan went on to win Asianet Film Awards as the best music director for the film's tracks.[27] He also did the score for Sivapuram, the Telugu version of the film.[4] M. G. Sreekumar won Asianet Award as the Best Male Playback Singer for singing "Pinakkamano".[27]
| No. | Title | Singers | Length |
|---|---|---|---|
| 1. | "Malamalalooya" | Kalabhavan Mani | 3:27 |
| 2. | "Thiranurayum" | K. J. Yesudas | 3:44 |
| 3. | "Shivamallikaavil" | K. S. Chithra | 4:05 |
| 4. | "Pinakkamaano" | M. G. Sreekumar, Manjari Babu | 4:15 |
| 5. | "Minnayam Minnum" | K. S. Chithra | 2:21 |
| 6. | "Vasanthamundo" | M.G. Radhakrishnan, Hema | 4:48 |
All lyrics are written by Gireesh Puthenchery; all music is composed by M.G. Radhakrishnan
It is the first Malayalam feature screened using a satellite feed instead of conventional prints;[28] aimed at an international market. it was also dubbed in Tamil, Telugu (as Sivapuram), and English.[4][29] The release of Anandabhadram in India followed that of the horror movie Chandramukhi, starring Rajnikanth, which was a remake of the Malayalam film Manichitrathazhu, creating a brief success for the horror genre.[30] The film was showcased in Osian's Cinefan Festival of Asian and Arab Cinema in 2006.[31]
Anandabhadram received critical acclaim for its screenplay, story, music, cinematography, cast performances and horror elements. Most of the critics especially praised Manoj K. Jayan's performance and the dark ambience of the movie. The film was a massive commercial success.[32][33] According to Maniyanpilla Raju, the film was released on the same day as Mammootty's blockbuster Rajamanikyam and could not compete with it.[34] The songs from the film, Pinakkamano, Thira Nurayam and Malama Lalooya, became the top hits among Malayalam film songs in 2005.[35] The film also inspired director KJ Bose's Tanthra (2006) featuring actors Siddique and Shweta Menon. Sunil Babu, the art director, came to the notice of Kerala audience through the film, especially for his treatment for the Raja Ravi Varma inspired song, Pinakkamano.[36]
Anandabhadram won five awards in the Kerala State Film Awards for 2005, including Best Cinematography (Santosh Sivan), Best Music Direction (MG Radhakrishnan), Best Editing (Sreekar Prasad), Best Art Direction (Sunil Babu) and Best Makeup (Pattanam Rasheed).[37] It won five awards in the Kerala Film Critics Association Awards 2005, including Best Film, Best Director (Santhosh Sivan), Best Actor (Manoj K Jayan), and Best Cinematography (Santhosh Sivan).[38] M. R. Rajakrishnan had won the Amritha Fertanity Award for Best Audiography for his work in this film.
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