Ain't That Good News (album)
1964 final studio album by Sam Cooke From Wikipedia, the free encyclopedia
1964 final studio album by Sam Cooke From Wikipedia, the free encyclopedia
Ain't That Good News is the eleventh and final studio album by the American R&B and soul singer-songwriter Sam Cooke. It was released in February 1964 through RCA Victor Records.[1][5] Recording sessions for the album took place at RCA Victor's Music Center of the World Studio in February and December 1963 and January 1964. The cover photo was taken by American photographer Wallace Seawell. Ain't That Good News was the final studio album to be issued during Cooke's lifetime, before his death at the age of 33. With the exception of "Another Saturday Night", which had been released as a single early in the previous year, Ain't That Good News comprised the first material that Cooke had recorded in the six months following the drowning death of his 18-month-old son Vincent.[6]
| Ain't That Good News | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | February 1964[1] | |||
| Recorded | February 28, 1963 – January 30, 1964 Music Center of the World (Hollywood, California) | |||
| Genre | ||||
| Length | 33:25 | |||
| Label | RCA Victor | |||
| Producer | Hugo & Luigi | |||
| Sam Cooke chronology | ||||
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| Singles from Ain't That Good News | ||||
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The first album that Cooke recorded and released under his new contract with RCA, Ain't That Good News reached No. 34 on the Billboard Pop Albums chart. The album contains "A Change Is Gonna Come", one of Cooke's best-known songs. Though only a modest hit for Cooke in comparison with his previous singles, the song came to exemplify the Civil Rights Movement during the 1960s.[6] The song has gained in popularity and critical acclaim in the decades since its release. Five of the tracks on Ain't That Good News were released as singles. Ain't That Good News was reissued in hybrid CD/Super Audio CD format by ABKCO Records in June 2003 with full music and session credits.[5]
A record that featured one side of harder soul numbers and another of mellower ballads, much like R&B musician Ray Charles' Modern Sounds records, Ain't That Good News reflects Cooke's greater freedom in choosing material and sidemen.[6] Therefore, it offered much pent-up emotional and musical expression, which was unique in the Cooke's output. Musically, Ain't That Good News features two sides of different stylistic approaches by Sam Cooke. According to record producers Luigi Creatore and Hugo Peretti, the first side of the album is "strong and rockin'," while the second side, "ballads....deep and soulful." They went on to write of the album:
In many ways this is a tribute to the developed talents of Sam Cooke. As the skillful and polished performer that he was, Cooke could take any kind of song material and bring it on home to his audience so that it means something.[5]
— Hugo & Luigi
Side one features the nostalgic "Good Times", written by Cooke, and "Another Saturday Night", which he wrote when staying in a hotel room where no female guests were allowed during a tour of the United Kingdom [5] The rolling chorus of "Meet Me at Mary's Place" was also written by Cooke about a gospel promoter in Charlotte, North Carolina where gospel groups often stayed.[6] The country-style "Tennessee Waltz" is given new life here, while the title track, done out of the gospel tradition, would be his greatest hit until the central number on this album.[7] "A Change Is Gonna Come", with its soaring gospel sound and powerful first-person language, was written in response to Dylan's protest anthem "Blowin' in the Wind" and became one of popular music's most well-known message songs, as well as Sam Cooke's signature recording.[6]
Following the centerpiece are orchestrated ballads and standards that are arranged by conductor René Hall. Cooke gives the Irving Berlin tune, "Sittin' in the Sun", a powerful reading as he does with "Home". Ending on a somber and emotional note, the album closes with Sam Cooke's rendition of the traditional Appalachian ballad "The Riddle Song". According to string section leader Sid Sharp, Sam Cooke started to cry at the line "I gave my love a baby with no crying", which was reminiscent of the loss of Cooke's infant child, Vincent.[7]
All songs written by Sam Cooke, except where noted.[5]
| Year' | Peak position[7] | ||
|---|---|---|---|
| US Pop Albums | |||
| 1964 | 34 | ||
| Release Date | Title | Peak positions[7] | ||
|---|---|---|---|---|
| US Pop Singles | US Black Singles | UK Singles Chart | ||
| April 2, 1963 | "Another Saturday Night" | 10 | 1 | 23 |
| January 22, 1964 | "(Ain't That) Good News" | 11 | * | – |
| July 9, 1964 | "Good Times" | 11 | * | – |
| July 9, 1964 | "Tennessee Waltz" | 35 | * | – |
| December 22, 1964 | "A Change Is Gonna Come" | 31 | 9 | – |
* Between late 1963 and late 1964, Billboard Magazine did not publish an R&B singles chart.[7]
An official reissue of Ain't That Good News came nearly forty years after its initial 1964 release on LP format. The reissued compact disc of the album featured Super-Audio and Hybrid format, also known as Super High Material, which enhanced audio quality through the use of polycarbonate plastic. Using a process developed by JVC and Universal Music Japan and discovered through the joint companies' research of LCD display manufacturing, these CDs featured improved transparency on the data side of the disc, allowing for more accurate reading of the data by the CD player laser head. The reissues were fully compatible with standard CD players, and are listed below:[7][8]
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| United States | March 1, 1964 | RCA Victor | mono vinyl LP | LPM-2899 |
| stereo vinyl LP | LSP-2899 | |||
| United Kingdom | March 1, 1964 | RCA | mono vinyl LP | RD-7635 |
| stereo vinyl LP | SF-7635 | |||
| United States | June 17, 2003 | ABKCO | CD reissue | ABKCO-98992 |
| Europe | 2003 | Universal | CD reissue | UMG-9907707 |
| Japan | July 30, 2008 | Universal Japan | CD reissue | UICY-93546 |
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